The line-up scene was scripted as a serious scene, but after a full day of filming takes where the actors couldn't keep a straight face, director Bryan Singer decided to use the funniest takes. A making-of documentary shows Singer becoming furious at the actors for the constant cracking-up. In an interview (on the Special Edition DVD), Kevin Pollak states that the hilarity came about when Benicio Del Toro "farted, like 12 takes in a row." Del Toro himself said "somebody" farted, but no one knew who.
When Redfoot flicks his cigarette into the face of McManus, it was originally intended to hit his chest, so McManus' reaction is actually Stephen Baldwin's real unscripted reaction, which Bryan Singer decided to keep in the movie.
The character of Fenster was named after the German for window, and originally conceived as the oldest man of the group, a more seasoned veteran. Benicio Del Toro was originally asked to audition for the role of McManus. Del Toro asked to audition for the role of Fenster, telling director Bryan Singer that he had an "idea" for the part. The unintelligible way that Fenster spoke was Del Toro's idea, and Singer decided to go with it. In one scene, Hockney says, in response to Fenster, "What did he just say?" That was Kevin Pollak the actor speaking, not his character; he actually did not understand what Fenster said. The cop's (Christopher McQuarrie) reaction to Fenster in the line-up ("In English please") was unscripted and unrehearsed, as was Fenster's rather strong reaction.
Kevin Spacey had been so impressed with Bryan Singer's first film, Public Access (1993), that he told him he wanted to be in his next film when he met the young director, after a screening at the 1993 Sundance Film Festival.
As Fenster and Hockney enter the garage shortly before the jewelry heist, Hockney can be heard telling a joke about a "chick" in the backseat of a car that is "totally naked." The punchline of this joke can be heard later on in the film in Hungarian, told by two Hungarians leaving a building by the docks, before the climactic finish at the boat.
In the "making of" documentary, both Stephen Baldwin and Kevin Pollak acknowledge that their long-standing feud with each other began on the set of this film. Though neither actor directly states what caused their animosity towards each other, Pollak does mention that Baldwin, in an attempt to stay in character as MacManus, would go around acting tough and sometimes bully the other actors. Baldwin does admit that he was bullying towards Pollak on film (their numerous "stand off" confrontations with each other on screen).
In the original script, the opening scene was longer, featuring a subplot of Keaton (Gabriel Byrne) planting a bomb on the ship. It was shot but later left on the cutting floor. Part of it remained with Keaton asking Keyzer, "What time is it?" Because of the last minute change, all shots of the exploding ship were shot in director Bryan Singer's backyard.
Gabriel Byrne originally turned down the film, not believing that the filmmakers could pull it off. He was convinced after a sit-down meeting with Christopher McQuarrie and Bryan Singer, impressed by their enthusiasm and vision. As the start date approached, Byrne backed out. He was undergoing personal issues at the time and was unable to leave Los Angeles. Consequently, Singer reshuffled the schedule so that the entire film could be made in the L.A. area over a period of five weeks, all to accommodate his lead actor.
Bryan Singer described the film as Double Indemnity (1944) meets Rashômon (1950), and said that it was made "so you can go back and see all sorts of things you didn't realize were there the first time. You can get it a second time in a way you never could have the first time around." He also compared the film's structure to Citizen Kane (1941) (which also contained an interrogator and a subject who is telling a story) and the criminal caper The Anderson Tapes (1971).
Originally, Keyser Soze was supposed to have the name Keyser Sume, named after Christopher McQuarrie's old boss. He allowed his old boss to read the script, and decided he did not want to be associated with an inherently evil villain, so requested a change be made.
Neither Bryan Singer nor Christopher McQuarrie realized that the film's famous line, "The greatest trick the Devil ever pulled was convincing the world he didn't exist," was actually a quote from French poet Baudelaire.
Verbal Kint tells Kujan, "The greatest trick the Devil ever pulled was convincing the world he didn't exist." McQuarrie paraphrased the line, which was originally written as "The finest trick of the devil is to persuade you that he does not exist" by French poet Charles Baudelaire.
Michael Biehn was asked to audition for the role of McManus, but he passed on the offer because found the script too confusing. The role went to Stephen Baldwin, who was the second choice. Biehn later admitted that he had committed a huge mistake.
