John McClane, officer of the NYPD, tries to save his wife Holly Gennaro and several others that were taken hostage by German terrorist Hans Gruber during a Christmas party at the Nakatomi Plaza in Los Angeles.
A seemingly indestructible humanoid cyborg is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
An unknown and lethal virus has wiped out five billion people in 1996. Only 1% of the population has survived by the year 2035, and is forced to live underground. A convict (James Cole) reluctantly volunteers to be sent back in time to 1996 to gather information about the origin of the epidemic (who he's told was spread by a mysterious "Army of the Twelve Monkeys") and locate the virus before it mutates so that scientists can study it. Unfortunately Cole is mistakenly sent to 1990, six years earlier than expected, and is arrested and locked up in a mental institution, where he meets Dr. Kathryn Railly, a psychiatrist, and Jeffrey Goines, the insane son of a famous scientist and virus expert. Written by
Giancarlo Cairella <firstname.lastname@example.org>
Artist Lebbeus Woods claimed that the interrogation chair in the movie closely resembled his 1987 illustration "Neomechanical Tower (Upper) Chamber" and managed to get a court to stop the movie 28 days after its release. He eventually settled with Universal for a six-figure sum. See more »
At the movie theater, Kathryn applies the fake mustache while the couple watch Vertigo. She goes to make the reservations and to change herself. James falls asleep and when he wakes, he is watching The Birds (not listed on the marquis outside the theater). Then he goes to find Kathryn who is in the lobby. When he gets there, only a few minutes after waking up, the music heard is from Vertigo, from the green scene, not from the Birds. See more »
Jose - psst! Jose, what's going on?
Bad news, man
Yeah. And they said your name.
Hey, maybe they'll give you a pardon, man.
Yeah, that's why none of the volunteers come back. They all get a pardon.
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The symbol of the 12 Monkeys provides the backdrop for the opening and closing credits. See more »
Imaginative, clever, engaging and very enjoyable one of the best sci-fi's I've seen
In the future humans exist underground, the surface having become uninhabitable due to the release of a virus years before in 1996. The ruling classes are scientists and large sections of the population are held as prisoners in tiny cells; prisoners who "volunteer" to help work out what happened back in 1996 that killed off 99% of the population. Requiring information about the visit, James Cole is sent back to 1996 to gather what information he can. However, sent to 1990 by accident, Cole finds himself in a mental hospital where he meets From the very start this film marks itself out as being very much a Terry Gilliam product and those who hate his work will probably dislike this film for the same reason. However, pleasing people like that is not my concern and 12 Monkeys is actually one of Gilliam's most accessible films as it sets his imaginative style within a narrative that is satisfyingly complex and thoroughly enjoyable from start to finish. The story is not perfect though, the connection to the start is nice but the ultimate twist behind the virus just seems to have been thrown in to keep the film tidy; a minor complaint though because even then the main thrust of the story (Cole) keeps it together. The twisting plot plays with both Cole's and our sense of reality and it is genuinely gripping from start to finish Gilliam's direction is superb, whether it be the realistic world of the 1990's filmed with clever angles and shots or the wonderfully twisted world of the future, it is all excellent and was such a pleasant find in my local cinema at the time.
The film benefits from great turns from the cast. Willis was having a bit of a career resurrection in the mid-90's when several films showed us that he could actually act for me, 12 Monkeys was one of them. Willis is superb as he spins from madness to sanity and back again; he underplays all the way and is so much better than the wise-cracking everyman that he is better known for. Pitt is just as good but in a different way. Getting an Oscar nomination that he deserved, Pitt risks overdoing it but pushes his crazy performance as far as he can without being indulgent I'm not saying he is perfect but I would could this as one of his best performances to date. Stowe is very much in the shadow of these two but she holds her own well. Morse, Seda, Meloni and Plummer are all good in minor roles but really the film belongs to the lead three Willis in particular and Pitt in a great supporting role.
Overall this is a great sci-fi; the story is great and is only helped by Gilliam's imaginative direction and awareness of the fantastic. Meanwhile the cast are very strong, with the famous leads giving some of their best performances to date. Downbeat, imaginative, engaging and one of the more accessible of Gilliam's films, it stands out as one of the best American sci-fi's of the past few decades.
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