Two Arkansas firemen, Vince and Don, get hold of a map that leads to a cache of stolen gold in an abandoned factory in East St. Louis. What they don't know is that the factory is in the ... See full summary »
Johnny Handsome is a deformed gangster who plans a successful robbery with a friend of his, Mikey Chalmette, and another couple (Sunny Boid and Rafe Garrett). During the heist, Johnny and ... See full summary »
A squad of National Guards on an isolated weekend exercise in the Louisiana swamp must fight for their lives when they anger local Cajuns by stealing their canoes. Without live ammunition ... See full summary »
Jack is now out of jail and he meets Nick, his adolescent son. Their relationship will be complicated, because Jack has a problem with alcohol. But his love for Nick will help him to get over the past and reach his dreams.
At the end of the Civil War, Frank and Jesse James and other former guerillas who rode with Quantrill and Bill Anderson take the oath of allegiance to the Union. Feeling oppressed by ... See full summary »
Wild Bill Hickok, famed lawman and gunman of the Old West, is haunted by his past and his reputation. He is loved by, but cannot love, Calamity Jane. Dogging his trail is young Jack McCall, who blames Bill for abandoning the boy's mother and destroying her life. McCall has sworn to kill Bill, and Bill's ghosts, his failing eyesight, and his fondness for opium may make McCall's task easier. Written by
Jim Beaver <firstname.lastname@example.org>
Walter Hill had seen the play Fathers and Sons in 1980, as he was planning a film about Wild Bill Hickock. See more »
When Bill arrives in Deadwood for the first time, just after the Stagecoach door opens, the camera skips to the next angle behind the Stagecoach. Bill steps out as if the carriage has just stopped, however, the mud that the wheel has accumulated has dried on the tread part in clumps. If the Stagecoach had just stopped, the mud would still be wet on the tread of the wheel. If the road were dry, the treads would be clean as the rolling wheel would have broken the dried mud loose as it rolled against the dry ground. See more »
I've been checking out the comments on this film and they seem to be in line with most of the other reactions I've heard. It's important to say up front that this is not a film for Western fans. It's not a film for action fans. It's not for history buffs who care only about the facts. It's not a film for people who want to see a good story told simply.
Wild Bill is one of the richest and most disturbing films ever made about the American West. It shows us a complicated man without trying to explain or rationalize the contradictions in his character. He's capable of love, but he also commits acts of brutal violence. He cares for his friends but he holds them all at arm's length. And he feels compelled to play the part of the living legend to the end, come what may.
I suspect that Walter Hill chose this subject because he identified strongly with Wild Bill himself. But whether or not this is true, the contradictions in Hickok's character are a part of this country's character. Hill was lucky to have Jeff Bridges in the lead. It's one of his finest performances. Though Wild Bill doesn't voice doubts about his life out loud, Bridges' face shows us that he doesn't understand himself the reasons for many of his actions.
The story is not told in chronological order, but the organization of the sequences is not haphazard. In fact it's beautifully thought out. This is not a film for everybody, but I think it deserves a lot more attention than it's gotten so far. I feel like fans of Walter Hill's work will see the same thing I do: a beautiful and haunting meditation on why this country is the way it is.
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