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Directed by | |||
| John Carpenter | |||
Writing credits | ||
| John Wyndham | (book "The Midwich Cuckoos") | |
| Stirling Silliphant | (1960 screenplay) and | |
| Wolf Rilla | (1960 screenplay) and | |
| Ronald Kinnoch | (1960 screenplay) (as George Barclay) | |
| David Himmelstein | (screenplay) | |
| Steven Siebert | uncredited | |
| Larry Sulkis | uncredited | |
Produced by | |||
| Andre Blay | .... | executive producer | |
| David Chackler | .... | co-producer | |
| Sean Daniel | .... | co-executive producer | |
| Shep Gordon | .... | executive producer | |
| James Jacks | .... | co-executive producer | |
| Sandy King | .... | producer | |
| Michael Preger | .... | producer | |
| Ted Vernon | .... | executive producer | |
Original Music by | |||
| John Carpenter | |||
| Dave Davies | |||
Cinematography by | |||
| Gary B. Kibbe | (director of photography) | ||
Film Editing by | |||
| Edward A. Warschilka | |||
Casting by | |||
| Reuben Cannon | |||
| Peter Jason | |||
| Sandy King | |||
| Cheryl Miller | |||
Production Design by | |||
| Rodger Maus | |||
Art Direction by | |||
| Christa Munro | |||
Set Decoration by | |||
| Rick Brown | |||
| Don De Fina | |||
Costume Design by | |||
| Robin Michel Bush | |||
Makeup Department | |||
| Steven E. Anderson | .... | makeup artist | |
| Rob Hinderstein | .... | special makeup effects artist | |
| Charlotte Parker | .... | key hair stylist | |
Production Management | |||
| Jeffrey Sudzin | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Christian P. Della Penna | .... | first assistant director: second unit | |
| Christian P. Della Penna | .... | second assistant director | |
| Jeff Imada | .... | second unit director | |
| Colin Michael Kitchens | .... | second assistant director: San Francisco (as Mike Kitchens) | |
| Artist W. Robinson | .... | first assistant director (as Artist Robinson) | |
| Charles Simmers | .... | second second assistant director (as Charles K. Simmers III) | |
Art Department | |||
| Kristin Argue | .... | drapery | |
| Pete Bowman | .... | construction foreman (as Peter J. Bowman) | |
| James Burke | .... | key greensman | |
| James DiStefano | .... | swing gang | |
| Kenneth D. Emanuele | .... | construction laborer (as Ken Emanuele) | |
| Kenny Montante | .... | assistant property master | |
| Teresa Nielsen | .... | head painter | |
| Gary E. Roloff | .... | assistant property master | |
| Don Watson | .... | on-set dresser | |
| Jody Weisenfeld | .... | set dresser | |
| Dwight Williams | .... | construction coordinator | |
| Sean Wright | .... | carpenter (as Sean J. Wright) | |
Sound Department | |||
| Rick Alexander | .... | sound re-recording mixer | |
| Ron Bartlett | .... | sound effects pre-dub re-recording mixer | |
| James Bolt | .... | sound re-recording mixer (as Jim Bolt) | |
| Joseph F. Brennan | .... | boom operator (as Joe Brennan) | |
| Michael C. Casper | .... | sound re-recording mixer | |
| Thomas Causey | .... | sound mixer | |
| John Dunn | .... | supervising sound editor | |
| Julia Evershade | .... | supervising adr editor | |
| Stephanie Flack | .... | dialogue editor | |
| Evelyn Hokanson | .... | foley mixer (as Evelyn Nickle) | |
| James Morioka | .... | first assistant sound editor | |
| George Reinhardt | .... | cableman | |
| Fred Runner | .... | sound mixer: second unit | |
| Charles B. Unger | .... | assistant sound editor | |
| Bill Meadows | .... | sound recordist (uncredited) | |
Special Effects by | |||
| Roy Arbogast | .... | mechanical special effects coordinator | |
| Roy Arbogast | .... | mechanical special effects supervisor: second unit | |
| William Butler | .... | special effects technician | |
| Evan Campbell | .... | special effects makeup crew | |
| Keith Urban | .... | special effects assistant | |
| Keith Urban | .... | special effects: second unit | |
| Bruno Van Zeebroeck | .... | mechanical special effects coordinator | |
| Bruno Van Zeebroeck | .... | special effects coordinator | |
| Dick Wood | .... | special effects: second unit | |
| Michael Wood | .... | special effects: second unit (as Mike Wood) | |
| Larry Odien | .... | animatronics (uncredited) | |
Visual Effects by | |||
| Sheena Duggal | .... | Inferno artist: ILM | |
| Sheena Duggal | .... | flame artist: ILM | |
| Howard Gersh | .... | digital effects artist | |
| Benton Jew | .... | visual effects art director: ILM | |
| Jacqueline Lopez | .... | visual effects producer (as Jacqueline M. Lopez) | |
| Mark Moore | .... | concept artist | |
| Jim Morris | .... | senior staff: ILM | |
| Bruce Nicholson | .... | visual effects supervisor | |
| Michael Olague | .... | visual effects gaffer | |
| Chad Taylor | .... | Sabre artist: ILM | |
| John Torrijos | .... | computer graphics assistant | |
| Alan McFarland | .... | miniature effects lighting (uncredited) | |
Stunts | |||
| Bobby Bass | .... | stunts | |
| Robin Lynn Bonaccorsi | .... | stunts (as Robin Bonaccorsi) | |
| Troy Brown | .... | stunts | |
| Kurt Bryant | .... | stunts | |
| Hal Burton | .... | stunts | |
| Rocky Capella | .... | stunts | |
| Steven Chambers | .... | stunts | |
| Eugene Collier | .... | stunts | |
