Brooklyn Docks, 1957. If you're not a dockworker, mobster, or streetwalker, you don't belong in this neighborhood. Mob small fish George and Dip set up their boss Joey "The Heart" Aorta ... See full summary »
Jill flees New Smyrna, Florida, and boyfriend Keith, in hopes of a new life as a Miami fashion model in South Beach. With advice and support from drag queens Billee and Mona, she makes it ... See full summary »
In two days, Omer will hit a milestone; his 30th birthday. Like many his age, he hasn't found himself. But then Omer is hardly looking. Instead he chooses to loose himself among the stacks ... See full summary »
Elisa imitates her friend's feelings and moods. She is not aware of her behaviour but her aunt that knows Elisa too well, offers her a trip to Brazil to spend some time alone and work on ... See full summary »
Father Greg Pilkington (Linus Roache) is torn between his call as a conservative Catholic priest and his secret life as a homosexual with a gay lover, frowned upon by the Church. Upon ... See full summary »
Who could have guessed that a bunch of men in dresses would breath life into the movement to win equal rights for gay men and lesbians? Certainly not the police who raided the Stonewall Inn, a popular "drag" bar in Greenwich Village. After a long history of police raids, extortion, and brutality, a gaggle of drag queens at the Stonewall decide they have had enough and begin to riot when the police try to load them into a paddy wagon. Told by "La Miranda" (Hector), a regular customer at the Stonewall Inn, the film is a recounting of events that led up to that fateful day in 1969. "Matty Dean" is the handsome angry young man that La Miranda meets at the Stonewall one day and with whom she/he quickly falls in love. "Bostonia" is the self-styled Queen Mother of the drag queens and guides each initiate gently "into the life." Her lover, Vinnie, is the closeted proprietor of the Stonewall. His tragic response to the suffocation he feels bearing down on him from a homophobic world -- perhaps... Written by
Mark Fleetwood <email@example.com>
Early in the film, there is a shot of a sign being posted that said "We homosexuals plead with our people to please help maintain peaceful and quiet conduct on the streets of the Village." This was an actual sign which was prominently and publicly posted outside the original Stonewall Inn in early summer 1969, about one month prior to the Stonewall Riots began. See more »
The sip-in depicted took place in 1966, not 1969. It was not the Stonewall Inn that refused service, but a bar called Julius (which is shown as the sip-in's first stop in the film). See more »
And who is this kid I'm bailing out of the slammer after getting his ass where it wasn't wanted or paid for?
I'm Matty Dean
Matty Dean? God damn hillbilly.
Now Bostonia, don't...
You do not speak or I will slap you upside your head. Now kid, I was there and I saw what you did. You might have thought it was cool, and it might've felt cool in some freaky way. But you do not give them a reason to put their hands on you. If we bleed, we do not win, dig?
Well maybe it's their turn to bleed.
Wake up ...
See more »
Events leading up to the Gay Uprising of 1969--told in connect-the-dots fashion
A young gay man from the sticks comes to New York City in 1969 hoping for a better life, but finds the homosexual lifestyle just as stifled in the big city under police pressure, corruption and harassment. The legendary gay riots near the Stonewall Inn take up just five minutes of the film's running-time, the final five minutes. This low-budget, brightly-colored film is more interested in the lives that would soon be affected by the riots than in the aftermath of the violence--and so we get stock characters like the naive blond cowboy, the underworld group controlling the club, the straight-seeming activists for a Homosexual Alliance, and lots and lots of drag queens. Director Nigel Finch seems to make a concerted effort to equate homosexuality with drag behavior, and drag behavior with (ultimately) prostitution. Perhaps this was true of the times, but Finch's presentation (though not campy) has cartoonish leanings and nostalgic overtures that don't express anything more than what most people already realize: the cops were corrupt, the gays were not saints, and they clashed. There's a good movie to be made about Stonewall, but this one just scratches the surface. There are some sweet moments (a sing-along on a bus, a dance between a drag queen and a gay conservative), but just as many scenes where the tone intended hasn't a hope in hell of coming through. ** from ****
10 of 12 people found this review helpful.
Was this review helpful to you?