A, a Greek filmmaker living in exile in the United States, returns to his native Ptolemas to attend a special screening of one of his extremely controversial films. But A's real interest lies elsewhere--the mythical reels of the very first film shot by the Manakia brothers, who, at the dawn of the age of cinema, tirelessly criss-crossed the Balkans and, without regard for national and ethnic strife, recorded the region's history and customs. Did these primitive, never-developed images really exist? If so, where are they? - "Why A? It's an alphabetical choice. Every filmmaker remembers the first time he looked through the viewfinder of a camera. It is a moment that is not so much the discovery of cinema--but the discovery of the world. But there comes a moment when the filmmaker begins to doubt his own capacity to see things, when he no longer knows if his gaze is right and innocent." --Theo Angelopoulos Written by
Frank Wallner <email@example.com>
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Part II of "A Trilogy of Borders". See more
I didn't expect to see you suddenly, I guess... For a moment, I thought I was dreaming of you... Like I did all these past years... Do you remember the railway station?... You were shivering in the rain, like now... The wind was blowing hard... I was going away, but I meant to come back soon... And then I got lost, wandering along strange routes... If I could stretch out my hands, I would touch you... And time will be held again... But something is holding me back... I wish I could tell you I'd...
References Poor But Beautiful