| Woody Allen | ... | Al Lewis | |
| Peter Falk | ... | Willie Clark | |
| Michael McKean | ... | Scott Grogan | |
| Liev Schreiber | ... | Ricky Gregg | |
| Edie Falco | |||
| Sarah Jessica Parker | ... | Nancy Clark | |
| Tyler Noyes | ... | Peter | |
| Olga Merediz | ... | Sue | |
| Andy Taylor | ... | Michael Davison | |
| Jose Soto | ... | Hispanic Boy 1 | |
| Kirk Acevedo | |||
| William Hill | ... | Hal Jenks | |
| Herbert Rubens | ... | Murray | |
| Merwin Goldsmith | ... | Harry | |
| David Lipman | ... | Jerry | |
| Raymond Anthony Thomas | ... | Limo Driver (as Ray Anthony Thomas) | |
| Peter Appel | ... | Anson Black | |
| Jim Bracchitta | ... | Assistant | |
| Michael Badalucco | ... | Sound Man | |
| Stephen Singer | ... | Camera Operator | |
| Carlos Rafart | ... | Desk Clerk | |
| rest of cast listed alphabetically: | |||
| Jennifer Esposito | ... | Jeannie | |
| Whoopi Goldberg | ... | Nurse (uncredited) | |
Directed by | |||
| John Erman | |||
Writing credits(WGA) | ||
| Neil Simon | (play) | |
| Neil Simon | (teleplay) | |
Produced by | |||
| John Erman | .... | producer | |
| Robert Halmi Sr. | .... | executive producer | |
| Gerrit van der Meer | .... | co-producer | |
Original Music by | |||
| Irwin Fisch | |||
Cinematography by | |||
| Tony Imi | |||
Film Editing by | |||
| John W. Wheeler | (as Jack Wheeler) | ||
Casting by | |||
| Lynn Kressel | |||
Production Design by | |||
| Ben Edwards | |||
Set Decoration by | |||
| Susan Kaufman | |||
Costume Design by | |||
| Helen P. Butler | |||
Makeup Department | |||
| Colleen Callaghan | .... | key hair stylist | |
Production Management | |||
| Lucille Smith | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Michael Haley | .... | first assistant director | |
| Glen Trotiner | .... | second assistant director | |
Art Department | |||
| Anthony Baldasare | .... | on-set dresser | |
| Jeff Mazzola | .... | property master | |
Sound Department | |||
| Bob Costanza | .... | sound editor | |
| Tommy Goodwin | .... | foley mixer | |
| G. Michael Graham | .... | supervising sound editor | |
| Kristi Johns | .... | adr supervisor | |
| Dennis Maitland | .... | sound mixer | |
Stunts | |||
| Willem de Beukelaer | .... | stunt supervisor | |
Camera and Electrical Department | |||
| A. Lee Morris | .... | film loader | |
| Gary Muller | .... | first assistant camera | |
| Andrew Priestley | .... | second assistant camera | |
| Michael Proscia Jr. | .... | gaffer | |
Editorial Department | |||
| Tim Board | .... | assistant editor | |
Other crew | |||
| Timothy Donohue | .... | studio manager | |
| Eric Fisher | .... | key production assistant | |
| Russell Gibson | .... | stand-in: Peter Falk | |
| Joe Hartwick Jr. | .... | first assistant accountant | |
| Fred Toye | .... | title designer | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Neil Simon's cantankerous comedy about old show-biz team of Lewis and Clark reuniting in the modern day for one more performance--and picking up right where they left off, by arguing--didn't quite work in 1975, despite lots of acclaim. Walter Matthau was ill-suited for the larger role of Willie Clark, though it did give us the return of George Burns as Al Lewis, for which he nabbed a Supporting Oscar. Simon has tweaked the material for this TV-made remake, peppering the dialogue exchanges with some modern references (which don't really work) and changing Clark's nephew to a niece (which does). Peter Falk plays Willie Clark this time, and though Falk isn't naturally a comedian (and his Jewish lapses into Yiddish), he holds his own with Simon's hit-or-miss rhythm and wrings some laughs out of the outrageous arguments. Woody Allen's performance as Al Lewis is even better; Allen doesn't bicker so much as search for logic in the illogical, and this coupled with some very funny lines results in a surprisingly successful bit of casting (who would've thought we'd ever see Woody Allen performing Neil Simon!). Sarah Jessica Parker is terrific as well playing Clark's level-headed relative and agent, hoping for a miracle in bringing these two together again--though sweetly resigned to the fact it may never happen. Good production values (except for some bad lighting), a smooth pace and a satisfying finish; this one is more enjoyable than the theatrical feature simply due to the casting. Falk and Allen would appear not to be convincing as a former comedy duo from the 1960s, and yet they nearly pull it off.