| Photos (see all 43 | slideshow) | Videos (see all 12) |
| Stephen Baldwin | ... | Michael McManus | |
| Gabriel Byrne | ... | Dean Keaton | |
| Benicio Del Toro | ... | Fred Fenster | |
| Kevin Pollak | ... | Todd Hockney | |
| Kevin Spacey | ... | Roger 'Verbal' Kint | |
| Chazz Palminteri | ... | Dave Kujan, US Customs | |
| Pete Postlethwaite | ... | Kobayashi | |
| Giancarlo Esposito | ... | Jack Baer, FBI | |
| Suzy Amis | ... | Edie Finneran | |
| Dan Hedaya | ... | Sgt. Jeffrey 'Jeff' Rabin | |
| Paul Bartel | ... | Smuggler | |
| Carl Bressler | ... | Saul Berg | |
| Phillipe Simon | ... | Fortier | |
| Jack Shearer | ... | Renault | |
| Christine Estabrook | ... | Dr. Plummer | |
| Clark Gregg | ... | Dr. Walters | |
| Morgan Hunter | ... | Arkosh Kovash | |
| Ken Daly | ... | Translator | |
| Michelle Clunie | ... | Sketch Artist | |
| Louis Lombardi | ... | Strausz | |
| Frank Medrano | ... | Rizzi | |
| Ron Gilbert | ... | Daniel Metzheiser, Dept. of Justice | |
| Vito D'Ambrosio | ... | Arresting Officer | |
| Gene Lythgow | ... | Cop on Pier | |
| Robert Elmore | ... | Bodyguard #1 (as Bob Elmore) | |
| David Powledge | ... | Bodyguard #2 | |
| Bob Pennetta | ... | Bodyguard #3 | |
| Billy Bates | ... | Bodyguard #4 (as Bill Bates) | |
| Smadar Hanson | ... | Keyser's Wife | |
| Castulo Guerra | ... | Arturro Marquez | |
| Peter Rocca | ... | Jaime, Arturro's Bodyguard | |
| Bert Williams | ... | Old Cop in Property | |
| rest of cast listed alphabetically: | |||
| Jaime Campos | ... | Police Officer (uncredited) | |
| John Gillespie | ... | (uncredited) | |
| Peter Greene | ... | Redfoot the Fence (uncredited) | |
| Michael McKay | ... | Cop in Hallway (uncredited) | |
| Christopher McQuarrie | ... | Interrogation Cop (uncredited) | |
| Scott B. Morgan | ... | Keyser Söze (in flashback) (uncredited) | |
| Michael Robert Nyman | ... | N.Y. Uniform Cop (uncredited) | |
| Grace Sinden | ... | Nurse (uncredited) | |
Directed by | |||
| Bryan Singer | |||
Writing credits | ||
| Christopher McQuarrie | (written by) | |
Original Music by | |||
| John Ottman | |||
Cinematography by | |||
| Newton Thomas Sigel | |||
Film Editing by | |||
| John Ottman | |||
Casting by | |||
| Francine Maisler | |||
Production Design by | |||
| Howard Cummings | |||
Art Direction by | |||
| David Lazan | |||
Set Decoration by | |||
| Sara Andrews | |||
Costume Design by | |||
| Louise Mingenbach | |||
Makeup Department | |||
| David P. Barton | .... | special makeup designer (as David Barton) | |
| Michelle Barton | .... | special makeup effects crew: Modus | |
| Michelle Bühler | .... | key makeup artist | |
| Chris Cantley | .... | special makeup effects crew: Modus | |
| Raqueli Dahan | .... | assistant hair stylist | |
| Raqueli Dahan | .... | assistant makeup artist | |
| David Greathouse | .... | special makeup effects crew: Modus | |
| Kimberly Greene | .... | makeup swing | |
| Richard Maybery | .... | special makeup effects crew: Modus | |
| Barbara Olvera | .... | key hair stylist | |
| Yolanda Squatpump | .... | special makeup effects crew: Modus | |
Production Management | |||
| Vicky Herman | .... | production supervisor | |
| Jane Raab | .... | production manager: New York | |
| Michael Tinger | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Athena Alexander | .... | second second assistant director | |
| James D. Deck | .... | first assistant director (as James Deck) | |
| Kenneth Kokin | .... | second unit director | |
| David Marcellino | .... | assistant director: New York (as Dave Marcellino) | |
| Alan Steinman | .... | second assistant director | |
Art Department | |||
| Angel Acosta | .... | assistant property master | |
| William Bastiani | .... | set construction laborer | |
| Charles Billen Jr. | .... | set construction laborer | |
| Tony Bonaventura | .... | property master | |
| Peter Borck | .... | lead person | |
| John Coven | .... | storyboard artist | |
| Joseph W. Grafmuller | .... | swing (as Joseph Grafmuller) | |
| Steven Ingrassia | .... | swing | |
| Maria Jaramillo | .... | scenic artist | |
| Mark Meloccaro | .... | art department coordinator | |