| Paul Crawford | .... | stunts | |
| Laura Dash | .... | stunts | |
| Lisa Dempsey | .... | stunts | |
| Thomas Dewier | .... | stunts | |
| Shane Dixon | .... | stunts | |
| Jon H. Epstein | .... | stunts (as Jon Epstein) | |
| Al Goto | .... | stunts | |
| Brian Imada | .... | stunts | |
| Jeff Imada | .... | stunt coordinator | |
| Jeff Imada | .... | stunts | |
| Brad Lackey | .... | stunts | |
| Peter Lai | .... | stunts | |
| Kevin Larson | .... | stunts | |
| Billy D. Lucas | .... | stunts (as Billy Lucas) | |
| John Lucasey | .... | stunts | |
| Johnny Martin | .... | stunts | |
| Mike Martinez | .... | stunts | |
| Jeff Mosley | .... | stunts | |
| Jimmy Nickerson | .... | stunts | |
| Alan Oliney | .... | stunts | |
| Chuck Picerni Jr. | .... | stunts | |
| Denney Pierce | .... | stunts | |
| Jim J. Poslof | .... | stunts | |
| Jim J. Poslof | .... | utility stunts | |
| Mic Rodgers | .... | stunts | |
Camera and Electrical Department | |||
| James Beaumonte | .... | grip | |
| J. Chuck Biagio | .... | dolly grip | |
| Brian Bibbe | .... | second assistant camera | |
| Dustin Blauvelt | .... | camera operator: second unit (as Dusty Blauvelt) | |
| William Boatman | .... | camera operator | |
| Arthur R. Botham | .... | director of photography: second unit | |
| Joseph Emanuele | .... | best boy electric: second unit | |
| Joseph Emanuele | .... | lamp operator | |
| Jeff Gilliam | .... | lamp operator | |
| Jeff Gilliam | .... | second unit: gaffer | |
| Brian Kibbie | .... | second assistant camera (as Brian Kibbe) | |
| Chris Kievman | .... | electrician | |
| Jon Kranhouse | .... | camera operator: second unit | |
| Mark A. Lewis | .... | electrician (as Mark Lewis) | |
| Gary McClendon | .... | electrician | |
| Steve Peterson | .... | first assistant camera | |
| Dane Spelman | .... | grip | |
| William Waldman | .... | camera operator | |
Casting Department | |||
| David Giella | .... | casting associate | |
| Helen Taylor | .... | casting assistant | |
Editorial Department | |||
| Mato | .... | color timer | |
| Paul C. Warschilka | .... | first assistant editor: film | |
Music Department | |||
| Bruce Robb | .... | Musician: Hammond B3 organ/percussion | |
| Bruce Robb | .... | music editing | |
| Bruce Robb | .... | music mixer | |
| Bruce Robb | .... | music producer | |
| Bruce Robb | .... | music contractor (uncredited) | |
| Bruce Robb | .... | music engineer (uncredited) | |
Transportation Department | |||
| William Hogue | .... | driver | |
| Jill Wattles | .... | driver (as Jill Wattles) | |
Other crew | |||
| John Alfred | .... | first assistant accountant | |
| Benu Bhandari | .... | script supervisor | |
| Karin Costa | .... | assistant to director | |
| Christopher Desmond | .... | set medic | |
| Gina Gilberto | .... | assistant production coordinator | |
| Rock LeRoy | .... | caterer | |
| Ernie Malik | .... | unit publicist | |
| Cheryl Miller | .... | production coordinator | |
| Glenn Nicol | .... | production accountant | |
| Stefanie Pleet | .... | location manager | |
| Tom Prince | .... | production executive | |
| Mayo Sanchez | .... | assistant to producer | |
| Sean Sobczak | .... | production assistant | |
| Sean Whitler | .... | set production assistant | |
| Mariana Tosca | .... | body double (uncredited) | |
| Virginia Travers | .... | lead stand-in (uncredited) | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
If you haven't seen the original 1960 film, or read Whyndham's 'The Midwhich Cuckoos', then you might possibly like Carpenter's remake. It has degrees of suspense, and passable acting (perhaps most surprisingly by Christopher Reeve in his last performance prior to his paralysis), but these qualities are inconsistent throughout the film and it frequently falls flat.
If you've seen the original film then avoid this one, especially if you have read Whyndam's novel too, you will only come away from the experience with a sense of disappointment and feel cheated of the time you invested in watching it. This film lacks many things that the original had - great and consistent acting, tension, and suspense to name but three.
There seems to have been a conscious effort to add gore and violence, and that decision is perhaps the main reason this film fails so miserably compared to the original. The gratuitously graphic nature of the violence directly detracts from the suspense and tension so evident in the original. Whereas in another carpenter remake 'The Thing' the effects and violence enhanced the sense of dread, here they are responsible for destroying it.
There are other reasons that this film is quite dire, one of them being the narrative compromises made to attempt a recreation of the visual style of the original film e.g. the children all wear matching clothes which, in the original, was logical since in England children do indeed wear school uniforms. However Carpenter's US town sees the children uniformly garbed with no reason, other than to draw attention to their uniformity in a massively clumsy and illogical visual device.
Take my advice, watch the original and avoid this. It's one strictly for carpenter fanatics, not people who are simply fans of his work.