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Directed by | |||
| Kevin Reynolds | |||
| Kevin Costner | (uncredited) | ||
Writing credits(WGA) | ||
| Peter Rader | (written by) and | |
| David Twohy | (written by) | |
Produced by | |||
| Kevin Costner | .... | producer | |
| John Davis | .... | producer | |
| David Fulton | .... | associate producer | |
| Charles Gordon | .... | producer | |
| Lawrence Gordon | .... | producer | |
| Ilona Herzberg | .... | executive producer | |
| Gene Levy | .... | line producer | |
| Andrew Licht | .... | executive producer | |
| Jeffrey A. Mueller | .... | executive producer (as Jeffrey Mueller) | |
Original Music by | |||
| James Newton Howard | |||
| Artie Kane | |||
Cinematography by | |||
| Scott Fuller | |||
| Dean Semler | |||
Film Editing by | |||
| Peter Boyle | |||
Casting by | |||
| David Rubin | |||
Production Design by | |||
| Dennis Gassner | |||
Art Direction by | |||
| David F. Klassen | |||
Set Decoration by | |||
| Nancy Haigh | |||
Costume Design by | |||
| John Bloomfield | |||
Makeup Department | |||
| David LeRoy Anderson | .... | makeup artist | |
| Carol Borden | .... | body makeup | |
| Janis Clark | .... | hair stylist | |
| Joe Colwell | .... | prop maker | |
| Paulette Crammond | .... | makeup artist | |
| Diane Cummings | .... | body makeup | |
| Elle Elliott | .... | hair styles supervisor | |
| James Lee McCoy | .... | key makeup artist | |
| Francisco X. Pérez | .... | makeup supervisor (as Frank Perez) | |
| Jeanne Van Phue | .... | key makeup artist: second unit | |
| Jeanne Van Phue | .... | makeup artist | |
| Susan Zietlow-Maust | .... | department head hairstylist: 2nd unit (uncredited) | |
Visual Effects by | |||
| Carol Ashley | .... | compositing supervisor for dive sequence: Cinesite | |
| Richard Bain | .... | visual effects | |
| Jacquie Barnbrook | .... | digital assistant | |
| Jacquie Barnbrook | .... | visual effects digital assistant | |
| Alan Barnett | .... | digital effects supervisor: Sight Effects | |
| Andre Bustanoby | .... | 3D tracking: Boss Film Studios | |
| David Cohen | .... | model maker foreman | |
| Kerry Colonna | .... | digital effects | |
| Charles Darby | .... | matte paintings | |
| Robin L. D'Arcy | .... | line producer: Stetson Visual Services (as Robin d'Arcy) | |
| Robin L. D'Arcy | .... | model photography producer: SVSI | |
| Melissa Davies | .... | digital effects supervisor: Sight Effects | |
| Aaron Dem | .... | freelance visual effects coordinator: Warner Bros | |
| Krystyna Demkowicz | .... | executive in charge of production | |
| Natasha Devaud | .... | digital artist | |
| Sean Dever | .... | 3D digital artist | |
| Jason Dowdeswell | .... | digital compositor | |
| Justin Dragonas | .... | assistant visual effects coordinator | |
| Colin Drobnis | .... | digital compositor | |
| Christopher Duddy | .... | visual effects units camera operator | |
| Christopher Edwards | .... | digital imaging supervisor: Boss Film Studios (as Chris Edwards) | |
| Theresa Ellis | .... | digital effects supervisor | |
| Bob Fernley | .... | digital recording operator | |
| Bob Fernley | .... | digital scanning operator | |
| Jim Flynn | .... | assistant effects editor | |
| Mark O. Forker | .... | digital compositing supervisor: Digital Domain | |
| Sautai Fred | .... | technical director | |
| David Fuhrer | .... | digital artist: CFC | |
| Todd Fulford | .... | computer animator | |
| Scott Fuller | .... | visual effects units camera operator | |
| Alex Funke | .... | dive sequence miniatures | |
| Alex Funke | .... | tanker blue screen sequences visual effects supervisor | |
| Alex Funke | .... | visual effects director of photography | |
| Gil Gagnon | .... | associate producer: Cinesite | |
| Bill Gilman | .... | digital camera matchmover: Cinesite Hollywood | |
| Robin Griffin | .... | visual effects producer | |
| Rae Griffith | .... | visual effects unit production supervisor | |
| Craig Halperin | .... | digital compositor: Digital Domain | |
| Greg Hanigan | .... | scanning and recording | |
| Rudy Hassen | .... | digital effects supervisor: Sight Effects | |
| Adam Hill | .... | modelmaker: SVSI | |
| K.C. Hodenfield | .... | first assistant director: visual effects unit | |
