In the distant future, a police marshal stationed at a remote mining colony on the Jupiter moon of Io uncovers a drug-smuggling conspiracy, and gets no help from the populace when he later finds himself marked for murder.
In the near future, a police officer specializes in malfunctioning robots. When a robot turns out to have been programmed to kill, he begins to uncover a homicidal plot to create killer robots... and his son becomes a target.
To foil an extortion plot, an FBI agent undergoes a face-transplant surgery and assumes the identity and physical appearance of a ruthless terrorist, but the plan backfires when the same criminal impersonates the cop with the same method.
Set in a futuristic world where humans live in isolation and interact through surrogate robots, a cop is forced to leave his home for the first time in years in order to investigate the murders of others' surrogates.
The Law Enforcement Technology Advancement Centre (LETAC) has developed SID version 6.7: a Sadistic, Intelligent, and Dangerous virtual reality entity which is synthesized from the personalities of more than 150 serial killers. LETAC would like to train police officers by putting them in VR with SID, but they must prove the concept by using prisoners as test subjects. One such prisoner is ex-cop Parker Barnes. When SID manages to inject his personality into a nano-machine android, it appears that Barnes might be the only one who can stop him. Written by
Murray Chapman <email@example.com>
At the end of the credits when the producers thanks technology companies for providing tools, one tools is listed as HSC Kal's Power Tools. This is a typo, since the product is Kai's Power Tools. They typo is even archived in TCM's movie information database (http://www.tcm.com/tcmdb/person/7915492%7C0/Hsc-Kal-S-Power-Tools-Bryce/) See more »
You can't help but like Crowe's gleeful portrayal of a schizophrenic nano-bot serial killer in this ridiculous film, and with futuristic fascists, pervey programmers and a bucket loads of virtual reality cyber nonsense, this should really be a winner in the style of The Demolition Man or the Robocop series. But where other films in the genre have used such tools as wit and plot to keep the more intelligent of the viewers amused, this film, um, hasn't.
The script is terrible. The acting (excluding Crowe, who only gets away with it thanks to a camp smile and some fortunate direction) is wooden. And the plot is illogical and frustrating.
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