Mathilda, a 12-year-old girl, is reluctantly taken in by Léon, a professional assassin, after her family is murdered. Léon and Mathilda form an unusual relationship, as she becomes his protégée and learns the assassin's trade.
Following a truck hijack in New York, five conmen are arrested and brought together for questioning. As none of them are guilty, they plan a revenge operation against the police. The operation goes well, but then the influence of a legendary mastermind criminal called Keyser Söze is felt. It becomes clear that each one of them has wronged Söze at some point and must pay back now. The payback job leaves 27 men dead in a boat explosion, but the real question arises now: Who actually is Keyser Söze? Written by
When Kobayashi enters the lift with his two bodyguards, Macmanus shoots them. In the next shot we see that Macmanus is sitting on top of the elevator. But the blood of the two bodyguards splashes on the elevator window which in fact should have splashed on the ground since the shots came from above.
It can be argued that the blood splashed in all direction and hence came on the window, but Kobayashi who is standing just next to those bodyguards doesn't even have a drop on him. See more »
The editor, John Ottman, edited the movie on film. He felt that all the editing done electronically at the time was horrible because all the good editors were still working on film (which is much more difficult). Because of this he thought about putting "Edited on a piece of s*** Steenbeck" at the end of the credits, but instead settled for the more subtle line "Edited on film." Tim Robbins was directing 'Dead Man Walking' at the time and heard about John's idea, which sparked that film's credit ending of "This film was edited on old machines." See more »
Such films like this should be enshrined in museums, simply due to the fact it destroyed the entire genre of mystery films. While this film was unique and captivating, no other mystery will ever accomplish this sort of cult status, single handedly shaping a genre. While most mysteries try to shock you too often with twists and even more twists, it turns out to be overkill. This film encompassed such ideas with flair and originality, which is probably the reason Brian Singer is sticking to sci-fi action films. Only Memento and The Game are the only recent mystery movies worthy enough to stand beside this film. Sadly, Singer has somewhat sold out by doing the X-Men movies, but I guess trying to make films like this would be too taxing. This film will always bring a smile to my face when I watch it with someone who hasn't seen this movie. A good viewing every time I watch it, the new special edition DVD is awesome.
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