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Land and Freedom (1995)

 -  Drama | War  -  22 March 1996 (USA)
7.6
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Ratings: 7.6/10 from 7,002 users  
Reviews: 41 user | 22 critic

Spring 1936, a young unemployed communist, David, leaves his hometown Liverpool to join the fight against fascism in Spain. He joins an international group of Militia-men and women, the ... See full summary »

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Cast

Cast overview, first billed only:
...
Rosana Pastor ...
Blanca
...
Maite (as Iciar Bollain)
...
Lawrence
...
Juan Vidal (as Marc Martinez)
...
Bernard Goujon (as Frederic Pierrot)
Andrés Aladren ...
Militia member (as Andres Aladren)
Sergi Calleja ...
Militia member
Raffaele Cantatore ...
Militia member
Pascal Demolon ...
Militia member
...
Militia member
Josep Magem ...
Militia member
Eoin McCarthy ...
Connor
Jürgen Müller ...
Militia member
Víctor Roca ...
Militia member (as Roca)
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Storyline

Spring 1936, a young unemployed communist, David, leaves his hometown Liverpool to join the fight against fascism in Spain. He joins an international group of Militia-men and women, the POUM (Partido Obrero de Unificación Marxista). After being wounded he goes to Barcelona, where he decides to join another group of fighters. They remain in Barcelona and end up fighting other anti-fascist groups. David is disappointed and decides to go back to his old band. Written by Walter de Rijk <W.C.A.de.Rijk@let.uva.nl>

Plot Summary | Add Synopsis

Genres:

Drama | War

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

| | |

Language:

| |

Release Date:

22 March 1996 (USA)  »

Also Known As:

Terra E Liberdade  »

Box Office

Gross:

$1,465,420 (Spain)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (TV)

Sound Mix:

Color:

(Metrocolor)

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Goofs

When the group first arrive in the trenches, several can be seen carrying old Swedish army rucksacks. However, these were first issued in 1939 to the Swedish army, 3 years after the time-line of the movie. See more »

Quotes

David: We elect the officers and everything. It's socialism in action - not like the army back home.
See more »

Crazy Credits

Special thanks to the people of Mirambel and Morella. See more »

Connections

Referenced in The Trotsky (2009) See more »

Soundtracks

A Las Barricades
Courtesy of Confederación de Nacional dl Trabajo
See more »

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User Reviews

 
Politically and cinematic ally mature
13 October 2004 | by (Netherlands) – See all my reviews

It is, perhaps, surprising that more films about the Spanish Civil War haven't been made. The Spanish landscape, the sheer ruthlessness of any civil war, and the perceived Spanish emotions all combine to make what would appear to be an attractive proposition for a film-maker. The names of Picasso and Lorca will forever have an association with the war, yet where are the artists representing cinema? All the more surprising then that it should have been British director Ken Loach who took up the cudgels. Loach is probably best known for his gritty portrayals of the British working class (and under-class), something that has, perhaps, made him more approachable outside his own country.

In tackling the Spanish Civil War any writer is faced with the overwhelming complexities that underlie the events. The regionalism (think only of the Catalan and Basque regions, let alone Galicia and Andalusia), the monarchy, the Catholic Church, landowners, trade unions, anarchists plus the leaderships of the Nationalist and Republican movements all combined to create a very tangled web. Add to that outside involvement, principally from Mussolini and Stalin, the vacillation of Britain and France and, of course, the omnipresence of Hitler, and anyone might wonder where to start.

Loach and Allen take their approach through the eyes of an unemployed Liverpudlian, David Carr (admirably played by Ian Hart) who, as a card-carrying member of the Communist Party, answers the call to fight for the Republic. We follow his exploits through a number of episodes, involving battles, falling in love, injury and, ultimately, a degree of disillusion as the reality of Stalin's views eventually come to dominate, and eventually destroy, his cause. The film is supremely well-made, highlighting the horrors, the camaraderie, and the political divisions. In particular, the debate amongst the militia about collectivisation after they have taken a small town takes no sides, but simply allows a number of valid arguments to be exposed within the context of the shifting sands of the war.

There is still ample material for the industry to go on to make more films on this important period in history. But Loach has set the benchmark.


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Libertarian film...? abclaret
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