A seemingly indestructible humanoid cyborg is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
John McClane, officer of the NYPD, tries to save his wife Holly Gennaro and several others that were taken hostage by German terrorist Hans Gruber during a Christmas party at the Nakatomi Plaza in Los Angeles.
A giant great white shark arrives on the shores of a New England beach resort and wreaks havoc with bloody attacks on swimmers, until a local sheriff teams up with a marine biologist and an old seafarer to hunt the monster down.
An unknown and lethal virus has wiped out five billion people in 1996. Only 1% of the population has survived by the year 2035, and is forced to live underground. A convict (James Cole) reluctantly volunteers to be sent back in time to 1996 to gather information about the origin of the epidemic (who he's told was spread by a mysterious "Army of the Twelve Monkeys") and locate the virus before it mutates so that scientists can study it. Unfortunately Cole is mistakenly sent to 1990, six years earlier than expected, and is arrested and locked up in a mental institution, where he meets Dr. Kathryn Railly, a psychiatrist, and Jeffrey Goines, the insane son of a famous scientist and virus expert. Written by
Giancarlo Cairella <email@example.com>
The "TV Ball" prop was notoriously problematic, with either the electronics or hydraulics breaking almost every time it was used. See more »
When they are in the car in 1996 and Cole wishes for the volume to be turned up, Kathryn presses the button on the radio. The frequency changes, but the volume goes up.
-- Actually the frequency doesn't change. Initially time was displayed (9:33) and when she presses the button frequency is displayed (103.7). See more »
Jose - psst! Jose, what's going on?
Bad news, man
Yeah. And they said your name.
Hey, maybe they'll give you a pardon, man.
Yeah, that's why none of the volunteers come back. They all get a pardon.
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The symbol of the 12 Monkeys provides the backdrop for the opening and closing credits. See more »
A brilliant movie. One of the very best science fiction movies of the 1990s, and one or Terry Gilliam's greatest achievements.
I grew up on Python and have followed Terry Gilliam's subsequent directorial career for more years than I care to remember. Half his output leaves me cold, the other half dazzle me beyond belief. 'Brazil' is his movie that I would rate the highest, but I've come to think that I have unfairly underrated 'Twelve Monkeys'. I have always enjoyed it, but I've only come to realize just how good a movie it really is. Sometimes I think it is even better than 'Brazil'. It's a close pick. Unlike 'Brazil' Gilliam didn't come up with the script. He basically was initially involved as a director for hire. Thankfully the script itself (by David and Janet Peoples) is first rate. On top of that Gilliam manages to stamp his own style and approach on to the material without sliding into complete self-indulgence as he sometimes does. The budget of this movie wasn't anywhere near as large as you would imagine from the impressive results on screen. It looks superb. Gilliam coaxes first rate performances out of Bruce Willis (quite a surprise) and Brad Pitt (not such a surprise, see also 'Johnny Suede' and 'Kalifornia'). Madeline Stowe is also very good, as is Christopher Plummer, and in a small but important role, David Morse. It's difficult to fault this movie. It is a joy to watch, and improves with each viewing. I also highly recommend Chris Marker's 'La Jetee', the short experimental film which inspired 'Twelve Monkeys'. It is also brilliant.
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