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Twelve Monkeys (1995)

8.1
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Ratings: 8.1/10 from 345,687 users   Metascore: 74/100
Reviews: 500 user | 142 critic | 20 from Metacritic.com

In a future world devastated by disease, a convict is sent back in time to gather information about the man-made virus that wiped out most of the human population on the planet.

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Title: Twelve Monkeys (1995)

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Top 250 #205 | Nominated for 2 Oscars. Another 10 wins & 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
Joseph Melito ...
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Michael Chance ...
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H. Michael Walls ...
Bob Adrian ...
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Carol Florence ...
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Ernest Abuba ...
Irma St. Paule ...
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Storyline

An unknown and lethal virus has wiped out five billion people in 1996. Only 1% of the population has survived by the year 2035, and is forced to live underground. A convict (James Cole) reluctantly volunteers to be sent back in time to 1996 to gather information about the origin of the epidemic (who he's told was spread by a mysterious "Army of the Twelve Monkeys") and locate the virus before it mutates so that scientists can study it. Unfortunately Cole is mistakenly sent to 1990, six years earlier than expected, and is arrested and locked up in a mental institution, where he meets Dr. Kathryn Railly, a psychiatrist, and Jeffrey Goines, the insane son of a famous scientist and virus expert. Written by Giancarlo Cairella <vertigo@imdb.com>

Plot Summary | Plot Synopsis

Plot Keywords:

virus | future | monkey | 1990s | volunteer | See more »

Taglines:

They're Coming. See more »


Motion Picture Rating (MPAA)

Rated R for violence and language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

5 January 1996 (USA)  »

Also Known As:

12 Monkeys  »

Box Office

Budget:

$29,000,000 (estimated)

Opening Weekend:

£1,320,430 (UK) (19 April 1996)

Gross:

£3,532,343 (UK) (17 May 1996)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

(Rankcolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The two newscasters shown in the film were actual newscasters on Philadelphia's Channel 10 news at the time of filming. See more »

Goofs

The end of the movie shows a close up of young James Coal staring up at a plane. His right eyebrow (left the way the viewer sees it) clearly has a scar that runs horizontally almost the entire length. The adult James has no such scar. See more »

Quotes

[first lines]
James Cole: Jose - psst! Jose, what's going on?
Jose: Bad news, man
James Cole: Volunteers?
Jose: Yeah. And they said your name.
[pause]
Jose: Hey, maybe they'll give you a pardon, man.
James Cole: [sarcastic] Yeah, that's why none of the volunteers come back. They all get a pardon.
See more »

Crazy Credits

The symbol of the 12 Monkeys provides the backdrop for the opening and closing credits. See more »

Connections

Referenced in Boogie Nights (1997) See more »

Soundtracks

What a Wonderful World
(1967)
Written by Bob Thiele, George David Weiss
Performed by Louis Armstrong
Courtesy of MCA Records
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Gilliam's Masterpiece of Madness
29 November 2000 | by (Los Angeles, CA) – See all my reviews

Terry Gilliam's fantastic, twisted story of a virus destroying all but a handful of people across the Earth and forcing them to move underground and the man sent back in time to gather information about it is a fantastic, dizzying, and highly stylized film that boasts Bruce Willis' best performance ever.

What sets 12 Monkeys apart from most time-travel sci-fi movies is that Bruce Willis character actually deals with what the psychological effects of time-travel, that is, not knowing what reality is actual reality: the place that the time-traveler comes from or goes to. Also, the film recognizes that things that have past cannot be altered and that the prevention of a cataclysmic event, in this case the release of said virus, cannot be stopped or changed. As Willis asserts "It's already happened," while he's in a mental hospital, the major dilemma the film trudges into is not a trite, overdone plot to save the world; instead it's Willis' inner struggle to simply survive himself. It's a fresh, innovative concept, and it works beautifully thanks to a tautly written script by Peoples and Gilliam's unique brand of dementia.

Besides this, 12 Monkey's storytelling is totally non-linear and instead opts to distort and bend the way the story is told skillfully incorporating a bevy of different time sequences: flashbacks, dreams, memories, the present, the past, the future, and even a scene that is lifted out of Hitchcock's Vertigo. All serve to envelop the viewer into its disturbing cacophony of madness and futility.

Visually, Gilliam is a master of desolate umbrage and shadow rivalling Tim Burton in his strikingly despondent scenery and imagery. With cold, wide, and immersing cinematography, Gilliam plunges into the colorless surroundings and darkness of his characters. The scenes are often bathed in a strangely antiseptic, dead white and help serve as a contrast to the often veering-on-madness characters.

Performance-wise, Brad Pitt steals most scenes, filling them with a patented loony, off-the-wall performance that deservedly garnered him an Oscar nomination. As mentioned, Bruce Willis gives the best performance of his career, not reverting to his heroic cliches and cardboard hero and instead portraying Cole as a simple, poignant, tragic everyman. Equally good is Madeline Stowe as Willis' psychologist. She holds her own, injecting her character with both wild energy and strength as she collapses under the weight of what she comes to believe is a false 'religion.'

Gilliam's expert, overwhelming, and complex handling of what could have been a routine action/sci-fi film makes 12 Monkeys a compelling vision of a nightmarish, futuristic landscape. Its rich, well-thought out, intricate storyline along with bravura performances from the entire cast and its brooding, bleak cinematography make it a masterpiece of madness. Ranking in my top 10 of all time, 12 Monkeys is a darkly lavish spectacle of a film brimming with brilliance.

10 out of 10


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