A boat has been destroyed, criminals are dead, and the key to this mystery lies with the only survivor and his twisted, convoluted story beginning with five career crooks in a seemingly random police lineup.
Parisian murder detective commissioner Pierre Niemans is called to Gueron, a self-sufficient, prestigious university in a mountain valley, to investigate the murder on 32-year old professor... See full summary »
A congressman's daughter under Secret Service protection is kidnapped from a private school by an insider who calls Det. Alex Cross, sucking him into the case even though he's recovering from the loss of his partner.
Following a truck hijack in New York, five conmen are arrested and brought together for questioning. As none of them is guilty, they plan a revenge operation against the police. The operation goes well, but then the influence of a legendary mastermind criminal called Keyser Söze is felt. It becomes clear that each one of them has wronged Söze at some point and must pay back now. The payback job leaves 27 men dead in a boat explosion, but the real question arises now: Who actually is Keyser Söze? Written by
The character of Fenster was named after the German for window, and originally conceived as the oldest man of the group, a more seasoned veteran. Benicio Del Toro was originally asked to audition for the role of McManus. Benicio asked to audition for the role of Fenster, telling the director that he had an 'idea' for the part. The unintelligible way that Fenster spoke was Benicio's idea, and the director decided to go with it. In one scene, Hockney says in response to Fenster, "What did he just say?" That was Kevin Pollak the actor speaking, not his character; he actually did not understand what Fenster said. The cop's (Christopher McQuarrie) reaction to Fenster in the line-up ("In English please") was unscripted and unrehearsed, as was Fenster's rather strong reaction. See more »
The robbery of New York's Finest Taxi service is a 5-man job, done with four vans, two of which have passengers not in the driver's seat. The van in front is driven by Keaton with Verbal holding the gun when the back door opens. The van behind rear-ends the car and gunmen hold guns on the cops from the driver's side of the van on the right and the passenger side of the van on the left. Who is driving the van on the left? Three guys (Fenster, McManus, Hockney) are doing four jobs (driver rear, driver left, passenger left, driver right). See more »
The editor, John Ottman, edited the movie on film. He felt that all the editing done electronically at the time was horrible because all the good editors were still working on film (which is much more difficult). Because of this he thought about putting "Edited on a piece of s*** Steenbeck" at the end of the credits, but instead settled for the more subtle line "Edited on film." Tim Robbins was directing 'Dead Man Walking' at the time and heard about John's idea, which sparked that film's credit ending of "This film was edited on old machines." See more »
I don't know what the problem is. I had heard that this is an incomprehensible film. That when it ends we don't know what exactly happened. I thought that throughout the film we were in the loop, and even if we have an unreliable narrator, I suspected that from the start. Anyway, it's been a long time since I've been taken for such a joyride with such interesting characters, even if they are murderers and felons. The plot is woven so delicately and the threat is so interesting, that I was involved from the first minute. I always wondered how Kevin Spacey, a rather ordinary looking guy with a receding hairline, got to be so well known. Obviously, this is the reason. His performance is right on and he dominates the screen, even though he is a "gimp." There are so many layers in this film, but I don't think the screenwriter ever plays unfairly with it and it is quite satisfying.
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