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At the world premiere of “Trainwreck” at the SXSW Film Festival last March, the loudest laughs from inside the theater came from the film’s director, Judd Apatow. Slumped down in a seat behind his new star, Amy Schumer, Apatow was so invested in the story about a thirtysomething magazine journalist who emerges from a series of one-night stands to begrudgingly find true love that he actually shushed a nearby, mortified fan who tried to open a candy wrapper.
Later, Apatow and Schumer would deliver a standup comedy set in Austin that provided the launching pad for a national tour they’d announce. And “Trainwreck,” which opens today, will keep the laughs coming. Apatow, one of the most prolific producers in Hollywood (“Girls,” “Anchorman 2,” “Begin Again,” “Pee-Wee’s Big Holiday,” etc.), has been selective about his own directorial projects. “Trainwreck” is his first film since 2012’s “This is 40, »
- Ramin Setoodeh
With production underway on Todd Solondz’s (Happiness) new film Wiener-Dog, Deadline is reporting that Kieran Culkin, Danny DeVito, Brie Larson, Ellen Burstyn, Zosia Mamet and Tracy Letts have signed on to the cast alongside Julie Delpy and Greta Gerwig.
Wiener-Dog will feature some characters from Solondz’s 1995 film Welcome to the Dollhouse, and is set to tell several stories featuring people who find their life inspired or changed by one particular dachshund.
The film is shooting now, with Annapurna Picture and Killer Films producing.
- Gary Collinson
"Claire Denis is teaming with British writer Zadie Smith on her first English-language film, which is set in space," reports Screen's Andreas Wiseman. She'll also be working with Olafur Eliasson, astrophysicist Aurélien Barrau and, once again, with Stuart Staples of Tindersticks. Also in the works: Todd Solondz's Wiener-Dog, a sort-of sequel to Welcome to the Dollhouse, with Greta Gerwig, Julie Delpy, Kieran Culkin, Danny DeVito, Brie Larson, Ellen Burstyn, Zosia Mamet and Tracy Letts. William Friedkin will direct and executive produce a TV adaptation of his 1985 film To Live and Die in L.A. Miroslav Slaboshpitsky's followup to The Tribe, Luxembourg, gets funding. And more. » - David Hudson »
The film is a follow-up to Solondz’s 1996 drama “Welcome to the Dollhouse,” in which the main character, Dawn Wiener — played by Heather Matarazzo — was teased with the nickname “Wiener Dog.” The castings of Gerwig, who will be playing the adult version of Dawn Weiner, and Delpy had been previously announced.
Megan Ellison is producing through her Annapurna Pictures alongside Christine Vachon of Killer Films. David Distenfeld is the executive overseeing the project for Annapurna Pictures, and David Hinojosa is overseeing for Killer Films.
The film tells several stories featuring people who find their life inspired or changed by one particular dachshund, who seems to be spreading comfort and joy.
- Dave McNary
Indie filmmaker Todd Solondz loves to play within his own cinematic universe ala Kevin Smith and Quentin Tarantino. 2009’s “Life During Wartime” is a quasi sequel to 1998’s “Happiness” and 2004's "Palindromes" begins at the funeral for Dawn Wiener, the protagonist from his debut feature “Welcome to the Dollhouse.” Well, Solondz is either ignoring his own cannon or just changing history with “Wiener-Dog,” his upcoming Annapurna Pictures comedy. The movie stars Greta Gerwig as the aforementioned Dawn Wiener grown up and the comedy tells several stories featuring people who find their life inspired or changed by one particular dachshund, who seems to be spreading comfort and joy Principal photography has begun on “Wiener-Dog,” and Annapurna has revealed its cast which includes the previously in-talks Julie Delpy, plus Kieran Culkin, Danny DeVito, Brie Larson, Ellen Burstyn, Zosia Mamet and writer/actor Tracy Letts. Megan Ellison is producing through her Annapurna »
- Edward Davis
Wiener-Dog relates several stories featuring people who find their life inspired or changed by a dachshund. »
- email@example.com (Jeremy Kay)
Erich von Stroheim's Greed tops Jonathan Rosenbaum's list of "The Greatest American Films Ever Made." More lists: "25 Emerging North American Indie Directors You Need To Know" and "Experimental Film & Video @ Los Angeles (1958 - 2010)." Also today: Terrence Rafferty on "The Decline of the American Actor"; James Knight on Samuel Fuller's Forty Guns; Me and Earl and the Dying Girl, pro and con; interviews with John Akomfrah, Hirokazu Koreeda, Mia Hansen-Løve and Miroslav Slaboshpitsky; a big awards night for Sebastian Schipper's Victoria; Todd Solondz's sequel to Welcome to the Dollhouse with Greta Gerwig and Julie Delpy—and more. » - David Hudson »
Pretty Little Liars is becoming a completely different show, in a good way. Here's Caroline's review of the latest episode...
