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Tromeo and Juliet (1996)

6.2
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Ratings: 6.2/10 from 3,496 users  
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A modern, punk adaptation of Shakespeare's classic. Told irreverently, this film attempts to impact the viewer in the same way theatre-goers were effected in Shakespeare's time. Bawdy, ... See full summary »

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Title: Tromeo and Juliet (1996)

Tromeo and Juliet (1996) on IMDb 6.2/10

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Cast

Cast overview, first billed only:
Jane Jensen ...
...
...
Murray Martini
William Beckwith ...
Cappy Capulet (as Maximillian Shaun)
Steve Gibbons ...
London Arbuckle
...
...
Ness
...
The Narrator
...
Benny Que
Flip Brown ...
Patrick Connor ...
Earl McKoy ...
Gene Terinoni ...
Detective Ernie Scalus
Wendy Adams ...
Ingrid Capulet
...
Georgie Capulet (as Tamara Craig Thomas)
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Storyline

A modern, punk adaptation of Shakespeare's classic. Told irreverently, this film attempts to impact the viewer in the same way theatre-goers were effected in Shakespeare's time. Bawdy, Violent, Humorous, and Romantic. Written by Stephen Blackehart

Plot Summary | Add Synopsis

Taglines:

Body Piercing, Kinky Sex, Dismemberment. The Things That Made Shakespeare Great


Motion Picture Rating (MPAA)

Rated R for strong sexuality, violence/gore, language and some drug content | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

28 February 1997 (USA)  »

Also Known As:

Tromeo and Juliet  »

Filming Locations:

 »

Box Office

Budget:

$350,000 (estimated)
 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

| (2001 uncut re-release)

Color:

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Did You Know?

Trivia

The scene where London Arbuckle dives through the window caused a stuntman to nearly die. When he first jumped through the window, the sugar glass was too thick to break. When they took the glass out, he forgot there wasn't any and dove full force. See more »

Goofs

It is pointed out toward the end that Tromeo is obviously not Monty's son because Monty is black, but it is never explained as to how Benny is related to Monty, as he is white. See more »

Quotes

Benny Que: We're supposed to be normal people living normal lives. Working nine to five, going to church on Sundays: normal. Maiming, murdering, crippling park animals: abnormal.
See more »

Crazy Credits

The CREDIT GUY here again. You know, it gets a little upsetting. I know no one ever reads the credits. Not a single girl with enormous melons has called me. No one appreciates my profession, but to me the credits are a great form of literature. My credits for SGT. KABUKIMAN, NYPD rivaled the greatest works of Proust! AND NOT A SINGLE OF YOU JERKS CAN TAKE OUT A FEW MINUTES TO READ THEM! Uh, sorry. Please call. See more »

Connections

Version of Romeo and Juliet (1947) See more »

Soundtracks

That We Could Fly
Performed by Tim Gallaher and Action Mouth
Written by Tim Gallaher
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Kaufman and Gunn do the Bard
15 October 2012 | by (United States) – See all my reviews

Romeo and Juliet, let's face it, is a silly story at its core, about two young dopey kids who live under rival tribe-gangs, and then meet and at first sight fall desperately in love. The rival-gang story might be fine enough, but the 'young-first-love' thing grows tired, at least for me, once I get past the age of reason (certain exceptions, like when Jerome Robbins adds kick-ass choreography and sings for West Side Story, or in little animated spurts, abound). So, mixing this silly story into the mix of Lloyd Kaufman and Michael Herz's Troma world is actually not a bad idea: lots of torpedo-the-top violence, excessive, icky almost Nickelodeon-slime-like gore, nudity and sex, and punk rock and piercings and tattoos for the characters. When there's a gang-fight here, or any kind of altercation that might result in violence, there's not only gotta be blood - severed limbs, torn and cracked skulls, maybe even the occasional mutation or radioactive penis might do the trick.

Here, it's a story told with a little more down-and-dirt grit (and coming out right around the time, intentional or not, with the Baz Luhrman Romeo + Juliet makes a terrific counterpoint for that film's unknowing stupidity). The Capulets and the Montagues were once partners in a film screening business, until Mr. Capulet screwed over Mr. Montague. Now its years later and Tromeo wants true love, as does Juliet, though they both have intended others (for Juliet, a son of a billionaire Juliet's evil father - and yes, he's evil as you will see, incestuous too). They meet at a costume party and have a dance, and right there it's love. But oh, what light on yon Plexiglas does shine! What does that mean? You'll have to see it to believe it.

Tromeo and Juliet offers up a lot of the gross-out stuff and crazy, X-rated cartoonish violence, including, a hight-light for me, a man's face stuck in a car window as it drives at top speed and then being flung to a fire hydrant. Ouch. But it also has James Gunn as writer and (un-official-but-really-was-co) director of the film, and it's fascinating to see after Slither and Super to see that his mark is on it: the film is more disturbing than one might expect from the crude but playful Kaufman, such as the 'black room' with the Plexiglas Capulet has, and some of the more crazy sexual dialog (though some of it is still Troma-light, like when Juliet calls a phone sex line just cause a picture she sees in the ad looks like Tromeo... and the guy on the other end is a 400 pound guy eating a pizza while he sex talks!) You gotta know, this is not your grand-daddy's R&J; this isn't even Abel Ferrara's 80's rock take China Girl. This is a beast of true B to maybe Z grade coverage of the story, with Lemmy from Motorhead as narrator, and, I should note, lots and lots of sex (though some semi-sweet romance midway through too). It's outrageous, it's stupid, it's childish, offensive, disgusting, maybe pornographic in its fetishizing of special effects and the same car crash footage used in every other Troma feature. But it's fun, and it knows it, and that's what counts here. It's all of a piece, to put it another way, even as certain pieces may fall flat or just astound with how bad the acting is or how obvious a stunt is (or, yeah, a boom mic in a few shots).


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