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Storyline
In 1871, Paul Verlaine (1844-1896), an established poet, invites boy genius Arthur Rimbaud (1854-1891) to live with Paul and his young pregnant wife, Mathiltde, in her father's home in Paris. Rimbaud's uncouth behavior disrupts the household as well as the insular society of French poets, but Verlaine finds the youth invigorating. Stewed in absinthe and resentment, Verlaine abuses Mathiltde; he and Rimbaud become lovers and abandon her. There are reconciliations and partings with Mathiltde and partings and reconciliations with Rimbaud, until an 1873 incident with a pistol sends one of them to prison. Codas dramatize the poets' final meeting and last illnesses. Written by
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Taglines:
Impassioned by genius. Inflamed by desire. Imprisoned by love.
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Motion Picture Rating
(MPAA)
Rated R for strong sexuality and nudity, language, and some startling violence
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Did You Know?
Goofs
In the Café Andre where the adult Isabelle Rimbaud meets with Paul Verlaine, the typeface on the window is clearly in Helvetica, a typeface that was not created until 1954.
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Quotes
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first lines]
Paul Verlaine:
Sometimes he speaks in a kind of tender dialect of the death which causes repentence, of the unhappy men who certainly exist, of painful tasks and heartrending departures. In the hovels where we got drunk he wept looking at those who surrounded us, the cattle of poverty. He lifted up drunks in the black streets. He had the pity a bad mother has for small children. He moved with the grace of a little girl at catechism. He pretended to know about everything, business, art, medicine. ...
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Connections
Remake of
Teljes napfogyatkozás (1989)
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I saw this movies many years ago long before Leonardo was a superstar as he is today and was riveted to the screen by the depth of his performance. The length to which he commented himself to this character was Oscar worthy, to say the least. I was so taken, I immediately preordered it to own and add to my collection. As I have watched it repeatedly over the years, my original assessment remains the same...a 10 plus! I am in shock that neither Leonardo nor the film industry has not made mention of this film when listing or crediting his fabulous and diverse character choices during his career. In my opinion, his work in this film is far and away better than even the Titanic. He really seemed to grasp every aspect of this tormented genius character which had far more depth than the Titanic character. I highly recommend you see and buy this movie.