In the desert outside Cactus Gulch, Arizona, Buzzard and Betty Jean Wall live in a trailer decorated in Hawaiian themes. Betty's trying to get pregnant. Buzz wants to market "Cammo," a sun ... See full summary »
Bobby Mahon is an actor playing a notorious serial killer on prime-time television. The show becomes a hit, which encourages the real-life murderer on whom it's based, to go on a spree to make it on screen.
Menno is a computer programmer at The Resort, an enormous funhouse where people can live out their fantasies in virtual reality. Feeding their personal data into a software program called ... See full summary »
Steve and Megan, unbeknownst to them, are being guided and "advised" by one of Cupid's caseworkers who has been struggling to get Steve and Megan together for many lifetimes. Cupid might ... See full summary »
Friends for ten years, a group of twenty-somethings head for the ski slopes as guests of Ian's father. (Ian and dad are estranged because dad worked too many hours when Ian was a lad.) Dad ... See full summary »
In the desert outside Cactus Gulch, Arizona, Buzzard and Betty Jean Wall live in a trailer decorated in Hawaiian themes. Betty's trying to get pregnant. Buzz wants to market "Cammo," a sun block lotion that looks like camouflage; but financing is tough to find and Betty thinks he should get a real job. Buzz's half-brother Turkey, a murderous psychopath, escapes from jail, comes to the trailer, ties up Buzz, kidnaps Betty, steals $10,000 they've just won from Publisher's Clearing Hut's Lucky Loser drawing, and heads for Mexico. Buzz is untied by Maya, an ex-girlfriend who's now a TV reporter in search of a story. They pick up Turk's trail and set out to rescue Betty. Written by
The beginning of the 90s brought many "quirky" and "off-beat" independent films, a particular sub-genre of which is the semi-spiritual desert crime movie. Others of note are "Wild at Heart", "From Dusk Til Dawn", and to a certain extent "Natural Born Killers". Good films like those spawned junk like "Highway 666", "Destiny Turns on the Radio" and this ineptly surreal anti-masterpiece "Under The Hula Moon". It's a comedy that aims for a certain emotional tone, attains it, but keeps going to the point of irritation. While the pursuit across the spirit-world of the desert and the casting of Chris Penn are good ideas, the film is not dirty enough or hard enough to be a good crime movie, and isn't focused enough on laughs to really be a comedy. I won't blow the ending, but let's just say it's bad. The film is basically a bad side effect of genre-cancer. This is the dregs of indie-mania.
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