Mathilda, a 12-year-old girl, is reluctantly taken in by Léon, a professional assassin, after her family is murdered. Léon and Mathilda form an unusual relationship, as she becomes his protégée and learns the assassin's trade.
Following a truck hijack in New York, five conmen are arrested and brought together for questioning. As none of them are guilty, they plan a revenge operation against the police. The operation goes well, but then the influence of a legendary mastermind criminal called Keyser Söze is felt. It becomes clear that each one of them has wronged Söze at some point and must pay back now. The payback job leaves 27 men dead in a boat explosion, but the real question arises now: Who actually is Keyser Söze? Written by
Gabriel Byrne originally turned down the film, not believing that the filmmakers could pull it off. He was convinced after a sit-down meeting with Christopher McQuarrie and Bryan Singer, impressed by their enthusiasm and vision. As the start date approached, Byrne backed out. He was undergoing personal issues at the time and wasn't able to leave Los Angeles. Consequently Singer reshuffled the schedule so that the entire film could be made in the LA area over a period of five weeks, all to accommodate his lead actor. See more »
During the scene of Saul's holdup, the angle of Keaton's gun changes between shots. When shown from Saul's right, Keaton is seen holding the gun at a downward angle. But in shots to Saul's right, the gun is level. See more »
The editor, John Ottman, edited the movie on film. He felt that all the editing done electronically at the time was horrible because all the good editors were still working on film (which is much more difficult). Because of this he thought about putting "Edited on a piece of s*** Steenbeck" at the end of the credits, but instead settled for the more subtle line "Edited on film." Tim Robbins was directing 'Dead Man Walking' at the time and heard about John's idea, which sparked that film's credit ending of "This film was edited on old machines." See more »
I don't know what the problem is. I had heard that this is an incomprehensible film. That when it ends we don't know what exactly happened. I thought that throughout the film we were in the loop, and even if we have an unreliable narrator, I suspected that from the start. Anyway, it's been a long time since I've been taken for such a joyride with such interesting characters, even if they are murderers and felons. The plot is woven so delicately and the threat is so interesting, that I was involved from the first minute. I always wondered how Kevin Spacey, a rather ordinary looking guy with a receding hairline, got to be so well known. Obviously, this is the reason. His performance is right on and he dominates the screen, even though he is a "gimp." There are so many layers in this film, but I don't think the screenwriter ever plays unfairly with it and it is quite satisfying.
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