6.8/10
37,488
164 user 60 critic

To Die For (1995)

A beautiful but naïve aspiring television personality films a documentary on teenagers with a darker ulterior motive.

Director:

Writers:

(book), (screenplay)
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3,533 ( 758)

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Won 1 Golden Globe. Another 6 wins & 12 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Earl Stone
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Carol Stone
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Faye Stone
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Angela Maretto
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Mike Warden
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Storyline

Suzanne Stone (Maretto) knows exactly what she wants. She wants to be a television newscaster and she is willing to do anything to get what she wants. What she lacks in intelligence, she makes up for in cold determination and diabolical wiles. As she pursues her goal with relentless focus, she is forced to destroy anything and anyone that may stand in her way, regardless of the ultimate cost or means necessary. Written by Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>

Plot Summary | Add Synopsis

Taglines:

She'll do anything to get what she wants ...ANYTHING See more »

Genres:

Comedy | Crime | Drama

Motion Picture Rating (MPAA)

Rated R for strong sexual content, and for language | See all certifications »

Parents Guide:

 »
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Details

Country:

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Language:

Release Date:

6 October 1995 (USA)  »

Also Known As:

Todo por un sueño  »

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Box Office

Budget:

$20,000,000 (estimated)

Gross USA:

$21,284,514
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

This film could be seen as an abrasive, in your face and more starry version of Murder in New Hampshire: The Pamela Wojas Smart Story (1991). Nicole Kidman's Suzanne Stone also overshadowed Helen Hunt's Pamela Smart. See more »

Goofs

At the end of the movie when Janice (Illeana Douglas) is skating on the frozen pond, she is very unsteady on her skates like someone who has not been skating long. Janice skates out of the frame and then skates back into the frame, however, it is clearly another, more experienced skater. See more »

Quotes

Lydia Mertz: Suzanne used to say that you're not really anybody in America unless you're on TV... 'cause what's the point of doing anything worthwhile if there's nobody watching? So when people are watching, it makes you a better person. So if everybody was on TV all the time, everybody would be better people. But, if everybody was on TV all the time, there wouldn't be anybody left to watch, and that's where I get confused.
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Crazy Credits

The credits say that Misha is played by Walter but in fact, in the movie the dog's name was Walter and its real name is Misha. See more »

Connections

References Mod Squad (1968) See more »

Soundtracks

GODANGINUTA
Performed by Keiko Nosaka and Sachiko Miyamoto
Courtesy of Nonesuch Records
A division of Warner Communications Inc.
By Arrangement with Warner Special Products
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Frequently Asked Questions

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User Reviews

 
This one will stay with you a little bit
4 August 1999 | by See all my reviews

Clever story with more depth that appears at first blush, directed with irony and a sardonic sense of humor by Gus Van Sant. Nicole Kidman plays an especially shallow TV weather person who gets some grunge kids to kill her husband for her. Her motive is, as Illeana Douglas, who plays the sister-in-law, says, "he got in her way." This is a nice study of narcissism metastasized into psychopathology. She is headstrong, motivated and rather stupid. She thinks only of herself and would do anything for herself and would do anything to anybody who got in her way. And amazingly, she does.

Matt Dillon is wasted as the husband (in more ways than one). I'm surprised he agreed to do the part. Kidman is mesmerizing and makes us believe in a slightly unbelievable character. We've all known narcissistic little darlings who would kill you for the right shade of eye shadow, but to see it acted out so coldly and with such appalling stupidity, yet with a psychology so bizarre that it has to be real, fairly takes your breath away. It was especially apt that she had him killed so that her pointless little docu-drama "Teens Speak Out" could become newsworthy enough for national exposure. Consicously she doesn't realize this: she has no introspection; she just acts.

Also cute is the way the picture is framed: a pseudo-documentary within a pseudo-documentary. Everything is so well orchestrated that when Kidman gets her surprising, but entirely appropriate comeuppance at the end, we are quite pleased.

(Note: Over 500 of my movie reviews are now available in my book "Cut to the Chaise Lounge or I Can't Believe I Swallowed the Remote!" Get it at Amazon!)


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