| Rob Hodgson | .... | visual effects | |
| Christer Hokanson | .... | visual effects units additional editor | |
| Chris Holmes | .... | digital artist | |
| Ian Hulbert | .... | digital artist: Rhythm & Hues | |
| Doug Ikeler | .... | 3D artist | |
| Rodney Iwashina | .... | motion tracking supervisor | |
| Karin Joy | .... | visual effects coordinator | |
| Michael Karp | .... | motion control operator | |
| Carole A. Kenneally | .... | visual effects units editor | |
| Suella Kennedy | .... | visual effects producer: Cinesite | |
| Daryl Klein | .... | digital artist | |
| Kristin Klier | .... | post production assistant | |
| Joshua I. Kolden | .... | digital artist | |
| Brad Kuehn | .... | senior digital effects supervisor: Cinesite (as Brad C. Kuehn) | |
| Don Lee | .... | digital compositor | |
| Mary Leitz | .... | rotoscope artist | |
| Dan Levitan | .... | technical assistant | |
| Janice Lew | .... | computer animator | |
| Gregory D. Liegey | .... | visual effects composite artist | |
| Charles Linehan | .... | visual effects coordinator | |
| Kevin Lingenfelser | .... | digital paint supervisor: Cinesite | |
| Kenneth Littleton | .... | digital effects compositor | |
| Bob Lyss | .... | digital compositor | |
| Anthony Mabin | .... | digital effects compositor: Cinesite | |
| James Madigan | .... | scanning and recording technician | |
| Al Magliochetti | .... | digital artist | |
| Michael J. McAlister | .... | visual effects supervisor (as Micheal J. McAlister) | |
| Mark Michaels | .... | data operations supervisor | |
| Raquel Morales | .... | computer animator | |
| Karen M. Murphy | .... | digital effects coordinator: Cinesite (as Karen Murphy) | |
| Kimberly K. Nelson | .... | visual effects producer | |
| Koichi Noguchi | .... | computer animator | |
| Cristin Pescosolido | .... | motion tracking | |
| Ethan Phillips | .... | visual effects CLT: VIFX | |
| Sean Phillips | .... | digital effects supervisor: Boss Film Studios | |
| Stephanie Powell | .... | blue screen consultant | |
| James E. Price | .... | digital effects supervisor: Cinesite (as Jamie Price) | |
| Michael S. Pryor | .... | digital effects coordinator: Cinesite (as Mike Pryor) | |
| Jeff Pyle | .... | modelmaker | |
| John Rauh | .... | digital effects compositor | |
| Jim Rider | .... | motion control cameraman | |
| Wendy Rogers | .... | CG supervisor | |
| Matthew H. Rowland | .... | first assistant director: visual effects unit (as Matthew Rowland) | |
| John E. Sasaki | .... | digital artist | |
| Paula Schneider | .... | model maker | |
| Scott Schneider | .... | model crew chief | |
| Sean Schur | .... | computer graphics supervisor | |
| Nelson Sepulveda | .... | digital artist: Cinesite | |
| Wayne A. Shepherd | .... | henry artist | |
| Janek Sirrs | .... | visual effects | |
| David A. Smith | .... | computer animator (as Dave Smith) | |
| Kurt E. Soderling | .... | visual effects camera operator (as Kurt Soderling) | |
| Suponwich Juck Somsaman | .... | digital artist | |
| Robert Spurlock | .... | miniature supervisor: Stetson Visual Services | |
| Mark Stetson | .... | miniature supervisor: Stetson Visual Services | |
| John K. Stirber | .... | effects supervisor: Stetson Visual Services (as John Stirber) | |
| Amy Tompkins | .... | assistant visual effects editor | |
| Angela C. Tortu | .... | second assistant director: visual effects unit (as Angela Tortu) | |
| George Trimmer | .... | consultant: Stetson Visual Services | |
| Doug Tubach | .... | digital compositor | |
| Mark Vargo | .... | visual effects director of photography | |
| Michael Vieira | .... | visual effects coordinator | |
| Chris Waegner | .... | digital effects artist | |
| Chris Watts | .... | post effects supervision | |
| Chris Watts | .... | post production visual effects supervisor | |
| Bill Westenhofer | .... | digital artist | |
| Jonny Winograd | .... | visual effects assistant editor | |
| David J. Witters | .... | visual effects artist | |
| Kieran Woo | .... | production controller: Digital Domain | |
| Dana Yuricich | .... | miniatures | |
| Richard Addison-Wood | .... | software research and development: Boss Film Studios (uncredited) | |
| Travis Baumann | .... | digital artist (uncredited) | |
