A former drug lord returns from prison determined to wipe out all his competition and distribute the profits of his operations to New York's poor and lower classes in this stylish and ultra violent modern twist on Robin Hood.
A big-city cop from L.A. moves to a small-town police force and immediately finds himself investigating a murder. Using theories rejected by his colleagues, the cop, John Berlin, meets a ... See full summary »
Keen young Raymond Avila joins the Internal Affairs Department of the Los Angeles police. He and partner Amy Wallace are soon looking closely at the activities of cop Dennis Peck whose ... See full summary »
New York City, the 1930s. A powerful crime family is caught in a lethal crossfire between union organizers and brutal corporate bosses. Against this turbulent backdrop, the family's three ... See full summary »
San Francisco police officer Frank Connor is in a frantic search for a compatible bone marrow donor for his gravely ill son. There's only one catch: the potential donor is convicted ... See full summary »
Terry Noonan returns home to New York's Hells Kitchen after a ten year absence. He soon hooks up with childhood pal Jackie who is involved in the Irish mob run by his brother Frankie. Terry... See full summary »
Jimmy the Saint's business is videotaping the terminally-ill, so that they will be around to give 'Afterlife Advice' to their survivors. He hasn't been doing too well lately and has had to turn to loan-sharks to accomodate his failing business, as well as his expensive personal tastes. When an evil gangster-overlord buys up his note and demands a favor of Jimmy, in exchange for the interest that he can't afford, Jimmy capitulates. Jimmy is to scare someone for the gangster-overlord--really rough them up. Without giving too much away (spoiler), the scene goes down badly and Jimmy and his crew all end up with contracts on their heads for their trouble. Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
The production began on August 24, 1994 and shot for 34 days on over 25 interiors and exteriors in and around the city of Denver, Colorado. See more »
When Jimmy The Saint is threatening Lt. Atwater with a baseball bat he's holding it against Atwater's chest and lowers the bat to the ground to lean on it, but in the next shot the bat is back against Lt. Atwater's chest. See more »
I'm completely stunned by the amount of praise people seem to be lavishing on this turkey. It's awful. It makes little sense. And worst of all, it's not even a 'fun-derivative' movie, a la the John Sayles-type of exploitation films of the late '70's, early '80's.
Ex-low life (now nicknamed "Jimmy the Saint") Andy Garcia plans 'one final job' for mobster Christopher Walken. For reasons that make absolutely no sense, he gets a bunch of idiotic misfits to help him. These sub-criminals are put together by the screenwriter for the sole purpose of having the viewer watch people yell and scream at each other. For instance, the black guy doesn't want to work with Treat Williams because he heard that Treat was a 'fecal eater' (a fact that doesn't exactly advance the plot) in prison. So for more minutes than we need, we see yelling and shouting about this.
The job gets botched because...if it didn't, there would be no movie. Walken tells Garcia that his crew will now be -- get this -- "buckwheats." What are 'buckwheats' you may ask? Good question. As narrator Jack Warden (who inexplicably spends the entire movie telling us poor viewers what's going on from inside the malt shop Garcia is prone to visit)explains it, 'buckwheats' means that you will die in a most painful way. Ooooh! The rest of the film deals with Garcia trying to get his brain-dead crew to leave town. He offers them plane tickets to exotic locations. No one accepts these tickets because...well, if they did, the filmmakers wouldn't be able to show us the various ways these people get tortured and killed by assassain Steve (have they made a movie without me yet?) Buscemi.
Lotsa wannabe hip dialogue is peppered throughout this movie in an obvious attempt to ape Tarantino. The only problem is, the dialogue doesn't make a lot of sense without Jack Warden to explain it all. A complete waste of time.
On scale of 1 to 10, give this one a 1...and that's being generous.
20 of 35 people found this review helpful.
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