A story of amour fou. Walt is madly in love/lust with a young illegal Mexican immigrant. However, the object of his unrequited affection doesn't even speak any English and finds Walt really... See full summary »
Pamela Smart knows exactly what she wants and is willing to do anything to get it. She is fed up with teaching, and her marriage offers little excitement. Looking for a way out she applies ... See full summary »
A tale about a happily married couple who would like to have children. Tracy teaches art, Andy's a college dean. Things are never the same after she is taken to hospital and operated upon by Jed, a "know all" doctor.
Steve Beck (Vince Martin) is a Karate instructor, Robby Mason (Tom Jennings) his prize student. Beck is using drugs to give him an edge. Guy Duncan (Craig Pearce) is Beck's drug connection ... See full summary »
Suzanne Stone (Maretto) knows exactly what she wants. She wants to be a television newscaster and she is willing to do anything to get what she wants. What she lacks in intelligence, she makes up for in cold determination and diabolical wiles. As she pursues her goal with relentless focus, she is forced to destroy anything and anyone that may stand in her way, regardless of the ultimate cost or means necessary. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
Lydia says that Suzanne let her drive her car even though she did not have a learner's permit. New Hampshire does not issue learner's permits. Anyone at least 15 1/2 can drive if accompanied by a licensed driver at least 25 years of age. See more »
Suzanne used to say that you're not really anybody in America unless you're on TV... 'cause what's the point of doing anything worthwhile if there's nobody watching? So when people are watching, it makes you a better person. So if everybody was on TV all the time, everybody would be better people. But, if everybody was on TV all the time, there wouldn't be anybody left to watch, and that's where I get confused.
See more »
A scene plays out over the end credits where Janice skates over the ice rink where Suzanne has been buried. A darkly comic moment where Janice is literally dancing on Suzanne's grave. Its an ironic fate too because Suzanne spent a lot of time looking down on Janice through the movie. Now the situation is reversed. See more »
One of the few really good films of the modern era
I'm a little hesitant with my rating of 8 because this isn't really a film to be taken too seriously; having said that, I was glued to the screen and it holds up to repeat viewings so that says a lot.
It's peculiar that the closing credits of this film bear the usual disclaimer that "any resemblance to real persons, living or dead, is entirely coincidental" when the film is in fact the story of New Hampshire school teacher Pamela Smart, who did indeed co hearse a teenage student into murdering her husband in pretty much the exact same manner as depicted here. Writer Buck Henry has changed the characters name, occupation, and a number of the irrelevant details, but this is unmistakably the Pamela Smart story.
Played as dark comedy...! The heretofore unimpressive Buck Henry redeemed himself in my eyes with this wickedly amusing script.
While peppering us with the kind of mirroring observations about the shallowness and stupidity of the media and the society it reflects which makes us both laugh and squirm with more than passing discomfort, the top-notch cast masterfully play out the excellent script in such a mesmerizing fashion you simply will not believe nearly two hours are gone when it is over.
Nicole Kidman in particular displays intelligence and acting prowess I never imagined her capable of; she is in practically every frame of the film and while her character is truly despicable, you can't stop watching. The three teens, played by Joaquin Phoenix, Casey Affleck, and Alison Folland (who stands out as the easily led girl with a not too subtle lesbian infatuation on Suzanne Stone) are engaging. Perhaps the best of the cast after the lead is Illeana Douglas as the deliciously smart ass sister-in-law, she had me in stitches! From the opening credits of rushing reporters superimposed over headlines and newsprint, to the closing credits overlaid with the rather brilliantly selected Donovan song Season of the Witch, this one is a must see film from an era of otherwise bland cinema.
19 of 26 people found this review helpful.
Was this review helpful to you?