| Stella Bogh | .... | digital compositor (uncredited) | |
| Brian Gardner | .... | software development (uncredited) | |
| Tom Gleason | .... | special effects model maker (uncredited) | |
| Jerry Hall | .... | digital compositor (uncredited) | |
| John Lafauce | .... | digital effects artist (uncredited) | |
| Dane Picard | .... | technical director (uncredited) | |
| Chris Simmons | .... | model maker (uncredited) | |
| Kenji Sweeney | .... | texture painter (uncredited) | |
| Paul Taglianetti | .... | motion control miniature coordinator: VIFX (uncredited) | |
| Michael Tigar | .... | digital artist (uncredited) | |
| Thomas Zell | .... | model maker (uncredited) | |
Animation Department | |||
| Paul Casson | .... | computer animator | |
| Nancy Kato | .... | animator | |
| Mark Swain | .... | computer animator | |
Casting Department | |||
| Gregory Avellone | .... | casting voice | |
| Jakki Fink | .... | casting associate | |
| Anne Johns | .... | extras casting coordinator | |
| Tammy L. Smith | .... | extras casting | |
Costume and Wardrobe Department | |||
| Deborah Ambrosino | .... | specialty costume craftsperson: milliner | |
| Laura Baker | .... | set costumer | |
| Brian Callahan | .... | costume supervisor: second unit | |
| Kathleen Felix | .... | costumer | |
| Randy Gardell | .... | specialty costume keyperson | |
| Martha Hines | .... | specialty costumer | |
| Chrisi Karvonides-Dushenko | .... | assistant costume designer | |
| Katina Le Kerr | .... | costume supervisor: women (as Katina Kerr) | |
| Anthony J. Lipin | .... | set costumer | |
| Tony Lipin | .... | set costumer | |
| Nick Scarano | .... | costume supervisor | |
Editorial Department | |||
| Sandy Brundage | .... | negative cutter | |
| Audrey Evans | .... | second assistant editor | |
| Carole Henderson Harrington | .... | assistant editor | |
| Charles Ireland | .... | assistant editor | |
| Jonathan Lucas | .... | associate editor | |
| Staci R. Pontins | .... | apprentice editor | |
| Mike Stanwick | .... | color timer (as Michael Stanwick) | |
| Jim Suhy | .... | assistant editor: lightworks | |
| Stefanie Wiseman | .... | assistant editor | |
Music Department | |||
| Bill Abbott | .... | music editor: temp music | |
| Jeff Atmajian | .... | conductor | |
| Jeff Atmajian | .... | orchestrator | |
| Chris Boardman | .... | orchestrator | |
| Bruce Botnick | .... | music mixer | |
| Bruce Botnick | .... | music recordist | |
| Brad Dechter | .... | orchestrator | |
| Sandy DeCrescent | .... | orchestra contractor | |
| Robert Elhai | .... | orchestrator | |
| James Newton Howard | .... | orchestrator | |
| Gillian L. Hutshing | .... | first assistant music editor | |
| Artie Kane | .... | conductor | |
| Michael Mason | .... | score co-producer | |
| David Olson | .... | assistant music editor | |
| Steve Porcaro | .... | musician | |
| Jay B. Richardson | .... | music editor | |
| Paul Salamunovich | .... | choral conductor: Los Angeles Master Choral | |
| Lee Scott | .... | music editor | |
| Kirsten Smith | .... | scoring crew | |
| Steven L. Smith | .... | music preparation | |
| Jim Weidman | .... | music editor | |
Transportation Department | |||
| Michael Bonahan | .... | picture boat coordinator | |
| Neil Callaghan | .... | picture boat coordinator | |
| Colleen Clancy | .... | transportation office | |
| Louis Dinson | .... | transportation co-captain | |
| Stan Mataele | .... | driver | |
| John Reed | .... | driver | |
| John Reed | .... | transportation co-captain | |
| George A. Sack | .... | driver | |
Other crew | |||
| David Aaron | .... | armorer | |
| Earl Alameida | .... | safety supervisor | |
| Ingrid K. Behrens | .... | production assistant: second unit | |
| Bonnie Belknap | .... | food stylist | |
| Bruno Belmont | .... | trimaran coordinator | |
| David M. Bernstein | .... | key set production assistant | |
| Linda Booher-Ciarimboli | .... | specialty crafts supervisor | |
| Dina Farnell | .... | production coordinator | |
| Wayne Fitzgerald | .... | title designer | |
| Cliff Fleming | .... | pilot | |
| Lawrence Gordon | .... | presenter | |
| Rick Hicks | .... | marine technician | |
| Steve Hinton | .... | assistant aerial coordinator | |
| Steve Hinton | .... | pilot | |