The Japanese characters on the outside of the meeting room where Kobayashi is talking with Edie Finneran and others say "Kobayashi" and "bengoshi" (attorney); the ones in reverse on the window read "seikou" (success), "chikara" (strength), and "zaisan" (assets).
Al Pacino read for the role of the the customs officer who interrogates Verbal Kint, but ultimately turned it down because he had just played a cop in Michael Mann's Heat (1995). The role went to Chazz Palminteri, who had found major success the year before, with the release of Bullets Over Broadway (1994) and A Bronx Tale (1993).
The film, which went on to win Oscars for Best Supporting Actor (for Kevin Spacey) and Best Original Screenplay, was a critical hit. However, America's top movie critic, Roger Ebert, despised it. Ebert originally gave it a measly one-and-a-half stars, and the movie ended up on his Most Hated Movies list.
Ghostface Killah sampled Verbal Kint's lines, "The greatest trick the Devil ever pulled was convincing the world he didn't exist" and "And like that, he's gone," for his 1996 song "The Soul Controller."
Bryan Singer spent an 18-hour day shooting the underground parking garage robbery. According to Gabriel Byrne, by the next day Singer still did not have all of the footage that he wanted, and refused to stop filming in spite of the bonding company's threat to shut down the production.
Kevin Spacey and Gabriel Bryne have both been in productions of Long Day's Journey into Night. Spacey was in a British-American production of O'Neill's classic in 1987, and Bryne was in the 2015 Broadway revival of the play.
Christopher McQuarrie: The writer can be seen as the police officer at the very end of the film, on the left hand side of the frame as Chazz Palminteri looks for Verbal Kint. He is visibly seen laughing at the camera, in a nod and wink gesture to the audience who got bamboozled.
The trivia items below may give away important plot points.
In an interview on The Colbert Report (2005), Kevin Spacey revealed that Bryan Singer managed to convince every one of the major actors that they were Keyser Soze. When first screened for the company of actors, Gabriel Byrne was so stunned when he found that he wasn't Keyser Soze that he stormed off into the parking lot and argued with Singer for a half hour.
Watch closely near the end, when Keaton is shot and Verbal hides behind the pile of ropes. As Verbal runs to the ropes he passes behind a stack of tires and does not emerge, but the pan quickly continues to the ropes. Bryan Singer told Kevin Spacey to stop behind the tires so Verbal isn't actually seen hiding behind the ropes, because "There's no one there. There was never anyone behind the ropes."
In the commentary track, it is mentioned that Benicio Del Toro chose to make Fenster's dialogue unintelligible because Fenster's only real purpose was to die as an example to the other characters, "so it doesn't matter what he says". Kevin Pollak jokingly laments that Del Toro is such a skilled actor that he took what was meant to be nothing but a throw-away character and "stole every scene he was in!"
During the bedside interrogation of the Hungarian survivor of the fire, the interpreter mistranslates a key word. The Hungarian uses the word "pasas" (pronounced "pash-aash") which the interpreter (who speaks Hungarian with a strong American accent and is therefore not native) translated as "we were picking up a 'package'". "Pasas" is actually Hungarian slang for a "guy". Only another Hungarian could have picked up on it, and as a result, no one in the movie did, hence the police's investigation of the non-existent cocaine delivery as the motive for the fire, which allowed Verbal the time he needed to go free.
In the movie, Kevin Spacey's character explains that his nickname is "Verbal" because he talks too much. In the DVD commentary, Bryan Singer points out that the nickname is a clue, since Keyser Soze is said to have a Turkish mother and a German father. According to Singer, in a mix of German and Turkish, "Keyser Soze" can be roughly translated as "King Blabbermouth."
In the opening sequence, when the unknown gunman urinates on the flame, it is gelatinous & lumpy. At the start of the interrogation by Kujan, Kint asks for coffee and notes that when he gets dehydrated, his urine becomes very thick and lumpy.
When Verbal borrows Dave Kujan's lighter for his cigarette, he uses his right hand to light it (since his left arm is crippled). However, he can't make the lighter work and it slips from his hand. At the end, it is revealed that Verbal is actually left-handed and that his left hand works perfectly (Keyser Söze is also shown to be left-handed in the flashback scenes).
