| Photos (See all 23 | slideshow) | Videos (see all 2) |
| Leonardo DiCaprio | ... | Arthur Rimbaud | |
| David Thewlis | ... | Paul Verlaine | |
| Romane Bohringer | ... | Mathilde Maute | |
| Dominique Blanc | ... | Isabelle Rimbaud | |
| Felicie Pasotti Cabarbaye | ... | Isabelle, as a child | |
| Nita Klein | ... | Rimbaud's Mother | |
| James Thiérrée | ... | Frederic | |
| Emmanuelle Oppo | ... | Vitalie | |
| Denise Chalem | ... | Mrs. Maute De Fleurville | |
| Andrzej Seweryn | ... | Mr. Maute De Fleurville | |
| Christopher Thompson | ... | Carjat | |
| Bruce Van Barthold | ... | Aicard | |
| Christopher Chaplin | ... | Charles Cros | |
| Christopher Hampton | ... | The Judge | |
| Mathias Jung | ... | Andre | |
| Kettly Noel | ... | Somalian Woman | |
| Cheb Han | ... | Djami | |
| rest of cast listed alphabetically: | |||
| Aza Declercq | ... | Prostitute (uncredited) | |
| Irmelin DiCaprio | ... | Nun (uncredited) | |
Directed by | |||
| Agnieszka Holland | |||
Writing credits | ||
| Christopher Hampton | (screenplay) | |
Produced by | |||
| Staffan Ahrenberg | .... | executive producer | |
| Jean-Yves Asselin | .... | executive producer | |
| Pascale Faubert | .... | executive producer | |
| Philip Hinchcliffe | .... | co-producer | |
| Jean-Pierre Ramsay-Levi | .... | producer (as Jean-Pierre Ramsay Levi) | |
| Cat Villiers | .... | co-producer | |
Original Music by | |||
| Jan A.P. Kaczmarek | |||
Cinematography by | |||
| Giorgos Arvanitis | (as Yorgos Arvanitis) | ||
Film Editing by | |||
| Isabelle Lorente | (as Isabel Lorente) | ||
Casting by | |||
| Margot Capelier | |||
Production Design by | |||
| Dan Weil | |||
Art Direction by | |||
| Nathalie Buck | |||
Set Decoration by | |||
| Françoise Benoît-Fresco | |||
Costume Design by | |||
| Pierre-Yves Gayraud | |||
Makeup Department | |||
| Anny Arguedas | .... | hair stylist | |
| Dany Beughin | .... | hair stylist | |
| Esther De Goey | .... | hair stylist: Belgium | |
| Michel Demonteix | .... | hair stylist | |
| Diana Dreesen | .... | assistant makeup artist: Belgium | |
| Bernard Floch | .... | makeup artist | |
| Odile Fourquin | .... | key makeup artist | |
| Sylvie Lorthiois | .... | makeup artist | |
| Veerle Martens | .... | assistant makeup artist: Belgium | |
| Jocelyne Millet | .... | key hair stylist | |
| An Schiettekat | .... | hair stylist: Belgium | |
Production Management | |||
| Martine Barraqué | .... | post-production supervisor | |
| Christine De Jekel | .... | unit manager | |
| Guy De Lombaert | .... | production manager: Belgium | |
| Eric Jolly | .... | assistant unit manager | |
| Françoise Piraud | .... | post-production supervisor | |
Art Department | |||
| Kasia Adamik | .... | storyboard artist (as Katarzyna Adamik) | |
| Bernard Cinquin | .... | set painter | |
| Jacky Courtin | .... | stand-by props | |
| Yann Couvin | .... | swing gang | |
| Alain Darthou | .... | assistant set decorator | |
| Sven Derbaix | .... | set decorator: Belgium | |
| Anne-Marie Duval | .... | assistant set decorator | |
| Alain Fottorino | .... | leadman | |
| Henri Frèrebeau | .... | construction coordinator | |
| Julien Grisot | .... | assistant set decorator | |
| Jean-Pierre Lemoine | .... | property master | |
| Geert Loyens | .... | set decorator: Belgium | |
| Bart Luypaert | .... | set decorator: Belgium | |
Sound Department | |||
| Michel Boulen | .... | sound | |
| Jocelyne Cartier-Stern | .... | post-synchronization editor (as Jocelyne Cartier) | |
| François Groult | .... | post-synch and foley mixer | |
| François Groult | .... | sound | |
| Dominique Lacour | .... | boom operator | |
| Marion Lorthioir | .... | post-synchronization | |
| Alain Lévy | .... | boom operator: post-synch | |
| Jacques Lévy | .... | post-synchronization | |
| Laurent Lévy | .... | foley artist | |
| Pascal Mazière | .... | foley artist | |
| Laurent Quaglio | .... | sound | |
| Bruno Tarrière | .... | sound re-recording mixer | |
Special Effects by | |||
| Anthony Gaillard | .... | special effects makeup | |
| Christian Renaud | .... | special effects | |
| Philippe Teissier | .... | special effects | |
| Pierre-Olivier Thevenin | .... | special effects makeup | |
| Guy Vanderplaetsen | .... | special effects (as Guy Vander) | |
Visual Effects by | |||
| Marc Bellan | .... | digital artist | |
| Laurent Borenstein | .... | computer graphics animator | |
| Pascal Charpentier | .... | digital coordinator | |
| Christian Guillon | .... | digital effects supervisor | |
| Christophe Huchet | .... | digital operator | |
| Joyce Menger | .... | digital operator | |
| Frederic Moreau | .... | digital effects supervisor | |
| Fred Place | .... | digital operator (as Frederic Place) | |
| Paul Swendsen | .... | matte painter | |
Stunts | |||
| Joëlle Baland | .... | stunts | |
| Patrick Cauderlier | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Jean-Louis Angelini | .... | camera operator | |
| Michel Bubola | .... | best boy electric | |
| Willy Bulterys | .... | generator operator: Belgium | |
| Didier Colin | .... | focus puller | |
| Patrick de Ranter | .... | Steadicam operator | |
| Thierry Debove | .... | generator operator | |
| Bruno Garny | .... | generator operator: Belgium | |
| Etienne George | .... | still photographer | |
