Yao a yao yao dao waipo qiao (1995)

User Rating:

7.2/10   

Director:

Yimou Zhang

Writers:

Bi Feiyu (writer)
Li Xiao (novel)

Release Date:

22 December 1995 (USA)

Genre:

Crime | Drama

Tagline:

In 1930's Shanghai violence was not the problem. It was the solution.

Plot:

Uncle Liu brings his cousin to Shanghai to work for 'Boss,' the leader of a powerful drug empire in the 1930's...

Plot Keywords:

1930s | Shanghai | Gang War | Boy | Mistress

Awards:

Nominated for Oscar. Another 4 wins & 3 nominations

Cast

Li Gong	...	Xiao Jingbao
Baotian Li	...	Tang, the Gang Boss
Wang Xiaoxiao	...	Shuisheng, the boy
Xuejian Li	...	Liu, 6th Uncle
Chun Sun	...	Song, Tang's No. 2
Biao Fu	...	Zheng, Tang's No.3
Shu Chen	...	Shi Ye
Liu Jiang	...	Fat Yu
Baoying Jiang	...	Cuihua, the Widow
Yang Qianquan	...	Ah Jiao
Ying Gao
Weiming Gao
Lian Shuliang
Wang Ya'nan
Zhang Yayun

Also Known As:

Shanghai Triad

MPAA:

Rated R for some language and images of violence.

Runtime:

103 min | Canada:108 min

Country:

France | China

Language:

Mandarin

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby

Certification:

Iceland:12 | South Korea:18 | Australia:M | Argentina:16 | Chile:18 | Finland:K-14 | Peru:14 | Portugal:M/12 | Singapore:PG | Spain:13 | Sweden:15 | UK:15 | USA:R

Filming Locations:

Shanghai, China

Company:

Alpha Films

Quotes:

6th Uncle: The Boss always says, "Women's business is nothing but wind. Men's business, no matter how small, is important."

Movie Connections:

Referenced in Film Geek (2005)

Wonderful

This film is, foremost, a gangster film, but Zhang Yimou tells it from a much more interesting angle. As far as the plot about moles and trying to find the traitor in the group, it's old hat. What isn't, however, is seeing how the children, practically enslaved by a triad boss, begin to slowly turn into the type of people that Tang and Bijou are throughout the movie.

Another refreshing change was, despite Tang's wealth, the triads are not romanticized like the mafia often is in this country. Tang, unlike Vito Corleone, is a ruthless killer, born and bred, not a family man forced into a situation.

What impresses me most about Zhang Yimou's films are the cyclic nature, where everything comes full circle in the end. For many, the colors and political messages are the topic of discussion, but watching events carry out within a restricted time, and follow the Eastern idea of cyclical rather than linear time, is more interesting, since these characters continue to develop in one's head even after the movie has ended.