To keep even his actors in the dark and heighten their performances, Bryan Singer told his protagonists that they were all the infamous Hungarian criminal. Kevin Spacey said in an interview that they were all convinced they were the ultimate bad guy, but that one actor in particular was livid that he wasn't Söze. "I remember Gabriel Byrne and Bryan had an argument in the parking lot because he was absolutely convinced he was Keyser Söze," Spacey said.
Five actors played the part of Keyser Soze: Gabriel Byrne's and Kevin Spacey's faces are shown as Keyser Soze. In the flashback sequence, Keyser Soze is played by a man with long hair that obscures his face--this was one of the grips, chosen because he was unable to straighten his elbows, giving him a surreal, powerful look. Composer/editor John Ottman provided Keyser Soze's hand lighting a cigarette; and Bryan Singer played the close up of Keyser's feet.
Jeff Rabin serves coffee for Dave Kujan and Verbal Kint, Verbal starts talking about Guatemala. Then Dave Kujan asks Verbal Kint, "Now, what happened after the line-up?". After that we see Verbal Kint focusing on the bottom side of the cup Dave Kujan has been holding.
According to Bryan Singer in the DVD Commentary, when he was trying to get Gabriel Byrne to put on the hat and coat and pretend to be Keyser Soze, Byrne kept resisting and kept demanding to know why Singer wanted him to dress up as Keyser. Singer says that he finally blurted out to Byrne "It's because I'm a big Miller's Crossing fan!" Byrne starred in Miller's Crossing (1990) which features thematic imagery of Byrne in a hat and overcoat and a scene of Byrne's hat flying away.
In the movie, it is foreshadowed that Hockney stole the gun parts from the truck, a famous quote from agent Kujan is that 'you know what I learnt first day on the job, how to spot a murder, say you pin three guys for the same murder,whoever's sleeping is your man, you see your guilty, you get caught, so you can have some rest' when the usual suspects are first seen in their cell, who's having a little nap-Todd Hockney
The writer Christopher McQuarrie sat down during his lunch break at the solicitors office where he worked and made up the plot to the film from a notice board. The board was made by Quartet, a company based in Skokie, Illinois, the same make as is in the film.
Although the film's notorious twist ending reveals that the meek Verbal Kint is actually the notorious Keyser Söze, there are plenty of clues that reveal his identity before the final scene. During one of the interrogation scenes, Kint yells, "I did, I did kill Keaton" - but most people miss the line because Kujan is yelling at the same time. As he leaves the interrogation, Kint is returned his belongings - which include a gold watch and lighter, both of which Söze is seen with in the flashbacks. Finally, there's the connection between his name: "Verbal" is a clue, as is the name "Keyser Söze," a mixture of Turkish and German that Bryan Singer admits would translate to "King Blabbermouth."
The suspects are brought in for a line up because a truck of guns was hijacked. In the line up, the suspects are given a phrase to speak that includes the word "cocksucker." In the interrogations that follow, only one character, Hockney (Kevin Pollak), uses the word "cocksucker." It is revealed in the conversation with Kobayashi (Pete Postlethwaite) that Hockney was responsible for the hijacking that caused the suspects to be brought in initially.
Composer/editor John Ottman provided the breathing voice at the foreground from a shot behind the ropes, and also the gloved hands in the shot of Keyzer dropping the cigarette on the floor. Keyzer's foot stomping the cigarette was Director Bryan Singer's foot.
In an interview on the DVD release of the movie, Benicio Del Toro admitted that he made his character sounds almost indecipherable - primarily because he knew the role of Fenster was such a throw-away role, his only purpose "was to die." He admits to telling Singer, "It really doesn't matter what I say so I can go really far out with this and really make it incomprehensible." Even Kevin Pollak's line from the lock-up scene ("What the fuck did he just say?") was ad-libbed.
When being questioned about the truck hijacking in Queens, Hockney states "I'm gonna have your fuckin' badge, cocksucker". Though the identity of the hijacker remains a mystery for a chunk of the film, Hockney uses the same insult towards the police officer as he does towards the truck driver when he hijacks it.
Clues pointing to Keyser Söze's identity are given in the character's name. Söze resembles the Turkish word sözel, meaning "verbal". The name "Keyser" derives from the Turkish "qaysar" which resembles the pronunciation of the German word "Kaiser" meaning emperor or king. The name Kint also resembles the word "King".