| Joe Lara | ... | Yuma | |
| Bo Svenson | ... | Roy Ackett | |
| Stacie Foster | ... | Sarah | |
| Brion James | ... | General J.W. Quantrell | |
| Kane Hodder | ... | Kinton | |
| James C. Victor | ... | Julies | |
| Billy L. Sullivan | ... | Lake | |
| Brian Huckeba | ... | Chickenboy | |
| Jim Cody Williams | ... | Charlie Bacchas | |
| Robert O'Reilly | ... | Evermore | |
| Joe Hart | ... | Greenstreet (as Jacobsen Hart) | |
| Adolfo Quinones | ... | Deacon | |
| Bruce Ed Morrow | ... | Preacher | |
| Sandra Ellis Lafferty | ... | Ada | |
| Paul G. Volk | ... | Lee | |
| Scott McAboy | ... | Nedleton | |
| Ernie Lee Banks | ... | Wellman | |
| Quinn Morrison | ... | Mayor Kissmich | |
| Afifi Alaouie | ... | Shay | |
| William Michael Quinn | ... | Deathrider Victim | |
| Gordon Benson | ... | Grandpa Lem | |
| Michael Ross Clements | ... | Knog, the Space Droid |
Directed by | |||
| Joe Hart | (as Jacobsen Hart) | ||
| Paul G. Volk | |||
Writing credits(in alphabetical order) | ||
| Joe Hart | written by (as Jacobsen Hart) | |
Produced by | |||
| Scott Hohnbaum | .... | line producer | |
| Scott McAboy | .... | co-producer | |
| Joseph Merhi | .... | producer | |
| Richard Pepin | .... | producer | |
| Gilbert Alexander Wadsworth III | .... | associate producer | |
Original Music by | |||
| John Gonzalez | |||
Cinematography by | |||
| Richard Pepin | |||
Film Editing by | |||
| Chris Worland | |||
Casting by | |||
| Adriana Michel | |||
Production Design by | |||
| Chris Anthony Miller | |||
Set Decoration by | |||
| Carla Weber | |||
Costume Design by | |||
| Lisa Dyehouse | |||
Makeup Department | |||
| Jori Jenae | .... | hair stylist | |
| Jori Jenae | .... | makeup artist | |
| Rela Martine | .... | assistant hair stylist | |
| Rela Martine | .... | assistant makeup artist | |
| Theda Reale | .... | assistant hair stylist | |
| Theda Reale | .... | assistant makeup artist | |
| Theda Reale | .... | hair stylist: second unit | |
| Theda Reale | .... | makeup artist: second unit | |
Production Management | |||
| Cynthia Goodstein | .... | post-production manager | |
| Amy Sydorick | .... | unit production manager | |
| Chris Worland | .... | post-production supervisor | |
Art Department | |||
| Gil Alan | .... | set dresser | |
| Karen A. Berry | .... | property master | |
| Chris Blocker | .... | construction coordinator | |
| Donald D. Coleman | .... | effects property master | |
| Carol Howell | .... | assistant to art director | |
| John Jabaley | .... | carpenter | |
| Tobe Sexton | .... | carpenter | |
| Michael Walters | .... | effects art director | |
| Aaron S. Wham | .... | assistant props | |
Sound Department | |||
| Mark Allen | .... | sound designer | |
| Mark Allen | .... | sound re-recording mixer | |
| Mark Allen | .... | sound supervisor | |
| Troy Allen | .... | adr recordist | |
| Leslie Bloom | .... | foley artist | |
| Louis Durra | .... | sound effects editor | |
| Arthur Farkas | .... | foley recordist | |
| Arthur Farkas | .... | sound effects editor | |
| Arthur Farkas | .... | sound re-recording mixer | |
| Mike Hall | .... | sound mixer | |
| Ed Lochman | .... | dialogue editor | |
| Michael Mouneu | .... | dialogue editor | |
| James P. Slingluff | .... | boom operator | |
| Sean Sullivan | .... | boom operator | |
Special Effects by | |||
| Richard Cole | .... | special effects | |
| Bert Grubb | .... | special effects | |
| Rick Helgason | .... | special effects | |
| Bruce Mattox | .... | special effects | |
Visual Effects by | |||
| Tony Alderson | .... | CGI supervisor | |
| Frank H. Isaacs | .... | visual effects supervisor | |
| Michael Walters | .... | chief matte painter | |
| Michael Walters | .... | matte artist supervisor | |
| Michael Walters | .... | matte painting supervisor | |
Casting Department | |||
| Amber Garcia | .... | casting associate | |
| David O'Day | .... | extras casting | |
Costume and Wardrobe Department | |||
| Claudia Portillo | .... | wardrobe assistant | |
| Claudia Portillo | .... | wardrobe: second unit | |
| Alina Sánchez | .... | wardrobe assistant | |
Editorial Department | |||
| Geraint Bell | .... | post-production coordinator | |
| Randy Coonfield | .... | colorist | |
| Stuart Heiman | .... | post-production assistant | |
| Scott Riddle | .... | assistant film editor | |
| Ronald Shaw Jr. | .... | assistant film editor | |
| Robert Tomaszewski | .... | colorist | |
| Chris Weber | .... | negative cutter | |
| Gary Weber | .... | negative cutter | |
| Chuck Winston | .... | color timer | |
Music Department | |||
| Karen Davis | .... | playback singer | |
| Karen Davis | .... | vocals | |
| Paul G. Volk | .... | musical score producer | |
Transportation Department | |||
| Don Haggerty | .... | production driver | |
| Angelo Loffredo | .... | transportation coordinator | |
Other crew | |||
| Kelly Akers | .... | script supervisor | |
| Troy Allen | .... | dialogue supervisor | |
| Gary Arian | .... | production coordinator | |
| Steve Barrus | .... | craft service | |
| John Bruno | .... | production assistant | |
| Art Camacho | .... | fight choreographer | |
| Michael Collins | .... | production accountant | |
| Michael K. DeVaney | .... | production assistant | |
| Danny Frankel | .... | weapons expert (as Dan Frankel) | |
| Doug Grub | .... | production assistant | |
| Clayton Grubb | .... | production assistant | |
| Marlene Hirshfield | .... | production coordinator | |
| Anna Houser | .... | production assistant | |
| John J. Kelly | .... | production controller | |
| Kevin LaRosa | .... | helicopter pilot | |
| Jason Oliver | .... | production assistant | |
| Michele Pepin | .... | travel coordinator | |
| Don Powers | .... | special explosive effects | |
| Ronald Shaw Jr. | .... | craft service | |
| David Smith | .... | production assistant: second unit | |
| Elizabeth Stuckey | .... | production assistant | |
| Michael York | .... | production assistant: second unit | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb USA section |
I made it about 8 minutes into "Steel Frontier" before I turned it off. Then, glutton for punishment that I am, I watched some more the next day. Today I had to iron a pile of clothes, so I decided to finish the movie, and that was its own punishment. Here's what I don't understand: Robert Rodriguez and Shane Carruth each spent $7,000 on their debut features and created two remarkable movies. Yet here we have two directors with arguably way more money, and they churn out a huge, steaming pile of crap. Let me see if I can figure out the logic: "It's 'Road Warrior' but it's like a future Western. We'll get the cheapest 'actors' we can find, we'll have my mentally challenged cousin write the script, and we'll spend the budget on a bunch of explosions. We can't lose!"
Seriously. I don't think even the MST3K guys could improve this. But if you insist on watching it, I recommend getting very drunk first.