A young newlywed couple find themselves trapped in a network of underground caves. With her husband injured, the new bride is forced to find her way back to the surface in order to save his... See full summary »
Brian T. Jaynes
Larry Jack Dotson
The legendary YES line-up of Jon Anderson, Chris Squire, Trevor Rabin, Alan White, and Tony Kaye performs in this landmark concert that's become a home video favorite! Directed by ... See full summary »
A year after their pious dad's death, just graduated bright, erudite but distracted Matt Anderson, an angelic dreamer who talks with dad's ghost and phones with his confident God, moves in ... See full summary »
Michael Chambers returns home to celebrate his mother's marriage. Michael had been ousted from his home town due to his gambling indiscretions and had left his wife to deal with the mess he created. He now must reassimilate back into the town, renew his relationships with his family and friends (and enemies) and, most of all, seek out his ex-wife to woo her again. In the process, he obtains a job working with his mother's new husband as an armored car driver. He almost seems the perfect prodigal son as he finds his niche back in the community and his way back into his ex's heart. His troubles surmount when he and his wife are caught in the act by her hoodlum boyfriend/fiancé. To get out of this predicament, Michael must concoct a plan to heist of a payroll being carried by his armored car company. Written by
Joel Schesser <email@example.com>
I saw this film as a part of a school course on film appreciation, focusing mostly on film-noir. It built slowly with a fascinating story, and honestly I was intrigued by many of the sequences especially the scene where the main character watches the football game and the rendezvous under the bridge.
I was also interested in all of the supporting characters like elizabeth shue's role and the smarmy brother.
The action toward the end built up to a climax that would bring it all together. And, the most I could say for the climax was that it did. But it also spiraled into a conventional, predictable, and altogether disappointing ending. I walked away unhappy with the whole experience.
This was the first time I was disappointed with Soderbergh's work, so for a more satisfying experience, in a similar genre, see The Limey.
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