The toys are mistakenly delivered to a day-care center instead of the attic right before Andy leaves for college, and it's up to Woody to convince the other toys that they weren't abandoned and to return home.
Monsters generate their city's power by scaring children, but they are terribly afraid themselves of being contaminated by children, so when one enters Monstropolis, top scarer Sulley finds his world disrupted.
A little boy named Andy loves to be in his room, playing with his toys, especially his doll named "Woody". But, what do the toys do when Andy is not with them, they come to life. Woody believes that he has life (as a toy) good. However, he must worry about Andy's family moving, and what Woody does not know is about Andy's birthday party. Woody does not realize that Andy's mother gave him an action figure known as Buzz Lightyear, who does not believe that he is a toy, and quickly becomes Andy's new favorite toy. Woody, who is now consumed with jealousy, tries to get rid of Buzz. Then, both Woody and Buzz are now lost. They must find a way to get back to Andy before he moves without them, but they will have to pass through a ruthless toy killer, Sid Phillips. Written by
Rendered for an aspect ratio of 1.66:1, and it was supposed to be matted in theatres to 1.85:1 (the aspect ratio for which the team tried to compose). For reasons too complex to go into here, they aimed for 1.85:1 and missed, but only by a little. After careful consideration and consultation with director John Lasseter, they nudged the window open a tiny bit to 1.78:1. See more »
Rex combines anatomical elements of Tyrannosaurus Rex, Giganotosaurus, and other dinosaur kinds. He's a generic caricature for toy marketing, not a scientific exhibit. See more »
[playing with and mimicking the voices of his toys; holding Mr. Potato Head]
All right, everyone! This... is a stick-up. Don't anybody move! Now empty that safe!
[empties Hamm the piggy bank and coins fall out]
Ooh, hoo hoo! Money, money, money!
[has Potato Head "kiss" the money; as Bo Peep]
Stop it! Stop it, you mean old potato!
[as Potato Head]
Quiet, Bo Peep! Or your sheep get run over!
[as the sheep, on a toy car track]
Help! Baaa! Help us!
[...] See more »
This is the first Pixar film to feature the "Production Babies" section, which lists babies born to the crew members during production. This would become a trademark in the following years, in films like A Bug's Life (1998), Toy Story 2 (1999), Monsters, Inc. (2001) and Finding Nemo (2003). See more »
Proof that Pixar not only cares about the quality of their work,they care about our kids.
Though I am not a big fan of computer animation,I have to give the folks at Pixar credit.This brand of animation is nothing short of brilliant.The attention to detail,such as eye and body movement is quite remarkable.Computers allow them to make their characters as close to human like as possible,something we have never seen in traditional hand drawn animation,though the latter will always be the closest to my heart.Combine this excellence with a genuinely good story idea and a top notch voice cast and the result is good family entertainment.It's obvious that the people at Pixar are not only caring perfectionists when it comes to film making,but they care about our kids,something rarely seen today.Highly recommended for any home library.
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