Critic Reviews

67

Metascore

Based on 20 critic reviews provided by Metacritic.com
90
This is a formula film, but it has the kind of good cheer and fine tuning that occasionally give slickness a good name.
80
Empire
Bullock is a delight, disarmingly kooky, pleasing to look at, and - as she has previously proved - a gifted comedic actress.
75
It's a feel-good film, warm and good-hearted, and as it was heading for its happy ending, I was still a little astonished how much I was enjoying it.
75
It's a feel-good deal you can take the whole family to, or even better, a date. And this almost cuddly film, built on a farfetched case of mistaken identity, delivers plenty of fun.
63
ReelViews
The plot runs out of steam just past the one-hour mark and the charade, although necessary to the story, goes on for too long. The ending is, of course, the requisite happy one, but it seems a little anticlimactic.
50
It's charming, in its own little way, but really, this film has as much substance as a Cirrus cloud, despite fine turns from Boyle as the family patriarch and Warden as Godfather Saul.
50
In general, the script is just slightly above sitcom level, but a few lines, owing to great delivery by terrific actors, raise this a few notches on the comedy scale.
50
Its attitude seems to be: You met her and liked her in "Speed," now get to know her better. But while it's easy to like her, liking the movie is another matter.
40
A wobbly romantic comedy, Sleeping plays its romantic elements just right, but badly botches the comedy.
40
Chicago Reader
The plot of this 1995 romantic comedy, directed by Jon Turteltaub ("Cool Runnings") from a script by Daniel G. Sullivan and Fredric Lebow, is pretty stupid throughout, and the filmmakers show no compunction in shaking its silliness in your face, but the film's casual warmth may make you tolerate some of the shortcomings.

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