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Things to Do in Denver When You're Dead (1995)

 -  Crime | Drama  -  1 December 1995 (USA)
6.8
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Ratings: 6.8/10 from 19,666 users   Metascore: 46/100
Reviews: 136 user | 49 critic | 16 from Metacritic.com

Five different criminals face imminent death after botching a job quite badly.

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Title: Things to Do in Denver When You're Dead (1995)

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Cast

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Bernard
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Gus
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Storyline

Jimmy the Saint's business is videotaping the terminally-ill, so that they will be around to give 'Afterlife Advice' to their survivors. He hasn't been doing too well lately and has had to turn to loan-sharks to accomodate his failing business, as well as his expensive personal tastes. When an evil gangster-overlord buys up his note and demands a favor of Jimmy, in exchange for the interest that he can't afford, Jimmy capitulates. Jimmy is to scare someone for the gangster-overlord--really rough them up. Without giving too much away (spoiler), the scene goes down badly and Jimmy and his crew all end up with contracts on their heads for their trouble. Written by Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>

Plot Summary | Add Synopsis

Taglines:

Protect. Love. Honor. Avenge. See more »

Genres:

Crime | Drama

Motion Picture Rating (MPAA)

Rated R for strong graphic violence and language, and for brief images of a sex film | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Release Date:

1 December 1995 (USA)  »

Also Known As:

Things to Do in Denver When You're Dead  »

Filming Locations:

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Box Office

Budget:

$7,000,000 (estimated)

Gross:

ITL 126,606,000 (Italy) (4 April 1997)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The character name "Jimmy the Saint" is taken from the 1973 song "Lost in the Flood" by Bruce Springsteen. See more »

Goofs

During the movie, they refer to the hit man killer as "Mr. Shush" (it even says as much in closed captions) - yet in the credits and chapter section, he is called "Mr. Shhh". See more »

Quotes

Critical Bill: I been wantin' to apologize to you, Jimmy, about that... what happened out on the highway the other night? You know, man, I just... Well, I kinda lost my shit out there, ya know? But, damn, Jimmy, it was kind of irresponsible of you to put me out on point in the first place, ya know? When you think about it, it really was sorta your fault. I mean, everybody knows... I'm out of my tits!
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Connections

References D.O.A. (1950) See more »

Soundtracks

Pistolgrip-Pump
Performed by Volume 10
Written by Dino Hawkins, Nick Vidal, Eric Vidal, Roger Troutman
Courtesy of MCA Records
Including a sample of
"More Bounce To The Ounce"
Performed by Zapp
Written by Roger Troutman
Courtesy of Warner Bros. Records
By Arrangement with Warner Special Products
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

A Brooding Gem
22 April 2003 | by (London, England) – See all my reviews

I feel that a hell of a lot of ppl missed the point on this one; it is less a Tarantino-esque hip, Godfather mob drama, than a meditation on life and death, and the frustration of mortality.

Centered around Garcia's character Jimmy, the film follows him tying up his loose ends, after his gang botch up an 'action', and are given a 48hr suspended death sentence by bitter crimelord Walken, before the deadly assassin Mr Shh (Buscemi) is called in. Feeling responsible, and desperate to tie up as many loose ends in his life, the film finds Jimmy constantly striving to choose between options, and to try and finish nobly, and rectify his perceived wrongs. These include trying to secure his fellow gang members (Lloyd, Nunn, Forsythe and the crazed Williams), ensure the wellbeing of prostitute Balk, and ignore his love for Anwar, to avoid dragging her in with him. Throughout it all, Jimmy only succeeds in isolating himself further, fighting his fears and dreams with his logic and pride. Yet as Warden narrates, there is a sense that Jimmy's peace is just around the corner, if only he can do the right things.

Garcia truly tranmits his character's pain and suffering, most pertinently through the changing look on his eyes and face as the deadline nears - he tries to maintain his grace, but cant quite hide his fears. All the support are great - Walken and Buscemi as per usual are suitably fearful, Williams and Lloyd in particular represent lost souls going down defiantly very well, whilst the underused women are perfect - Anwar doing well with unhelpful scenes, and Balk truly outstanding as the prostitute with the zeal and realism that Jimmy so badly needs. The dialogue is at times cheesy and clunky, and the mob feel somewhat overdone, but the film feels true, and makes a valuable point about targets, and the temporality of life. And it refuses to lose hope, as proved by the final boat scene.

Similar to Spike Lee's new film, the issues of mortality, and aspirations and dreams are key. The film's sombre tone is perfect - not too downbeat (there are many hilarious and happy moments), but enough to make us understand the importance of the issues at stake. Aside from staunch, happy-to-be-cynical other imdb reviewers, the film will affect, and perhaps even instruct. Recommended.


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