A man tries to uncover an unconventional psychologist's therapy techniques on his institutionalized wife, while a series of brutal attacks committed by a brood of mutant children coincides with the husband's investigation.
The residents of a suburban high-rise apartment building are being infected by a strain of parasites that turn them into mindless, sex-crazed fiends out to infect others by the slightest sexual contact.
In this remake of the classic 50s SF tale, a boy tries to stop an invasion of his town by aliens who take over the the minds of his parents, his least-liked schoolteacher and other ... See full summary »
An American village is visited by some unknown life form which leaves the women of the village pregnant. Nine months later, the babies are born, and they all look normal, but it doesn't take the "parents" long to realize that the kids are not human or humane. Written by
During the graveyard scene between David and Alan, it is clear (because of changes in the amount of light, and the angle of sun in the background, as well as cloud cover) that this particular scene was shot over a period of several hours or possibly days. See more »
You are thinking of the one who died
She was to be my partner
Yes it's true. Without a mate you are of less importance to us and your development of emotions is disturbing. We can't leave you behind David, it's time we resolved this.
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Man at Gas Station Phone : RIP Haight RIP Haight is really John Carpenter, the film's director. See more »
John Carpenter's remake of the 1960 original has little to add but it's more violent and explicit. The plot is the same; 10 women get pregnant simultaneously during a group pass out. Several years go by and the children all look similar and stick together. They appear to be anything but normal and once they start killing the residents of the small village it's clear they have to be stopped.
Carpenter is really a master of suspense and some scenes work remarkably well, however this is not one of his best films. Not much happens here and the film drags a bit, plus the inclusion of a government intervention and a possible world wide epidemic of these children does little to further the film. Still, Carpenter manages to create a decent amount of suspense and uneasiness by playing on the film's simple premise; that little children are the evildoers here. The soulless stares and glowing eyes are enough to creep you out. The social statement about people (and children) becoming indifferent to violence is a valid input, since the film couldn't really go for the same underlying meaning as the original, which was made during the cold war; the children personifying the threat from the east penetrating the west.
An average John Carpenter film is still a lot more interesting than most other horror films out there. Village of the Damned is not one of his best but it's a good film nonetheless.
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