Ulysses' Gaze
(1995)
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Ulysses' Gaze
(1995)
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| Watch Trailer 0Share... |
| Cast overview, first billed only: | |||
| Harvey Keitel | ... |
A
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| Erland Josephson | ... |
S., Film Museum Curator
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| Maia Morgenstern | ... |
'Ulysses' Wife
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Thanasis Vengos | ... |
Taxi Driver
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Giorgos Mihalakopoulos | ... |
Friend and Journalist
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Costas Santas |
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Dora Volanaki | ... |
Old Woman
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Mania Papadimitriou |
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Giorgos Konstas |
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Thanos Grammenos |
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Alekos Oudinotis |
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Angel Ivanof |
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Ljuba Tadic |
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Vaggelis Liodakis |
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Gert Llanaj |
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A, a Greek filmmaker living in exile in the United States, returns to his native Ptolemas to attend a special screening of one of his extremely controversial films. But A's real interest lies elsewhere--the mythical reels of the very first film shot by the Manakia brothers, who, at the dawn of the age of cinema, tirelessly criss-crossed the Balkans and, without regard for national and ethnic strife, recorded the region's history and customs. Did these primitive, never-developed images really exist? If so, where are they? - "Why A? It's an alphabetical choice. Every filmmaker remembers the first time he looked through the viewfinder of a camera. It is a moment that is not so much the discovery of cinema--but the discovery of the world. But there comes a moment when the filmmaker begins to doubt his own capacity to see things, when he no longer knows if his gaze is right and innocent." --Theo Angelopoulos Written by Frank Wallner <wallnerf@informatik.tu-muenchen.de>
Major films and movies that I have seen have been primarily service pictures. I say service pictures because any idea being developed is immediately delivered in a reduced state right into the movie-goer's lap. It's a fast philosophy. This is unlike Ulysses' Gaze. I am still impressed by the movie because of its confidence in the viewer. I have read comments complaining about the film's overly long scenes. The scenes are an interaction between your mind and the screen. An image is produced and the director leaves the image for you to contemplate. Images shouldn't be beamed into minds as 10 second clips like Moulin Rouge. So many people explain to me their love of movies as a form of entertainment and escapism. Movies are an art form but like everything in this post-modern age, they cannot exist without the deep intellectual objective view point dividing the subjective experiences. Ulysses' Gaze does not REQUIRE patience it rewards contemplation and understanding.
Story-wise the plot is just as basic as The Wizard of Oz. An individual must journey to find home and a complete soul. I found it as a superb movie with its various allusions to mythology and actual history.