Mathilda, a 12-year-old girl, is reluctantly taken in by Léon, a professional assassin, after her family is murdered. Léon and Mathilda form an unusual relationship, as she becomes his protégée and learns the assassin's trade.
An undercover state cop who has infiltrated an Irish gang and a mole in the police force working for the same mob race to track down and identify each other before being exposed to the enemy, after both sides realize their outfit has a rat.
Following a truck hijack in New York, five conmen are arrested and brought together for questioning. As none of them is guilty, they plan a revenge operation against the police. The operation goes well, but then the influence of a legendary mastermind criminal called Keyser Söze is felt. It becomes clear that each one of them has wronged Söze at some point and must pay back now. The payback job leaves 27 men dead in a boat explosion, but the real question arises now: Who actually is Keyser Söze? Written by
The character of Fenster was named after the German for window, and originally conceived as the oldest man of the group, a more seasoned veteran. Benicio Del Toro was originally asked to audition for the role of McManus. Benicio asked to audition for the role of Fenster, telling the director that he had an 'idea' for the part. The unintelligible way that Fenster spoke was Benicio's idea, and the director decided to go with it. In one scene, Hockney says in response to Fenster, "What did he just say?" That was Kevin Pollak the actor speaking, not his character; he actually did not understand what Fenster said. The cop's (Christopher McQuarrie) reaction to Fenster in the line-up ("In English please") was unscripted and unrehearsed, as was Fenster's rather strong reaction. See more »
An overhead shot of the police car burning shows the surrounding pavement totally dry. Seconds later as the occupants fall out of the car, the pavement is wet and puddled with water. See more »
The editor, John Ottman, edited the movie on film. He felt that all the editing done electronically at the time was horrible because all the good editors were still working on film (which is much more difficult). Because of this he thought about putting "Edited on a piece of s*** Steenbeck" at the end of the credits, but instead settled for the more subtle line "Edited on film." Tim Robbins was directing 'Dead Man Walking' at the time and heard about John's idea, which sparked that film's credit ending of "This film was edited on old machines." See more »
I don't know what the problem is. I had heard that this is an incomprehensible film. That when it ends we don't know what exactly happened. I thought that throughout the film we were in the loop, and even if we have an unreliable narrator, I suspected that from the start. Anyway, it's been a long time since I've been taken for such a joyride with such interesting characters, even if they are murderers and felons. The plot is woven so delicately and the threat is so interesting, that I was involved from the first minute. I always wondered how Kevin Spacey, a rather ordinary looking guy with a receding hairline, got to be so well known. Obviously, this is the reason. His performance is right on and he dominates the screen, even though he is a "gimp." There are so many layers in this film, but I don't think the screenwriter ever plays unfairly with it and it is quite satisfying.
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