The story follows an underground weapons manufacturer in Belgrade during WWII and evolves into fairly surreal situations. A black marketeer who smuggles the weapons to partisans doesn't ... See full summary »
Matko is a small time hustler, living by the river Danube with his 17 year old son Zare. After a failed business deal he owes money to the much more successful gangster Dadan. Dadan has a ... See full summary »
In this luminous tale set in the area around Sarajevo and in Italy, Perhan, an engaging young Romany (gypsy) with telekinetic powers, is seduced by the quick-cash world of petty crime, which threatens to destroy him and those he loves.
What could be better for the village than a scenic railway to bring in the tourists? What could be worse for tourism than war? Luka builds the railway and shuts his eyes to war. Then Luka's wife runs off with a musician and his son is called up to the army. Luka's life is a war zone. Then he meets Sabaha..
An Innuit hunter races his sled home with a fresh-caught halibut. This fish pervades the entire film, in real and imaginary form. Meanwhile, Axel tags fish in New York as a naturalist's ... See full summary »
Tito's break-up with Stalin in 1948 marked the beginning of not only confusing, but also very dangerous years for many hard-core Yugoslav communists. A careless remark about the newspaper ... See full summary »
Moreno D'E Bartolli,
A young man grows up in Sarajevo in the 1960s, under the shadow of his good, but ailing father, and gets attracted by the world of small-time criminals. They hire him to hide a young ... See full summary »
The story follows an underground weapons manufacturer in Belgrade during WWII and evolves into fairly surreal situations. A black marketeer who smuggles the weapons to partisans doesn't mention to the workers that the war is over, and they keep producing. Years later, they break out of their underground "shelter" --- only to convince themselves that the war is still going on. Written by
Many years ago I hitchhiked through Yugoslavia and found a diverse, down to earth people living in harmony. Many years later, after economic decline and the breakup of the Soviet Union, Slovenia and Croatia declared their independence and signaled the end of the country of Yugoslavia. Emir Kusturica's Underground is a bold recreation of the events that led to the breakup, spanning the years of the Nazi invasion of World War II to the present wars. The film has been called Serbian propaganda, self-indulgent, an anti-Communist tract, an anti-war tome, cynical, nihilistic, and it may be any or all of those, but primarily it is a work of art whose surreal vision and poetic language makes any search for a coherent message elusive.
Underground traces the lives of Marco (Miki Manojlovic) and Blacky (Lazar Ristovski), two charming but immoral black market profiteers who fight the Nazis while hiding in a massive cellar with friends and family where they produce and sell munitions. Marko and Blacky both compete for the attention of actress Natalija (Mirjana Jokovic) after Blacky's wife Vera (Mirjana Karanovic) dies in childbirth, but Natalija plays both of them off against the German soldier Franz ((Ernst Stotzner). After the war, perhaps as a metaphor for the constricting rule of President Tito, Marko fails to inform the underground community that the war has ended, keeping everyone in the dark so that he can support the Communist regime and make a profit selling arms to middlemen.
Natalija helps Marco keep up the charade when he makes Blacky into a venerated national hero even though he is still alive. The only innocent characters in the film are Marco's slow-witted brother Ivan (Slavko Stimac) and his pet monkey Sino who form a lifelong bond after German bombs destroy the zoo where he was working. It is only when Sino crawls into the barrel of a tank and fires its guns do the inhabitants of the cellar work their way toward freedom and, in the process of discovery, react like space travelers finding a new world. The new world, however, looks very much like the old and when brother turns against brother, the disintegration of Yugoslavia is complete.
Underground is an exuberantly entertaining three-hour carnival filled with wild characters, singing, drinking, and fighting and a brass band that keeps the energy high with Gypsy melodies. While it is a broad comedy that often descends into borderline lunacy, it is also a tragic vision of the betrayal of a people. Its final Felliniesque image of all the characters reunited on a piece of land drifting into the sea tells more than the obvious metaphor of a broken land and a broken people. It is a testament to the endurance, the acceptance of life, and the commitment to joy of the Yugoslav people and a passionate cry for their regeneration.
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