6.4/10
21,860
116 user 24 critic

To Wong Foo Thanks for Everything, Julie Newmar (1995)

PG-13 | | Comedy, Drama | 8 September 1995 (USA)
Three drag queens travel cross-country until their car breaks down, leaving them stranded in a small town.

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3,238 ( 63)

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ON DISC
Nominated for 2 Golden Globes. Another 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
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Noxeema
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Chi-Chi
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Beatrice
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Virgil
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Sheriff Dollard
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Merna
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Loretta
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Jennifer Milmore ...
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Billy Budd
Mike Hodge ...
Jimmy Joe
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Storyline

After jointly winning a local drag queen pageant in New York City, Noxeema Jackson and Vida Boheme win the right and are given the round trip airfare to compete in the Drag Queen of America pageant in Hollywood, California. Noxeema sees herself as the next Dorothy Dandridge, who bucked the trend of most black American movie actresses of her time by never playing the slave house maid. Vida's style reflects her past of growing up in upper class suburban Pennsylvania. One of their fellow New York contestants, Chi-Chi Rodriguez, is a straight-talking but naive and inexperienced drag queen. Seeing that Chi-Chi needs some drag queen confidence (despite her bravada), Vida and a reluctant Noxeema decide to cash in their plane tickets and buy an older model Cadillac convertible and drive to Hollywood with Chi-Chi. Their drive takes them through much of the country where alternate lifestyles are less tolerated than they may be in New York or Los Angeles. The three have an extended stay in small... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

Attitude is everything.

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated PG-13 for subject matter involving men living in drag, a brief scene of spousal abuse and some language | See all certifications »

Parents Guide:

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Details

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Release Date:

8 September 1995 (USA)  »

Also Known As:

To Wong Foo  »

Box Office

Gross:

$36,475,691 (USA)
 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Mel Gibson briefly flirted with the idea of playing the Patrick Swayze part. See more »

Goofs

During the bar scene (at around 1h 28 mins) the shoe that Virgil picks up and inspects suddenly changes to a different shoe from one shot to the next. Most evident in the toe strap (more open, then flattened) and different wear patterns at the heel (just a few scratches, then a larger wear). See more »

Quotes

[first lines]
Vida Boheme: Ready or not, here comes mama!
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Crazy Credits

Noah Kidron Style .... Best Baby (Noah was born to director Beeban Kidron on the last day of filming). See more »

Connections

References Midnight Cowboy (1969) See more »

Soundtracks

Turn It Out
Written by Shep Pettibone, Steve Feldman
Performed by LaBelle (Patti LaBelle, Nona Hendryx and Sarah Dash)
Patti LaBelle appears courtesy of MCA Records, Inc.
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Frequently Asked Questions

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User Reviews

 
Hilarious and full of Amazing Performances
10 August 2005 | by (United States) – See all my reviews

From its original conception, this film must have started as a riot. The premise of having three macho actors take on the roles of drag queens to put together a very funny and insightful comedy of the sexes must have appeared as an impossible task. In the end, the film works because of its tight screenplay and its well defined characters. Swayze, Leguizamo, and Snipes hold nothing back, making each character real and multi dimensional. There are elements of farce, hilarity, outrageousness, and some very daring moves from its three leads. With the help of a strong supporting cast that includes Stockard Channing, as a battered woman, the film moves along quite nicely.

It's a fantasy with a firm hold in reality. The leads portray three human beings that must confront what society deals them, and in the film, they manage to make some of their dreams come true. Unlike other movies dealing with special types of love, such as "Beautiful Thing" and "Big Eden" where the ending perfectly matches the rest of the fantasy, this one faces reality and offers an interesting type of compromise. It's bittersweet, expertly interweaving both the possible and impossible.

Leguizamo shines as the very caliente latina persona who lives dangerously and tries to fit in, in her own special way. Swayze is the classy one, who is not allowed to forget her true nature. Wesley Snipes' role borders on caricature, but he keeps it from crossing the line between farcical and ridiculous. They all do very good work with this very risqué and difficult material. It works out.


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