Michael Chambers returns home to celebrate his mother's marriage. Michael had been ousted from his home town due to his gambling indiscretions and had left his wife to deal with the mess he created. He now must reassimilate back into the town, renew his relationships with his family and friends (and enemies) and, most of all, seek out his ex-wife to woo her again. In the process, he obtains a job working with his mother's new husband as an armored car driver. He almost seems the perfect prodigal son as he finds his niche back in the community and his way back into his ex's heart. His troubles surmount when he and his wife are caught in the act by her hoodlum boyfriend/fiancé. To get out of this predicament, Michael must concoct a plan to heist of a payroll being carried by his armored car company. Written by
Joel Schesser <firstname.lastname@example.org>
Michael Chambers (Peter Gallagher) returns home for his mother's marriage. Michael had left town due to his gambling addiction. His wife Rachel (Alison Elliott) was forced to deal with the fallout. His mother's new husband gets him a job as an armored car driver. He reconnects with his now ex-wife. Her boyfriend Tommy Dundee (William Fichtner) spies them making out. Tommy is angrily possessive and Rachel wants to escape. Michael gets pulled into a robbery of the armor truck.
The flashbacks are mostly a waste of time. The color saturation is an attempt at art-house. The basis of this is the film noir crime drama. Soderbergh does it as a character study at first. I keep comparing this to Blood Simple (1984) where new filmmakers Coen brothers try their hands at noir crime drama. They were able to work the style successfully whereas Soderbergh seems more interested in working around the genre. As a whole, the movie lacks the needed tension and the characters are not that compelling to me.
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