IMDb > Erotic Tales: The Waiting Room (1996)

Erotic Tales: The Waiting Room (1996) More at IMDbPro »De wachtkamer (original title)


Overview

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Awards:
4 wins See more »
User Reviews:
"O be careful little eyes what you see . . ." See more (1 total) »

Cast

  (in credits order) (complete, awaiting verification)
Bianca Koedam ... The Woman in Blue
Gene Bervoets ... The Man
Annet Malherbe ... His Wife
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Directed by
Jos Stelling 
 
Writing credits
(in alphabetical order)
Jos Stelling 

Produced by
Anton Kramer .... producer
Mariette Rissenbeek .... associate producer
 
Original Music by
Maurits Overdulve 
 
Cinematography by
Goert Giltay 
 
Film Editing by
Bert Rijkelijkhuizen 
 
Production Design by
Gert Brinkers 
 
Art Direction by
Peter van Laar 
 
Costume Design by
Ann Verhoeven 
 
Makeup Department
Leendert Van Nimwegen .... makeup designer
 
Production Management
Bas Agterberg .... production manager
 
Sound Department
Jankoen de Haan .... sound mixer
Ludo Keeris .... sound recordist
Bouwe Moulder .... sound
 
Camera and Electrical Department
Bert Hogenes .... gaffer
Michael Kooren .... still photographer
Erwin Roodhart .... gaffer
 
Music Department
Jankoen de Haan .... musician
 
Other crew
Ron Holloway .... creative consultant
 

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Additional Details

Also Known As:
"De wachtkamer" - Germany (original title)
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Runtime:
29 min
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Color:
Sound Mix:

FAQ

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8 out of 10 people found the following review useful.
"O be careful little eyes what you see . . .", 19 October 2001
Author: Timothy Damon (thd@cwru.edu) from Cleveland, Ohio

This director is simply incredible. I saw Jos Stelling's film THE POINTSMAN some years ago, and I'm not sure I would have believed a feature length film without the spoken word could be made. But he did it, and it was great! So then, would a shorter film in the same format be easier to make? You might think so. But Mark Twain once remarked (paraphrased) that he could do a 2 hour speech on most any subject with little advance preparation, but to properly do a 15 minute speech mike take at least a week to properly prepare. Regardless, he has a wonderful time in a train station, mostly in the waiting room. The camera is mainly on a Casanova of a man as his gaze goes well beyond the personal boundaries of the women he is, . . . well, to put it bluntly, lusting after. It reminded me of the cartoon postcard of a slick-talking guy next to a woman asking her "Do you mind if I undress you with my eyes?" and she is thinking {'well, I guess it's better than having you touch me"] Whether or not this guy knows he's gone beyond the bounds of propriety I'll leave to your contemplation. But his come-uppance is quite delightful.

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