| Cast overview, first billed only: | |||
| Denzel Washington | ... | ||
| Kelly Lynch | ... | ||
| Russell Crowe | ... | ||
| Stephen Spinella | ... | ||
| William Forsythe | ... | ||
| Louise Fletcher | ... | ||
| William Fichtner | ... | ||
| Costas Mandylor | ... | ||
| Kevin J. O'Connor | ... |
Clyde Reilly
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| Kaley Cuoco | ... |
Karin Carter
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| Christopher Murray | ... |
Matthew Grimes
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Heidi Schanz | ... |
Sheila 3.2
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| Traci Lords | ... |
Media Zone Singer
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| Gordon Jennison Noice | ... |
Big Red
(as J. Gordon Noice)
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| Mari Morrow | ... |
Linda Barnes
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The Law Enforcement Technology Advancement Centre (LETAC) has developed SID version 6.7: a Sadistic, Intelligent, and Dangerous virtual reality entity which is synthesized from the personalities of more than 150 serial killers. LETAC would like to train police officers by putting them in VR with SID, but they must prove the concept by using prisoners as test subjects. One such prisoner is ex-cop Parker Barnes. When SID manages to inject his personality into a nano-machine android, it appears that Barnes might be the only one who can stop him. Written by Murray Chapman <muzzle@cs.uq.oz.au>
For the most part, "Virtuosity" is basically another virtual reality-themed movie so full of action that it almost hurts. But interestingly enough, there is a little bit of a plot here. Denzel Washington plays Lt. Parker Barnes, who has to help find SID 6.7 (Russell Crowe), a virtual serial killer who has escaped into the real world in 1999 LA.
Yes, that certainly sounds like it could degenerate into the kind of garbage that Hollywood usually turns out. Much of the movie is in fact vaguely reminiscent of movies like "Demolition Man". But maybe we can interpret the movie as looking at the dangers of letting technology get too powerful, like what "2001: A Space Odyssey" looked at. Obviously, this isn't even remotely in the same league as that one, but given that it was released in 1995, it almost seems like a prediction of how computer-centric the world would become.
Not a masterpiece by any stretch - both Washington and Crowe have done much better work (and now they're both Oscar winners) - but worth seeing, if only once.