In a future where the polar ice-caps have melted and Earth is almost entirely submerged, a mutated mariner fights starvation and outlaw "smokers," and reluctantly helps a woman and a young girl try to find dry land.
A drifter with no name finds a Jeep with the skeleton of a postman and a bag of mail and dons the postman's uniform and bag of mail as he begins a quest to inspire hope to the survivors living in the post apocalyptic America.
The polar ice caps have melted, and the earth is covered by water. The remaining people travel the seas, in search of survival. Several different societies exist. The Mariner falls from his customary and solitary existence into having to care for a woman and a young girl while being pursued by the evil forces of the Deacon. Written by
Robbie Smith <email@example.com>
The 1,000 ton floating set used up all the available steel in the Hawaiian Islands. When more was required, it had to be flown in from California. See more »
Judging from the trading scene between the Mariner and the crazy drifter, paper appears to be a highly rare and valuable commodity, and yet the Smokers burn large amounts of paper by smoking cigarettes. However, the Smokers are portrayed as pirates, who don't trade with anyone, just take by force, so their idea of material wealth is much different than that of the traders. In fact, the Smokers' technology and oil supply (not to mention alcohol) would be much more valuable than any amount of paper, had they decided to trade with others, instead of robbing them. See more »
The future... The polar ice caps have melted, covering the earth with water. Those who survived have adapted, to a new world.
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There are no opening credits except the title. See more »
it's a shame so many people spent their time running their mouths rather than watching the movie.
The story isn't new (what story is?) but its' well done, BIG color, BIG scenes,a touch of serious, a touch of humor, clear cut good guy, clear cut BAD guys with a few "grey guys" thrown in the middle.
Costner is always a variable. When the right script hits, no one is better, otherwise it's pretty much a monotone.
FORTUNATELY, this is the kind of script where the dead pan, monosyllabic Good Guy works just fine.
It's a shame the "experts" (i.e. the critics who create nothing) trashed this one. Even if it were the worst movie ever made, Costner would have been contributing more the "creative world" than ANY critic will in their entire lives. geoff beneze
45 of 61 people found this review helpful.
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