Colette is an attractive ex-CIA agent seeking revenge against a ruthless villan and his organization of trained assasins for the murder of her husband while the man is also after mobster ... See full summary »



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Cast overview, first billed only:
Colette Dubois / Vickie Linn
Joey Travolta ...
Philly Bambino
Joey Bambino
Don Williams
Thomas 'China' Smith
Jack Bannon ...
Arthur Jameson
Floyd Levine ...
Father Rich
Gino Dentie ...
Melissa Martino ...
Mary Bambino
Alexander Marshall ...
George Simonelli ...


Colette is an attractive ex-CIA agent seeking revenge against a ruthless villan and his organization of trained assasins for the murder of her husband while the man is also after mobster Frank Di Vinci for his own personal reasons. It isn't long before the paths of both Colette and Frank meet whom they share the same vendetta against the same man and they reluctnaly try to co-operate with each other to bring him down. Written by Anonymous

Plot Summary | Add Synopsis


You can only push a woman so far! See more »


Action | Crime | Thriller

Motion Picture Rating (MPAA)

Rated R for strong sexuality, violence and language | See all certifications »




Release Date:

12 October 1995 (Germany)  »

Also Known As:

A gyémánt meló  »

Company Credits

Production Co:

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Did You Know?


A compact disc (CD) cannot lodge into someone's skull, particularly when being thrown at point-blank. See more »


Colette Dubois: Look, I don't have to justify myself to yew!
See more »


Follows Da Vinci's War (1993) See more »


Just Love Me Tonight
Written by Gerald Jackson & Peter Jackson
Performed by Touch Of Class
Produced by John Davis
Published by Remo/America Co. (BMI)
See more »

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User Reviews

Anna spies on some gangsters while we spy on her
12 October 2007 | by (Southern California) – See all my reviews

I saw this movie for rent at my local video store and couldn't believe my good luck. Here was a low-budget potboiler (I'm a sucker for those) with the most gorgeous girl to ever have been born (I refer, of course, to Anna Nicole Smith) on the box cover and a title that practically screamed RENT ME! I thought for sure it was too good to be true.

Guess what? My disillusionment kicked in just a few minutes into the movie. I guess I should have realized that B-level and direct-to-video movies, while generally benefiting from more originality and freedom from censorship than the big-studio films, necessarily face a trade-off in production values and (sometimes, as in this case) performances by the actors.

What was this film shot with - a camcorder? The picture quality is very faded and fuzzy; if I didn't know better, I'd have sworn this was made in the 1970s. I tried to grin and bear it, telling myself it would get better. It did - but not by much.

The music was terrible and the plot left me cold. Just WHAT was this film about? All I managed to catch on to was some gobbledygook about a gangland hit, a stolen computer disk, and some atrocity in Vietnam - that's about it. The rest is just mindless exposition set mostly in Los Angeles and Las Vegas, with random characters showing up and leaving without rhyme or reason.

For having her name above the title, Anna Nicole was not even on the screen that much. She is supposed to be Colette DuBois, a worldly-wise government agent - but she plays the role with her lazy Texas accent intact. And while it's true that she can hold her own in fights with the villains, Colette seems far less concerned with kicking butt than with showing off her own. There are points where the narrative actually grinds to a dead stop so director Raymond Martino can offer voyeuristic shots of a naked Colette showering or doing other supposedly private things. (To be fair, Anna Nicole was not at all bad-looking naked in the mid-1990s.) It is nearly impossible to take Colette seriously as a hard-bitten hero; she seems to realize this, and makes a vain attempt to butch up by spouting obnoxious profanities throughout the picture.

TO THE LIMIT also starred Joey Travolta and a whole bunch of other people you probably wouldn't know from folks you'd run into on the street. Travolta is likable - assuming that's worth something - but he seems more befuddled than anything else. Many of the performers, in fact, seem to have been inserted just to make Anna look good.

The movie abounds in unintentional comedy, from the stereotyped accents of the mobsters to the sight of deadly assassins in black cat suits and ninja masks. (Does anyone ever wear such a getup in real life?) I stopped trying to take anything seriously after a skinny female assassin decks a man three times larger than she with a single punch. (For people who are offended by explicit content, I must also warn that there is some truly grisly violence - including a tragic wedding massacre - along with the exposure of Anna's voluptuousness.) Worst of all was the plot, which seemed cobbled together at the last second from various genres and tropes of movies past. Martino even offers us a flashback to the Vietnam War; he apparently saw one too many Oliver Stone films and was under the impression that Vietnam equals cool.

I really wanted to like TO THE LIMIT, if only for Anna's tremendous beauty and its air of B-movie innocence. I did enjoy watching it, but it was hard for me to stomach without a sense of irony. You can imagine my embarrassment when, after telling a roommate I was watching an action movie and being asked whether it starred Steven Seagal or Jean-Claude Van Damme or someone like that, I had to confess that it starred Anna Nicole Smith.

5 of 5 people found this review helpful.  Was this review helpful to you?

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not that bad of a movie truskillz89
wanted neck_neeyah
Alternative review of To The Limit (and other oddball pics) swm-2
This movie was only made as an excuse to show her naked up_down84
"Who the [puck] were those guys?" TopFrog
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