In a future world devastated by disease, a convict is sent back in time to gather information about the man-made virus that wiped out most of the human population on the planet.
Keep track of everything you watch; tell your friends.
If your account is linked with Facebook and you have turned on sharing, this will show up in your activity feed. If not, you can turn on sharing
here
.
A man struggles with memories of his past, including a wife he cannot remember, in a nightmarish world with no sun and run by beings with telekinetic powers who seek the souls of humans.
Director:
Alex Proyas
Stars:
Rufus Sewell,
William Hurt,
Kiefer Sutherland
An unsuspecting, disenchanted man finds himself working as a spy in the dangerous, high-stakes world of corporate espionage. Quickly getting way over-his-head, he teams up with a mysterious femme fatale.
In 2270, Earth is completely depleted and no one lives there anymore. Those that have money move to Rhea; but most of the population lives in orbit in space stations. Dr. Laura Portmann ... See full summary »
Directors:
Ivan Engler,
Ralph Etter
Stars:
Anna Katharina Schwabroh,
Martin Rapold,
Regula Grauwiller
Joanna Eberhart has come to the quaint little town of Stepford, Connecticut with her family, but soon discovers there lies a sinister truth in the all too perfect behavior of the female residents.
Director:
Bryan Forbes
Stars:
Katharine Ross,
Paula Prentiss,
Peter Masterson
A thriller involving an ongoing unsolved mystery in Alaska, where one town has seen an extraordinary number of unexplained disappearances during the past 40 years and there are accusations of a federal cover up.
Director:
Olatunde Osunsanmi
Stars:
Milla Jovovich,
Will Patton,
Hakeem Kae-Kazim
A young man blocks out harmful memories of significant events of his life. As he grows up, he finds a way to remember these lost memories and a supernatural way to alter his life.
When a machine that allows therapists to enter their patient's dreams is stolen, all hell breaks loose. Only a young female therapist can stop it: Paprika.
Director:
Satoshi Kon
Stars:
Megumi Hayashibara,
Tôru Furuya,
Katsunosuke Hori
A sleazy cable-TV programmer begins to see his life and the future of media spin out of control in a very unusual fashion when he acquires a new kind of programming for his station.
An unknown and lethal virus has wiped out five billion people in 1996. Only 1% of the population has survived by the year 2035, and is forced to live underground. A convict (James Cole) reluctantly volunteers to be sent back in time to 1996 to gather information about the origin of the epidemic (who he's told was spread by a mysterious "Army of the Twelve Monkeys") and locate the virus before it mutates so that scientists can study it. Unfortunately Cole is mistakenly sent to 1990, six years earlier than expected, and is arrested and locked up in a mental institution, where he meets Dr. Kathryn Railly, a psychiatrist, and Jeffrey Goines, the insane son of a famous scientist and virus expert. Written by
Giancarlo Cairella <vertigo@imdb.com>
The two newscasters shown in the film were actual newscasters on Philadelphia's Channel 10 news at the time of filming. See more »
Goofs
The spider James Cole eats is a Golden Orb Weaver or Banana Spider (Nephila Clavipes). However, that spider inhabits southern regions of the US (mainly Florida), and would never be found in cities in a northern climate like Boston. See more »
Quotes
[first lines]
James Cole:
Jose - psst! Jose, what's going on?
Jose:
Bad news, man
James Cole:
Volunteers?
Jose:
Yeah. And they said your name.
[pause]
Jose:
Hey, maybe they'll give you a pardon, man.
James Cole:
[sarcastic]
Yeah, that's why none of the volunteers come back. They all get a pardon.
See more »
Crazy Credits
The symbol of the 12 Monkeys provides the backdrop for the opening and closing credits. See more »
Terry Gilliam's fantastic, twisted story of a virus destroying all but a handful of people across the Earth and forcing them to move underground and the man sent back in time to gather information about it is a fantastic, dizzying, and highly stylized film that boasts Bruce Willis' best performance ever.
What sets 12 Monkeys apart from most time-travel sci-fi movies is that Bruce Willis character actually deals with what the psychological effects of time-travel, that is, not knowing what reality is actual reality: the place that the time-traveler comes from or goes to. Also, the film recognizes that things that have past cannot be altered and that the prevention of a cataclysmic event, in this case the release of said virus, cannot be stopped or changed. As Willis asserts "It's already happened," while he's in a mental hospital, the major dilemma the film trudges into is not a trite, overdone plot to save the world; instead it's Willis' inner struggle to simply survive himself. It's a fresh, innovative concept, and it works beautifully thanks to a tautly written script by Peoples and Gilliam's unique brand of dementia.
