Mathilda, a 12-year-old girl, is reluctantly taken in by Léon, a professional assassin, after her family is murdered. Léon and Mathilda form an unusual relationship, as she becomes his protégée and learns the assassin's trade.
Following a truck hijack in New York, five conmen are arrested and brought together for questioning. As none of them are guilty, they plan a revenge operation against the police. The operation goes well, but then the influence of a legendary mastermind criminal called Keyser Söze is felt. It becomes clear that each one of them has wronged Söze at some point and must pay back now. The payback job leaves 27 men dead in a boat explosion, but the real question arises now: Who actually is Keyser Söze? Written by
In the "making of" documentary, both Stephen Baldwin and Kevin Pollak acknowledge that their long-standing feud with each other began on the set of this film. Though neither actor directly states what caused their animosity towards each other, Pollak does mention that Baldwin, in an attempt to stay in character as MacManus, would go around acting tough and sometimes bully the other actors. Baldwin does admit that he was bullying towards Pollak on film (their numerous "stand off" confrontations with each other on screen). See more »
Dean Keaton's line "If I don't get Kobayashi my way she'll get him her way", spoken to Verbal Kint by the dock, doesn't match the movement of his lips. See more »
The editor, John Ottman, edited the movie on film. He felt that all the editing done electronically at the time was horrible because all the good editors were still working on film (which is much more difficult). Because of this he thought about putting "Edited on a piece of s*** Steenbeck" at the end of the credits, but instead settled for the more subtle line "Edited on film." Tim Robbins was directing 'Dead Man Walking' at the time and heard about John's idea, which sparked that film's credit ending of "This film was edited on old machines." See more »
Although the film is perhaps a little slow in fully developing, the consequent results are astounding. Spacey's performance is captivating and will only be fully appreciated once the viewing is complete. The supporting cast, including Gabriel Byrne, provide the basis for a convincing drama which will change the way you perceive crime thrillers in the future.
One is required to discover the identity of the elusive Keyser Soze throughout the film and if it were not for the well thought-out script and professional dramatic acting then the viewer would feel a sense of anti-climax. However, this is not the case; you shall be left speechless and wondering how the film achieved its goal.
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