| Jean-Pierre Goilard | .... | dolly grip | |
| Bert Hamelinck | .... | electrician: Belgium (as Bert Haemelinck) | |
| Christian Krithari | .... | electrician | |
| Michel Michau | .... | electrician | |
| Gérard Mienville | .... | key grip | |
| Fabrice Moindrot | .... | assistant camera | |
| Jean-Claude Neveu | .... | gaffer | |
| Gilles Oeuvray | .... | electrician | |
| Stéphane Rouillon | .... | grip | |
| Jo Voets | .... | electrician: Belgium | |
Casting Department | |||
| Marie-Sylvie Caillierez | .... | extras casting | |
| Katia Meulemans | .... | extras casting: Belgium | |
| Leen Verhelst | .... | extras casting: Belgium | |
Editorial Department | |||
| Patrick Crucy | .... | color timer | |
| Anne-Florence Fabre | .... | assistant post-production supervisor | |
| Julie Jouaffre | .... | assistant film editor | |
| Michel LeFrançois | .... | assistant film editor | |
| Andre Nain | .... | color timer | |
| Santiago Thévenet | .... | assistant film editor | |
Music Department | |||
| Marta Boberska | .... | soprano | |
| Krzesimir Debski | .... | conductor | |
| Krzesimir Debski | .... | orchestrator | |
| Jan A.P. Kaczmarek | .... | music producer | |
| Tadeusz Karolak | .... | conductor | |
| Rafal Paczkowski | .... | music recording & mixing | |
| Krystyna Wydzga | .... | executive music producer | |
| Zbyszek Zbrowski | .... | orchestra contractor | |
Transportation Department | |||
| Olivier Agredano | .... | driver | |
| Paco Agredano | .... | driver | |
| Daniel Argente | .... | driver | |
Thanks | |||
| Brigitte Brauner | .... | special thanks: Mairie de Paris | |
| Patrick Millon | .... | thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Biography section | IMDb UK section |
"Total Eclipses" narrates the romance that is born among the poets Paul Verlaine (David Thewlis, in a courageous and excellent performance, Thewlis plays strong scenes with experience and professionalism) and Arthur Rimbaud (Leonardo Di Caprio, before being thrown to the Hollywood's stardom in "Titanic"). The film documents, without make-ups,Paul Verlaine's slow destruction,a man who is consumed by the love and hate that he fells for Rimbauld.Director Agniezka Holland accomplished a touching and beautiful work,counting with a perfect plasticity that reconstitutes the time and the romance among the two men in a detailed way and without shame, what can,in fact,shock Di Caprio's fans in some delicate moments.Even being a little slow in a lot of parts of the story, "Total Eclipse" is efficient when its seen as a drama that lectures about the difficulty of being homosexual, but besides this topic, it analyzes what happens when people abdicate of their happiness and suffer due to social conventions, and finally it ends up in a intelligent conclusion:that only through the courage and through the love it's possible not only to break such barriers but also to achieve redemption.Director Agnieszka Holland conducts with experience a story that, in the hands of another director, could be reduced into a common and not very innovative denominator, and the lenses of her camera shows, without make-ups and courts to alleviate the impact of the scenes, the whole suffering, the prejudice and the pain that marks the relationship between Rimbaud and Verlaine. The two poets' love is realistically developed by Holland, starting by the friendship, in which the two writers begin to know important things about theirselves and discover that they have a lot in common, in terms that both are unhappy with the path their lives acquired, the doubts, the fears and the frustrations,till the beginning of the romance. The scene in which the first kiss happens, when Rimbauld seduces Verlaine and tries to get closer to him and ease his nervousness,is strong,touching and beautiful,this decisive and provocative part is filmed and written in a sweet and human way. The focus that the production gives to the story, therefore,is natural and realistic, what can scare many people away of the box- offices for the context declaredly homosexual of the story."Total Eclipse" explores and studies the relationship without making concessions and without allowing any demagogy or fear. There are rough scenes such as the one in which Thewlis is tirelessly sodomized by Di Caprio, there are moments of fondness when the two kiss each other,but in the same way the sick and morbid aspect of the relationship is expressed, when, for example, Rimbauld stabs Rimbaud's hand to prove his love.Being a heterosexual, i concluded that, instead of adopting a dogmatic and racist posture, it would be better if i could appreciate the film not as just another plot about two gay guys who are in love but I tried to enlarge my point of view, understanding that the film was, actually, a simple feeble love history marked by the suffering and resignation. Thus, I recommend "Total Eclipse" as an intelligent and efficient drama, a work that deserves to be applauded by its initiative and courage, for the excellent performances and for the safe and kind work by Agnieszka Holland, who tells a love story in a distressing and realist form. "Total Eclipses" i rated for strong sexuality and nudity, language, and some startling violence and it runs 111 minutes.The Cast: David Thewlis, Romane Bohringer and Leonardo Di Caprio.