Besides this, 12 Monkey's storytelling is totally non-linear and instead opts to distort and bend the way the story is told skillfully incorporating a bevy of different time sequences: flashbacks, dreams, memories, the present, the past, the future, and even a scene that is lifted out of Hitchcock's Vertigo. All serve to envelop the viewer into its disturbing cacophony of madness and futility.
Visually, Gilliam is a master of desolate umbrage and shadow rivalling Tim Burton in his strikingly despondent scenery and imagery. With cold, wide, and immersing cinematography, Gilliam plunges into the colorless surroundings and darkness of his characters. The scenes are often bathed in a strangely antiseptic, dead white and help serve as a contrast to the often veering-on-madness characters.
Performance-wise, Brad Pitt steals most scenes, filling them with a patented loony, off-the-wall performance that deservedly garnered him an Oscar nomination. As mentioned, Bruce Willis gives the best performance of his career, not reverting to his heroic cliches and cardboard hero and instead portraying Cole as a simple, poignant, tragic everyman. Equally good is Madeline Stowe as Willis' psychologist. She holds her own, injecting her character with both wild energy and strength as she collapses under the weight of what she comes to believe is a false 'religion.'
Gilliam's expert, overwhelming, and complex handling of what could have been a routine action/sci-fi film makes 12 Monkeys a compelling vision of a nightmarish, futuristic landscape. Its rich, well-thought out, intricate storyline along with bravura performances from the entire cast and its brooding, bleak cinematography make it a masterpiece of madness. Ranking in my top 10 of all time, 12 Monkeys is a darkly lavish spectacle of a film brimming with brilliance.
10 out of 10
404 of 440 people found this review helpful.
Was this review helpful to you?
Terry Gilliam's fantastic, twisted story of a virus destroying all but a handful of people across the Earth and forcing them to move underground and the man sent back in time to gather information about it is a fantastic, dizzying, and highly stylized film that boasts Bruce Willis' best performance ever.
What sets 12 Monkeys apart from most time-travel sci-fi movies is that Bruce Willis character actually deals with what the psychological effects of time-travel, that is, not knowing what reality is actual reality: the place that the time-traveler comes from or goes to. Also, the film recognizes that things that have past cannot be altered and that the prevention of a cataclysmic event, in this case the release of said virus, cannot be stopped or changed. As Willis asserts "It's already happened," while he's in a mental hospital, the major dilemma the film trudges into is not a trite, overdone plot to save the world; instead it's Willis' inner struggle to simply survive himself. It's a fresh, innovative concept, and it works beautifully thanks to a tautly written script by Peoples and Gilliam's unique brand of dementia.
Besides this, 12 Monkey's storytelling is totally non-linear and instead opts to distort and bend the way the story is told skillfully incorporating a bevy of different time sequences: flashbacks, dreams, memories, the present, the past, the future, and even a scene that is lifted out of Hitchcock's Vertigo. All serve to envelop the viewer into its disturbing cacophony of madness and futility.
Visually, Gilliam is a master of desolate umbrage and shadow rivalling Tim Burton in his strikingly despondent scenery and imagery. With cold, wide, and immersing cinematography, Gilliam plunges into the colorless surroundings and darkness of his characters. The scenes are often bathed in a strangely antiseptic, dead white and help serve as a contrast to the often veering-on-madness characters.
Performance-wise, Brad Pitt steals most scenes, filling them with a patented loony, off-the-wall performance that deservedly garnered him an Oscar nomination. As mentioned, Bruce Willis gives the best performance of his career, not reverting to his heroic cliches and cardboard hero and instead portraying Cole as a simple, poignant, tragic everyman. Equally good is Madeline Stowe as Willis' psychologist. She holds her own, injecting her character with both wild energy and strength as she collapses under the weight of what she comes to believe is a false 'religion.'
Gilliam's expert, overwhelming, and complex handling of what could have been a routine action/sci-fi film makes 12 Monkeys a compelling vision of a nightmarish, futuristic landscape. Its rich, well-thought out, intricate storyline along with bravura performances from the entire cast and its brooding, bleak cinematography make it a masterpiece of madness. Ranking in my top 10 of all time, 12 Monkeys is a darkly lavish spectacle of a film brimming with brilliance.
10 out of 10