| Celia Parker | .... | set construction laborer | |
| R.A. Tony Poland | .... | set construction laborer (as Ray Poland) | |
| Thomas Power | .... | shopper | |
| Thomas Power | .... | swing | |
| Scott Saunders | .... | assistant property master | |
| Phillip Schneider | .... | lead scenic | |
| Liz Shaner | .... | set construction laborer | |
| Diane Taylor | .... | set construction laborer | |
| Lorri Wakefield | .... | art department production assistant | |
| Caroline Wallner | .... | set construction laborer | |
| Francis Whitebloom | .... | on-set dresser | |
Special Effects by | |||
| Roy L. Downey | .... | special effects coordinator (as Roy Downey) | |
| Greg Hendrickson | .... | special effects foreman | |
Visual Effects by | |||
| David B. Long | .... | digital playback supervisor | |
Stunts | |||
| Billy Bates | .... | stunts (as William Bates) | |
| Ken Blazer | .... | stunts | |
| Michael Carr | .... | stunts | |
| Ashley Casino | .... | stunts | |
| John Casino | .... | stunts | |
| Fernando Celis | .... | stunts | |
| Max Daniels | .... | stunts | |
| Joe Dunne | .... | stunts | |
| Diamond Farnsworth | .... | stunts | |
| Alex Gaona | .... | stunts | |
| John Gillespie | .... | stunts | |
| Bob Havice | .... | stunts | |
| Ethan Jensen | .... | stunt coordinator: second unit | |
| Gary Jensen | .... | stunt coordinator | |
| Billy Judkins | .... | stunts (as Bill Judkins) | |
| Pat Millicano | .... | stunts | |
| Ryan Patrick Ross | .... | stunts | |
| Harry Wowchuk | .... | stunts | |
Casting Department | |||
| Kathy Driscoll | .... | casting associate | |
| Judie Fixler | .... | extras casting: New York | |
| Lisa Miller | .... | casting associate | |
Costume and Wardrobe Department | |||
| Erin Beck | .... | additional costumer | |
| Lori Eskowitz | .... | costume supervisor | |
| Prudence Moriarty | .... | wardrobe supervisor: New York | |
| Caitlin Shamberg | .... | costume assistant | |
| Tara Spurlock | .... | set costumer | |
Editorial Department | |||
| Roger Fenton | .... | assistant editor | |
| Jennifer Flynn | .... | post-production coordinator | |
| Andrew Gorry | .... | apprentice editor | |
| Gloria Kaiser | .... | color timer | |
| Kelley Pate | .... | apprentice editor | |
| Mary Beth Smith | .... | negative cutter | |
Music Department | |||
| Dan Abernathy | .... | music recording engineer | |
| Larry Groupé | .... | conductor (as Larry Groupe) | |
| Larry Groupé | .... | orchestrator (as Larry Groupe) | |
| Darrell Harvey | .... | music recording engineer | |
| Lia Vollack | .... | music editor | |
| Lawrence Czoka | .... | music preparation (uncredited) | |
| John Ottman | .... | orchestrator (uncredited) | |
| Dan Siegel | .... | session musician (uncredited) | |
Transportation Department | |||
| Joseph Aroesti | .... | transportation co-captain | |
| Michael Banlowe | .... | driver | |
| Jody Bingenheimer | .... | driver | |
| Robin D. Bishop | .... | driver | |
| Joe Cosentino | .... | driver | |
| Joe Cosentino | .... | transportation captain | |
| Pat Cosentino | .... | driver | |
| Sherri Cosentino | .... | driver | |
| Frances Culp | .... | driver | |
| Angel Desanti | .... | driver | |
| Sean Dugen | .... | driver | |
| Eugene Farrington | .... | driver | |
| Antonio Franchi | .... | driver | |
| Johnathon Gorman | .... | driver | |
| Geno Hart | .... | transportation coordinator | |
| Glenn Knowlton | .... | driver | |
| Mark McDermitt | .... | driver | |
| Jeffrey L. Moore | .... | driver (as Jeff Moore) | |
| Steve Nickolai | .... | driver (as Steve Nikolai) | |
| Ken Plumlee | .... | transportation captain | |
| Ron Pope | .... | transportation operations manager | |
| William Smallwood | .... | driver | |
| Jerry Snaiczuk | .... | driver | |
| Randy Tenhaeff | .... | driver | |
| Mike Welch | .... | driver | |
| David D.B. Wilson | .... | driver (as David Wilson) | |
| Brian Apt | .... | transportation office (uncredited) | |
| William R. Peck | .... | driver (uncredited) | |
Other crew | |||
| Thomas D. Adelman | .... | production coordinator (as Tom Adelman) | |
| John Alvarez | .... | security officer | |
