In an unexplained act of charity, Jeanne Holman, picks up an injured, apparent tramp and takes him home to care for him little realising who he was or the effect he would have on her life and those of her family.
On the eve of the elections in Russia, there's an outbreak of a mysterious disease. The British are curious to find out what's going on, so they need to send someone. An official knows ... See full summary »
Charles Martin Smith
Police in 1928 Austria arrest Phillippe Halsman, of Jewish origin, for Patricide and allege that he killed his father, Morduch, while on a hiking trip. Phillippe is defended by a Jewish ... See full summary »
A young woman photographer engaged to be married to a businessman investigates a cult in the local club scene. By living out some of her sexual fantasies she faces the truth about her life and helps one of the cult's victims escape.
In a small town, the hippie faction often clashes with the mainstream. To settle their differences, the hippie "freaks" take on the town police "pigs" in a football game. On opposing sides ... See full summary »
When Jane Holman is driving with her two sons, Tom and Gunny, she accidentally runs into a drifter, named Jack McCloud, who breaks his leg. Feeling sorry for him, Jane invites Jack and his dog Betty Jane to stay at her home until his leg has healed. After having some difficulties to adapt to this new lifestyle, Jack soon finds himself loved by the family and they all want him to stay. When he starts teaching baseball to Tom, who misses his father who's missing in the Korean War, the two of them develop a strong bond. Meanwhile Gunny believes that there's more to Jack and Betty Jane than meets the eye, and he's determined to find out! Written by
Peter Huiskes <email@example.com>
Certainly a mixed bag of comments on this one. I'm definitely one of this film's boosters. I saw it long ago on a motel tv in the middle of the night and have never forgotten it. My memory was that it was an 80s movie; I suppose because most of the plot was set in the 50s. When I rediscovered that it was made as late as 1995 I was quite surprised. The fact that women directors and writers were so heavily involved with this movie explains its beautiful emotional resonance. Even now as I write this I'm again deeply moved by the whole story and its telling. To me it's right up there with films like "It's a Wonderful Life" and "Miracle on 34th Street," etc. Recently TCM has been featuring great women screen writers like Frances Marion and April Guy Blache. I'm glad to discover that women are still and again strongly contributing to our collective screen world of emotions and feelings. Too bad this sensitive approach seems to turn some of your reviewers strongly off. Perhaps it's a gender thing.
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