Billy "The Kid" and his gang is wanted by the law, and when "Doc" Scurlock and Chavez are captured, Billy has to save them. They escape and set south for Mexico. "Let's hire a thief to ... See full summary »
The McCandles ranch is run over by a gang of cutthroats led by the evil John Fain. They kidnap little Jacob McCandles and hold him for a million dollar ransom. There is only one man who is ... See full summary »
Taw Jackson returns from prison having survived being shot, to the ranch and gold that Frank Pierce stole from him. Jackson makes a deal with Lomax, the man who shot him 5 years ago to join... See full summary »
When a Midwest town learns that a corrupt railroad baron has captured the deeds to their homesteads without their knowledge, a group of young ranchers join forces to take back what is ... See full summary »
Wild Bill Hickok, famed lawman and gunman of the Old West, is haunted by his past and his reputation. He is loved by, but cannot love, Calamity Jane. Dogging his trail is young Jack McCall, who blames Bill for abandoning the boy's mother and destroying her life. McCall has sworn to kill Bill, and Bill's ghosts, his failing eyesight, and his fondness for opium may make McCall's task easier. Written by
Jim Beaver <firstname.lastname@example.org>
More than 30 years earlier, the part of Wild Bill Hickok was played by Jeff Bridges' father, Lloyd Bridges, in a 1964 episode of the television series _"The Great Adventure" (1963)_. See more »
The whole sequence with the hired gunmen is fiction. Jack McCall worked alone. His reason for killing Wild Bill is disputed but it was thought to be either being embarrassed by Will Bill paying for his breakfast that morning or being paid to do it by gamblers frightened that Wild Bill might become Deadwood's sheriff. See more »
He had found the band of jackals he needed. But as Jack McCall rode through the center of town, he experienced the terrifying certainty that a man faces when he's about to make his own name famous. He lacked both a hero's calm and a coward's resolve to survive at any price.
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"The hardest steel is forged in the hottest fires..." The Wild West in the years following The Civil War must've been very close to the West as Walter Hill envisions it here; if not in fact, then most certainly in tone. Life was cheap: pick up any one of the magazines or books devoted to same and take a gander at the bodies on display in storefronts and on boardwalks (or laid out in the sun, or dangling from the limbs of trees). The man who walked away from a gunfight was the man who got there first with the most. He what hesitated, was lost. Jeff Bridges as WILD BILL is a man with a hair-trigger; he HAD to be. (Otherwise, he would've been BELLY-UP BILL, and a lot less interesting.) He literally fights- with fists or with guns- at the drop of a hat. Not the kind of man you take lightly. He drowns his sorrows in booze and pipes and the black and white flashbacks (with the camera canted just enough to suggest an off-kilter dream state) are great. See this one because you like hard-hitting, no-nonsense westerns or because you prefer superior craftsmanship- but SEE it; to miss it would be to pass up one of the finest westerns to ever come thunderin' down the trail.
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