| Rachel Arno | .... | office production coordinator | |
| Michael Bentley | .... | stand-in | |
| Luke Bittel | .... | intern | |
| Yvette Brestyanszky | .... | assistant to producers | |
| Brad Carroll | .... | production assistant: New York | |
| Wendy Dallas | .... | script supervisor | |
| Robert Dawson | .... | title designer | |
| Tony Estrado | .... | security officer | |
| Matthew R. Eyraud | .... | key set production assistant (as Matthew Eyraud) | |
| Jennifer Flynn | .... | assistant to producers and director | |
| Ellen Francisco | .... | craft service | |
| Ashley R. Friedman | .... | location manager (as Ashley Friedman) | |
| Andrew Gorry | .... | assistant: Mr. Singer | |
| John Herget | .... | first aid | |
| Lynn Hockin | .... | assistant accountant | |
| Damon Intrabartolo | .... | assistant: Mr. Ottman | |
| Josh R. Jaggars | .... | production assistant (as Josh Jaggars) | |
| Jun C. Lin | .... | location assistant (as Jun Lin) | |
| Jana Ludwigova | .... | script supervisor: second unit | |
| David Markland | .... | office production coordinator | |
| Mike James Masumoto | .... | set production assistant (as Michael Masumoto) | |
| Haley McLane | .... | additional script supervisor | |
| Douglas Morton | .... | assistant production coordinator | |
| David Pollack | .... | unit publicist (as David Pollick) | |
| Andrea Celandine Rice | .... | office production coordinator | |
| Chanel Salzer | .... | location manager | |
| Greg Schnabel | .... | location manager: New York | |
| Alexandra Schultze | .... | assistant to producers | |
| George Sheanshang | .... | finance and distribution counsel | |
| Deborah Tabak | .... | set production assistant | |
| Johnny Tonini | .... | stand-in | |
| Brian A. Williams | .... | production accountant | |
| Baker Winokur Ryder | .... | publicist | |
| Petra Jorgensen | .... | script supervisor: second unit (uncredited) | |
| Bertram McCann | .... | marine coordinator (uncredited) | |
| Carsten Meyer-Grohbrügge | .... | assistant: Francois Duplant (uncredited) | |
| Scott B. Morgan | .... | intern (uncredited) | |
| Abigail Sheiner | .... | first assistant accountant: preparation (uncredited) | |
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Ah, the Usual Suspects. My personal favorite movie of all time. Don't let my bias be a fool. Perhaps it's not THE best movie ever, but it's one that I never get tired of.
If you like flash and bikinis and breath-taking camera angles, you won't find them here. Usual Suspects is not an "epic," and it doesn't pretend to be. It's a modestly-budgeted piece by a fresh director (who later went on to do the X-Men movies, a FAR departure).
A great, gritty script, beautifully-acted characters, and what many have called the greatest movie ending of all time, are some of the shining qualities that make the Usual Suspects an object worthy of praise above its humble-looking shell.
The casting is very unusual but somehow fits perfectly. Gabriel Byrne is convincing as the ex-con trying to build a new life when he gets drawn back into his old life. Stephen Baldwin has the role of his career as the smart-mouthed and cocky professional. Kevin Pollak takes a big departure from his usual good comedy self to take a more dramatic role. Benicio del Toro literally takes a one-dimensional character with absolutely nothing in the script to give him character, and he fleshes it out with brilliant mannerisms and memorable mumbling to show incredible acting creativity. Kevin Spacey as we know him was born from this movie. His manners and fast-talking yet shy gimp nature are a treat to listen to throughout the flick.
Without giving away the plot, the best and most genius parts of the movie are the subtleties. After you see the ending, and the truth hits you like a ton of bricks, you have to watch it again. On the second time through, you'll jump up and point at the screen whenever you spot a clue you missed the first time. It's even possible to watch the movie multiple times and see something new with every viewing. It's that attention to detail that make the deceptively innocent-looking Usual Suspects one of the greatest movies of all time.