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The Usual Suspects (1995)

R  |   |  Crime, Drama, Thriller  |  15 September 1995 (USA)
8.6
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Ratings: 8.6/10 from 647,385 users   Metascore: 77/100
Reviews: 1,158 user | 155 critic | 22 from Metacritic.com

A sole survivor tells of the twisty events leading up to a horrific gun battle on a boat, which begin when five criminals meet at a seemingly random police lineup.

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Top 250 #24 | Won 2 Oscars. Another 31 wins & 8 nominations. See more awards »

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Cast

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Phillipe Simon ...
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Storyline

Following a truck hijack in New York, five conmen are arrested and brought together for questioning. As none of them are guilty, they plan a revenge operation against the police. The operation goes well, but then the influence of a legendary mastermind criminal called Keyser Söze is felt. It becomes clear that each one of them has wronged Söze at some point and must pay back now. The payback job leaves 27 men dead in a boat explosion, but the real question arises now: Who actually is Keyser Söze? Written by Soumitra

Plot Summary | Plot Synopsis

Taglines:

The greatest trick the devil ever pulled was to convince the world he didn't exist See more »

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for violence and a substantial amount of strong language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

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Language:

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Release Date:

15 September 1995 (USA)  »

Also Known As:

Die üblichen Verdächtigen  »

Filming Locations:

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Box Office

Budget:

$6,000,000 (estimated)

Gross:

£2,503,343 (UK) (15 September 1995)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The character of Fenster was named after the German for window, and originally conceived as the oldest man of the group, a more seasoned veteran. Benicio Del Toro was originally asked to audition for the role of McManus. Benicio asked to audition for the role of Fenster, telling the director that he had an 'idea' for the part. The unintelligible way that Fenster spoke was Benicio's idea, and the director decided to go with it. In one scene, Hockney says in response to Fenster, "What did he just say?" That was Kevin Pollak the actor speaking, not his character; he actually did not understand what Fenster said. The cop's (Christopher McQuarrie) reaction to Fenster in the line-up ("In English please") was unscripted and unrehearsed, as was Fenster's rather strong reaction. See more »

Goofs

When Keaton is sitting on the bench in the cell after the line up telling McManus to shut up, his shirt collar alternates between being under his jacket, and outside his jacket between shots. See more »

Quotes

[first lines]
Keyser Soze: How you doing Keaton?
Keaton: I can't feel my legs... Keyser.
See more »

Crazy Credits

The editor, John Ottman, edited the movie on film. He felt that all the editing done electronically at the time was horrible because all the good editors were still working on film (which is much more difficult). Because of this he thought about putting "Edited on a piece of s*** Steenbeck" at the end of the credits, but instead settled for the more subtle line "Edited on film." Tim Robbins was directing 'Dead Man Walking' at the time and heard about John's idea, which sparked that film's credit ending of "This film was edited on old machines." See more »

Connections

Spoofed in Wrongfully Accused (1998) See more »

Soundtracks

Le sons et les parfums tournent dans l'air du soir
Performed by Jon Kull
Music by Claude Debussy
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Better than the sum of its parts
16 February 2003 | by (London, England) – See all my reviews

The Usual Suspects is two movies in one. Enjoyable the first time you watch it, even more enjoyable the second time round. The first viewing asks questions that are answered in an `I could kick myself' moment in the final few minutes, and the second viewing is interesting because when you know the answers, the film becomes that much clearer. It requires a certain amount of commitment, though. Be warned, if you stop concentrating for a moment then the remaining running time of the movie will be spent trying to figure out how what you missed has lead to what you are now watching.

It concerns the story of five felons brought in by the police for a line-up and how those same felons reluctantly end up working for the mysterious and ghost-like Keyser Soze: a legend among the criminal fraternity, a man who no-one has seen and lived, a man so dangerous that he is thought to be the devil himself.you get the idea. The plot is rather intricate so I shan't bother to explain it here but it does rather make me think that Christopher McQuarrie, the writer, kept going to the office in the morning with yet another complexity to add that he thought up the night before. That's not to say it doesn't work, far from it, but it does leave you reeling from the sheer amount of information and names thrown at you from the offset.

Gabriel Byrne is good, but not flawless, as the tortured Dean Keaton who is torn between his career as a criminal and his forlorn attempt at trying to go straight, but his relationship with uptown lawyer Edie Finneran (Suzy Amis) is badly explored and I never felt it gave motive enough for his actions throughout the movie. Kevin Spacey is wonderful as the crippled Roger 'Verbal' Kint and is effective with the results both cunning and tragic. The real star of the movie, however, is a strangely accented Pete Postlethwaite as Kobayashi, supposedly Keyser Soze's right-hand man. He effortlessly plays a character of terrible coolness and poker-faced efficiency leading the dance that the rest of the characters must follow.

Director Bryan Singer has done well to bring such a momentous and involved screenplay to life and any gripes I may have cannot detract from the fact that the film, as a whole, is much better than the sum of its parts.


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