This review contains spoilers
6.2 Songs Of Innocence
This is not the show it used to be. That show, the one with the lip-gloss and the perfect hair and the silly soap opera drama might be gone for good. At the very least, it's been paused. Songs Of Innocence is nothing like an episode of Pretty Little Liars at all, really, taking a step back from the mystery and just allowing us to look at these girls, what they've been through, and what they've been forced to become.
The previous two episodes, Welcome To The Dollhouse and Game On, Charles, were over-the-top, macabre Pll at its very, very best, but this is the other side of the show. It's the Liars, their friendship and their furious resilience in the face of »
Angelina Jolie celebrates her 40th birthday today (June 4), and to mark the occasion here at Digital Spy we've rifled through our DVD collections to pick out our favourite Jolie films.
Remember her breakthrough with Hackers way back in the '90s? How about the ass-kicking turn in Tomb Raider or her soulful performance in A Mighty Heart? Read on to find out our Jolie favourites then have your say on her best big screen roles in the comments below...
With Hackers already spoken for, and Morgan Freeman's ridiculous 'loom of fate' ruining the otherwise rather decent Wanted, Jolie's turn as gaming icon Lara Croft looms largest over her career for me – largest in that it's still somehow seen as a rather huge mistake that she inexplicably recovered from. That reputation is one really worth reassessing, though. Sure, Jolie only narrowly missed out »
As Pretty Little Liars opens its penultimate season, it's clear that it's so much more than either a mystery or teen drama...
This review contains spoilers.
6.1 Game On, Charles
The mystery isn't the point. I feel like that's an especially important thing to remind ourselves of as we enter this penultimate season of Pretty Little Liars. It doesn't matter who A ends up being, because A isn't our protagonist. This show is about it's titular Liars, whether that's our core four of Aria, Spencer, Hanna and Emily, or those inducted later like Alison and Mona or even Ezra and Toby.
This show pitches itself as a mystery show, but it also masquerades as a teen drama. It's neither and both of those things at its core, but I'd argue that the reason it's been on the air so long and retains so much of its Twitter-friendly popularity is because it's »
All week long our writers will debate: Which was the greatest film year of the past half century. Check here for a complete list of our essays. Just one glance at the Oscar nominees for 1998 might make it seem less a questionable choice for “best year in film” — and more an insane one. Instead of a 1974 – The Godfather II, The Conversation, Chinatown, Blazing Saddles, Young Frankenstein, etc – or even a 1994, where Shawshank, Quiz Show, and Pulp Fiction lost to Gump – you choose a year where the Oscars would allow Roberto Benigni to climb atop both the figurative and literal chairs of the Shrine? Fine, step away from the Oscars. Would you still celebrate a year that saw not one, but two movies about asteroids threatening the Earth? A year that saw such scars carved across cinematic history as Patch Adams, My Giant, Stepmom, and Krippendorf’s Tribe? It bears repeating: Krippendorf’S Tribe? »
- Michael Oates Palmer
All week long our writers will debate: Which was the greatest film year of the past half century. Click here for a complete list of our essays. How to decide in the grand scheme of things which film year stands above all others? History gives us no clear methodology to unravel this thorny but extremely important question. Is it the year with the highest average score of movies? So a year that averages out to a B + might be the winner over a field strewn with B’s, despite a few A +’s. Or do a few masterpieces lift up a year so far that whatever else happened beyond those three or four films is of no consequence? Both measures are worthy, and the winner by either of those would certainly be a year not to be sneezed at. But I contend the only true measure of a year’s »
- Richard Rushfield
Director Asia Argento's startling new work Incompresa was one of my very favorite films from last year (check out my review) and a new international trailer has surfaced that does a really nice job of hinting at the film's youthful anarchy. It's missing some of the movie's pathos, but since Incompresa is a film that also celebrates the ups that accompany the downs of adolescence, it feels appropriate to post. I urge you to check out this movie (I rarely lay down my affection for a film that hard in a review) when it gets a Us release date. It's probably closer to The 400 Blows than Welcome to the Dollhouse, but viewing it though either of those aesthetic lenses should suit you just fine. Check out the Incompresa trailer below. The film stars Charlotte Gainsbourg, Giulia Salerno and Gabriel Garko. We'll let you know about the Us release »
- Evan Dickson
Pretty Little Liars' season 5 finale went a long way to fixing what's been wrong with the show of late, and in a really exciting way...
