A lonely doctor who once occupied an unusual lakeside home begins exchanging love letters with its former resident, a frustrated architect. They must try to unravel the mystery behind their extraordinary romance before it's too late.
Lucy's life consists of constant loneliness that is until she saves Peter's life. Now she is a part of his family, and with a strong heart and fate on her side, others begin to realize what a terrific person she is, especially Jack, Peter's brother. An extraordinarily true-to-life sequence of events begin to take place as Lucy and Jack become closer and learn more about each other and themselves than one would ever expect from such coincidental, yet believable events. Written by
Michael Lee Pollock <firstname.lastname@example.org>
Images of the world and Sleeping Beauty recur in the film: the young version of Lucy in the beginning is being read "Sleeping Beauty" by her father (the film is a role reversal of "Sleeping Beauty": Peter is the beauty, and Lucy the Prince); Lucy has a globe in her apartment (visible after talking to Jack), and of course the gift of her mother to her father, the light up globe lamp recurs as well. See more »
After Jack's truck is blocked in, he and Lucy both have to walk home from Peter's apartment. But we know from earlier that Peter's car is parked at his apartment and Lucy has the keys. They could have used Peter's car to get home. See more »
Look at the bright side. He has more room in his jockey shorts.
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This was the picture which proved things could be all about Sandra Bullock. "Speed" - one year earlier - showed this. This picture proved it. A lot of people nowadays make fun of a typical Bullock picture and speak of her as negligible in this day and age. They probably forget or were never aware that she was hailed as America's new sweetheart back in '95 and it was no idle chatter. There are very few actresses who can carry a picture on their own slight shoulders - I mean, really make it a success. Sure, Bill Pullman helped, but this really was Sandra all the way, in a sappy, soapy, cliché-ridden slight story of sudden romance usually very hard to buy into. But because Sandra is there on the screen throughout nearly every frame, it all works out, and you're rooting for her happiness in the final few minutes even knowing very well what is about to happen. It's like you've seen it all before, but Sandra makes you want to see it again. We are all very fortunate, those of us who have seen this story, that it was Sandra in the central role and not someone like (shudder) Demi Moore. And if a guy is really fortunate, he may meet someone like Sandra in real life.
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