Parisian murder detective commissioner Pierre Niemans is called to Gueron, a self-sufficient, prestigious university in a mountain valley, to investigate the murder on 32-year old professor... See full summary »
A congressman's daughter under Secret Service protection is kidnapped from a private school by an insider who calls Det. Alex Cross, sucking him into the case even though he's recovering from the loss of his partner.
Following a truck hijack in New York, five conmen are arrested and brought together for questioning. As none of them is guilty, they plan a revenge operation against the police. The operation goes well, but then the influence of a legendary mastermind criminal called Keyser Söze is felt. It becomes clear that each one of them has wronged Söze at some point and must pay back now. The payback job leaves 27 men dead in a boat explosion, but the real question arises now: Who actually is Keyser Söze? Written by
Kevin Spacey had the fingers on his left hand glued together to make his character's disability more realistic, and filed down his shoes to make them look worn by his character's limp. See more »
When Kobayashi enters the lift with his two bodyguards, Macmanus shoots them. In the next shot we see that Macmanus is sitting on top of the elevator. But the blood of the two bodyguards splashes on the elevator window which in fact should have splashed on the ground since the shots came from above.
It can be argued that the blood splashed in all direction and hence came on the window, but Kobayashi who is standing just next to those bodyguards doesn't even have a drop on him. See more »
The editor, John Ottman, edited the movie on film. He felt that all the editing done electronically at the time was horrible because all the good editors were still working on film (which is much more difficult). Because of this he thought about putting "Edited on a piece of s*** Steenbeck" at the end of the credits, but instead settled for the more subtle line "Edited on film." Tim Robbins was directing 'Dead Man Walking' at the time and heard about John's idea, which sparked that film's credit ending of "This film was edited on old machines." See more »
'The Usual Suspects' has received a lot of comment for its killer twist ending, which while by no means the first in movie history, has proved to be enormously influential (stand up Messrs. Fincher and Shyamalan...). But this movie is so much more than a surprise ending! It is a meticulously scripted, faultlessly acted masterpiece that stands up to repeated viewings. Every single time I watch it I notice some new detail, or get more enjoyment out of a performance or scene.
This movie really put Kevin Spacey on the map, but everyone in the ensemble cast is outstanding, even Stephen Baldwin(!), who has never appeared in a movie this good before, or since. I also got a kick out of the Paul Bartel ( 'Death Race 2000', 'Eating Raoul') cameo, and the ultra-cool Peter Greene's ('Laws Of Gravity', 'Pulp Fiction') all too brief appearance. Bartel is sorely missed, and Greene one day (mark my words!) will become the star he deserves to be.
Director Bryan Singer has yet to live up to the promise shown here with his subsequent movies, the average 'Apt Pupil' and the disappointing 'X-Men'. For all the acclaim he and the (admittedly superb) cast have received, the real star of 'The Usual Suspects' is Christopher McQuarrie's sensational script, one of the finest of the modern era, and one that genuinely deserved it's Oscar.
It really doesn't get any better than this!! One of the greatest movies ever made, any time, any where. A truly unforgettable experience.
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