This review contains spoilers.
It was a gradual process, turning away from Pretty Little Liars. It wasn’t with one episode or one storyline (though the Ezra-is-a debacle almost qualified) that forced me to take a step back from the mystery, the characters and the series in general, but rather a frustration with how convoluted it had become – hard to theorise about and near-impossible to come up with any sort of coherent answer.
Maybe it’s my own residual Ptsd from Lost, or maybe it was an actual problem the show had to solve. Either way, this episode went a long way to fixing what I perceived to have broken about the show, and it did so in the most exciting, »
Pretty Little Liars finally unmasked A when Spencer, Aria, Hanna and Emily found themselves trapped in an A-made dollhouse with a very much alive Mona in the season 5 finale, “Welcome to the Dollhouse.” Pll 5×25 Recap We begin with the girls being transported in a van, supposedly to another prison. Aria (Lucy Hale), Hanna […]
The post ‘Pretty Little Liars’ Finale Recap: Mona Lives, ‘A’ Is Revealed appeared first on uInterview. »
- Olivia Truffaut
Warning, do not continue reading if you've yet to watch Pretty Little Liars' season five finale. This post contains the most major of major spoilers! She's ba-aaack! Anyone else calling a repairman in the morning to fix the dent on their floor left by their jaw hitting it so hard during Pretty Little Liars' season five finale, "Welcome to the Dollhouse," which finally revealed "A"'s identity?! And oh yeah, brought Mona (Janel Parrish) back from the dead! That's right, Mona has been alive this whole time, with "A" (or should we say Charles now?!) faking her death and holding her hostage in a dollhouse, forcing her to be his personal Alison Dilaurentis (Sasha »
And one of TV's biggest mysteries ever has come to a close. March 24, 2015 will go down in TV history as the day Pretty Little Liars' finally revealed who Big :A" is. And it was so worth the five-season wait. Warning, major spoilers ahead! But the "A" reveal was just one of many moments that left us tweeting in all-caps and screaming in our living rooms (Sorry, neighbors!) during "Welcome to the Dollhouse" on Tuesday night as the ABC Family hit series delivered its craziest and most-twisted episode ever, with our four Liars actually becoming "A"'s playthings in his super-creepy and shockingly hi-tech personal dollhouse. Here are Tk moments that blew our freaking minds »
The finale of Pretty Little Liar's fifth season, "Welcome to the Dollhouse," is so crazy, so twisty and so full of shocking revelations that it's not easy to figure out where to begin. Let's just say this: it's very, very good.
We finally discover the identity of Big 'A' (although not in the definite way some viewers might have been hoping), a beloved character is resurrected, the Hastings find out what's going on, the police finally know what they're dealing with and the liars are forced to attend a prom from hell.
Pll + Oitnb = the mashup of our TV-obsessed dreams. In tonight's epic finale, Pretty Little Liars is finally giving fans the answer to the ABC Family hit's biggest mystery: "A"s identity will be revealed. And our gorgeous Liars are going to look very orange when they finally learn the truth. "Orange is our color!" Shay Mitchell tells E! News' Ali Fedotowsky of the jail jumpsuit chic look that Emily, Aria (Lucy Hale), Spencer (Troian Bellisario) and Hanna (Ashley Benson) are rocking in "Welcome to the Dollhouse" after they were all arrested at the end of last week's episode. But Mitchell and her co-stars didn't mind trading in their stylish wardrobes for the orange »
"You just can't be ready for it." Gulp. That's what Pretty Little Liars boss Marlene King tweeted about Tuesday's epic season five finale, "Welcome to the Dollhouse," which will finally reveal the ABC Family hit's biggest mystery: who the heck is "Big A"?! And while you probably won't every be fully ready for it, you can prepare yourself as much as possible, and we're here to help. We recruited Marlene King to pick the five episodes Pll fans should rewatch, pause and rewind to look for clues during right now, the ones that are the most essential to check out before watching the finale. Marlene King's List of the 5 Episodes to Rewatch: 1. »
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