The toys are mistakenly delivered to a day-care center instead of the attic right before Andy leaves for college, and it's up to Woody to convince the other toys that they weren't abandoned and to return home.
Monsters generate their city's power by scaring children, but they are terribly afraid themselves of being contaminated by children, so when one enters Monstropolis, top scarer Sulley finds his world disrupted.
A little boy named Andy loves to be in his room, playing with his toys, especially his doll named "Woody". But, what do the toys do when Andy is not with them, they come to life. Woody believes that he has life (as a toy) good. However, he must worry about Andy's family moving, and what Woody does not know is about Andy's birthday party. Woody does not realize that Andy's mother gave him an action figure known as Buzz Lightyear, who does not believe that he is a toy, and quickly becomes Andy's new favorite toy. Woody, who is now consumed with jealousy, tries to get rid of Buzz. Then, both Woody and Buzz are now lost. They must find a way to get back to Andy before he moves without them, but they will have to pass through a ruthless toy killer, Sid Phillips. Written by
Jeffrey Katzenberg often gave notes that he wanted more edge. Pixar presented an early draft of the film to Disney on November 19, 1993. The result was disastrous. The film was deemed unwatchable and John Lasseter recalls simply hanging his head in shame. It presented Woody as a "sarcastic jerk" who was constantly insulting the other toys. Katzenberg took Walt Disney Feature Animation president Peter Schneider in the hall after the screening and asked him why it was bad, Schneider responded that it "wasn't theirs anymore." Disney immediately shut down production pending a new script. The story team spent a week on a new script to make Woody a more likable character, instead of the "sarcastic jerk" he had been. See more »
The lever that lowers the ramp on the moving truck changes from black to red. See more »
[playing with and mimicking the voices of his toys; holding Mr. Potato Head]
All right, everyone! This... is a stick-up. Don't anybody move! Now empty that safe!
[empties Hamm the piggy bank and coins fall out]
Ooh, hoo hoo! Money, money, money!
[has Potato Head "kiss" the money; as Bo Peep]
Stop it! Stop it, you mean old potato!
[as Potato Head]
Quiet, Bo Peep! Or your sheep get run over!
[as the sheep, on a toy car track]
Help! Baaa! Help us!
[...] See more »
This is the first Pixar film to feature the "Production Babies" section, which lists babies born to the crew members during production. This would become a trademark in the following years, in films like A Bug's Life (1998), Toy Story 2 (1999), Monsters, Inc. (2001) and Finding Nemo (2003). See more »
A very sweet and fun movie. TOY STORY has great computer animation. A simple yet well told story is also added as well. The voice overs are top notch and everyone gets a fair share in this movie. PIXAR has done a good job placing itself on the map.
Set in Andy's room and before the family moves, his mother decides to throw a birthday party for the young lad. Andy's toys all have a conscience and are led by his favorite, Woody. But alas, the big new toy from the party unknowingly takes Woody's mantle.
Envy and jealousy are brought up well. So is the ignorance of Andy's toys and the loss of innocence from Buzz Lightyear. TOY STORY is well packaged exceeded only by its sequel. A good rent.
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