Johnny Handsome is a deformed gangster who plans a successful robbery with a friend of his, Mikey Chalmette, and another couple (Sunny Boid and Rafe Garrett). During the heist, Johnny and ... See full summary »
Two Arkansas firemen, Vince and Don, get hold of a map that leads to a cache of stolen gold in an abandoned factory in East St. Louis. What they don't know is that the factory is in the ... See full summary »
A squad of National Guards on an isolated weekend exercise in the Louisiana swamp must fight for their lives when they anger local Cajuns by stealing their canoes. Without live ammunition ... See full summary »
In the depression, Chaney, a strong silent streetfighter, joins with Speed, a promoter of no-holds-barred street boxing bouts. They go to New Orleans where Speed borrows money to set up ... See full summary »
Jack is now out of jail and he meets Nick, his adolescent son. Their relationship will be complicated, because Jack has a problem with alcohol. But his love for Nick will help him to get over the past and reach his dreams.
Wild Bill Hickok, famed lawman and gunman of the Old West, is haunted by his past and his reputation. He is loved by, but cannot love, Calamity Jane. Dogging his trail is young Jack McCall, who blames Bill for abandoning the boy's mother and destroying her life. McCall has sworn to kill Bill, and Bill's ghosts, his failing eyesight, and his fondness for opium may make McCall's task easier. Written by
Jim Beaver <firstname.lastname@example.org>
In the scene where Calamity Jane is making an Eggnog in the milkshake machine for an opium hung-over Wild Bill, she is seen cranking the machine in opposite directions in the cuts back and forth between her and Bill. See more »
"The hardest steel is forged in the hottest fires..." The Wild West in the years following The Civil War must've been very close to the West as Walter Hill envisions it here; if not in fact, then most certainly in tone. Life was cheap: pick up any one of the magazines or books devoted to same and take a gander at the bodies on display in storefronts and on boardwalks (or laid out in the sun, or dangling from the limbs of trees). The man who walked away from a gunfight was the man who got there first with the most. He what hesitated, was lost. Jeff Bridges as WILD BILL is a man with a hair-trigger; he HAD to be. (Otherwise, he would've been BELLY-UP BILL, and a lot less interesting.) He literally fights- with fists or with guns- at the drop of a hat. Not the kind of man you take lightly. He drowns his sorrows in booze and pipes and the black and white flashbacks (with the camera canted just enough to suggest an off-kilter dream state) are great. See this one because you like hard-hitting, no-nonsense westerns or because you prefer superior craftsmanship- but SEE it; to miss it would be to pass up one of the finest westerns to ever come thunderin' down the trail.
19 of 23 people found this review helpful.
Was this review helpful to you?