A former drug lord returns from prison determined to wipe out all his competition and distribute the profits of his operations to New York's poor and lower classes in this stylish and ultra violent modern twist on Robin Hood.
A big-city cop from L.A. moves to a small-town police force and immediately finds himself investigating a murder. Using theories rejected by his colleagues, the cop, John Berlin, meets a ... See full summary »
New York City, the 1930s. A powerful crime family is caught in a lethal crossfire between union organizers and brutal corporate bosses. Against this turbulent backdrop, the family's three ... See full summary »
Keen young Raymond Avila joins the Internal Affairs Department of the Los Angeles police. He and partner Amy Wallace are soon looking closely at the activities of cop Dennis Peck whose ... See full summary »
Carlos Quintas, the democratically-elected president of an unnamed South American country, has been deposed by a military coup. He is in London, the head of a government in exile, rallying ... See full summary »
Jimmy the Saint's business is videotaping the terminally-ill, so that they will be around to give 'Afterlife Advice' to their survivors. He hasn't been doing too well lately and has had to turn to loan-sharks to accomodate his failing business, as well as his expensive personal tastes. When an evil gangster-overlord buys up his note and demands a favor of Jimmy, in exchange for the interest that he can't afford, Jimmy capitulates. Jimmy is to scare someone for the gangster-overlord--really rough them up. Without giving too much away (spoiler), the scene goes down badly and Jimmy and his crew all end up with contracts on their heads for their trouble. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
When Jimmy The Saint is threatening Lt. Atwater with a baseball bat he's holding it against Atwater's chest and lowers the bat to the ground to lean on it, but in the next shot the bat is back against Lt. Atwater's chest. See more »
Next to Garcia's work in INTERNAL AFFAIRS, this is really one of his best performances... It's a rich film on every level, and it's too bad the film was caught -- back in 1995 -- in the backlash of Tarantino madness. Scott Rosenberg has a unique voice as a writer, and this film attempts to create its own reality. All those who say they 'hate' this film should rent their copy of HAPPY GILMORE and keep their opinions to themselves. Needless to say, this is a film that provokes and p***es people off and one which should be viewed without conventional expectations...
24 of 29 people found this review helpful.
Was this review helpful to you?