| Ryan Hintz | .... | post-production accountant | |
| Heather Holliday | .... | production assistant | |
| Craig Hosking | .... | aerial coordinator | |
| Staci A. Hunter | .... | production associate | |
| Barry Idoine | .... | trimaran co-coordinator | |
| Rick Jones | .... | safety supervisor | |
| Lance Julian | .... | marine consultant | |
| Tony Kerum | .... | caterer | |
| Samantha C. Kirkeby | .... | script supervisor: second unit | |
| Shari LaFranchi Blakney | .... | production coordinator: reshoots | |
| Jim Lipman | .... | boat captain | |
| Harry Lu | .... | armorer | |
| Gary MacPherson | .... | production coordinator | |
| Judy Malinoski | .... | production nurse | |
| Susan P. McCarthy | .... | production coordinator: Los Angeles | |
| Douglas C. Merrifield | .... | underwater tank coordinator (as Doug Merrifield) | |
| Christopher Mollo | .... | assistant: Larry Gordon | |
| Rana Morrison | .... | location aide | |
| Jimmy O'Connell | .... | assistant marine coordinator | |
| Ginger Peterson | .... | location manager | |
| Randy Peters | .... | pilot | |
| Billy Pittard | .... | title designer (as Pittard Sullivan Fitzgerald) | |
| Korey Scott Pollard | .... | production assistant | |
| Ana Maria Quintana | .... | script supervisor | |
| John Rankin | .... | marine assistant | |
| Shannon Rawls | .... | security officer | |
| Peter Robinson | .... | production assistant | |
| Ira S. Rosenstein | .... | location manager: Los Angeles | |
| Bud S. Smith | .... | creative consultant: second unit | |
| Mark C. Smith | .... | set production assistant | |
| Nick Spetsiotis | .... | marine crew | |
| Dan Sprague | .... | armorer | |
| Syd Stembridge | .... | armorer | |
| Anne St. Johns | .... | production coordinator: second unit | |
| Kathleen Switzer | .... | assistant: Kevin Reynolds (as Kathleen A. Switzer-Idoine) | |
| Scott Tivald | .... | water safety: Kevin Costner and Jean Tripplehorn | |
| Alvin Tobasa | .... | safety coordinator | |
| Kevin Turley | .... | key set production assistant | |
| Mark Vollmer | .... | marine assistant | |
| C. Ransom Walrod | .... | marine coordinator (as Ransom Walrod) | |
| James P. Warren | .... | animal trainer: seagull | |
| Gino Wilffert | .... | marine assistant | |
| Lisbeth Wynn-Owen | .... | production coordinator | |
| Douglas D. Ziegler | .... | marine assistant (as Doug 'Ziggy' Ziegler) | |
| Jack E. Herman | .... | extras set coordinator: Los Angeles (uncredited) | |
| Bill Platt | .... | production assistant (uncredited) | |
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| The World Is Not Enough | Jaws | The Secret of Treasure Island | Titanic | Star Wars: Episode VI - Return of the Jedi |
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Recipe for "Waterworld":
1) Take "The Road Warrior." Add water.
2) Replace Mel Gibson with Kevin Costner (which would be about like removing Errol Flynn from "Robin Hood" and replacing him with... well, Kevin Costner).
3) Give the Feral Kid a sex change operation and some manners, taking care to swap his lethal boomerang for a box of crayons.
4) Take the Gyro Captain out of his copter and put him into a balloon.
5) Stir in generous but subtle portions of liberal eco-propaganda: without using the term "global warming," have it understood that the world is flooded because of something awful "the ancients" did.
6) Add a dash of oil by making the villains a marauding gang of oilmongers living in a certain famous oil tanker.
7) Add a simultaneously anti-religious AND anti-technological zest by making sure the villains' leader (Dennis Hopper) has a pseudo-religious name (the Deacon) and gives "sermons" about "progress" and "development."
8) Add a smoky flavor by calling the villains "Smokers," not only because of their use of speedboats and jet-skis, but because of their consumption of cigarettes, which were Clinton's drug menace du jour at the time. (Exactly where these cigarettes come from, in a submerged world where no tobacco grows and paper is viewed with awe, is anybody's guess.)
9) Finally, add a pinch of Oriental spice by having the tattoo-map to Dryland rendered in Asian ideographic characters--another implied rebuff to "evil" Western culture.
10) Set oven temperature to 450 degrees and incinerate $175 million.