Wayne Wang's follow-up movie to Smoke presents a series of improvisational situations strung together to form a pastiche of Brooklyn's diverse ethnicity, offbeat humor, and essential ... See full summary »
Internationally acclaimed novelist Paul Auster ("New York Trilogy", "The Book of Illusions", "Man in the Dark") explores the art of writing in the darkly comical THE INNER LIFE OF MARTIN ... See full summary »
A self-styled New York hipster is paid a surprise visit by his younger cousin from Budapest. From initial hostility and indifference a small degree of affection grows between the two. Along... See full summary »
Chris is young idealistic cop who falls in love and gets married to Pam, a beautiful but emotionally unstable woman who suffers from alcoholism and drug addiction. While Chris is trying ... See full summary »
A group of Americans who live together in an old mansion somewhere in Sweden spend their time between working at the local airplane plant and hanging out with their revolutionary friends. ... See full summary »
The plot of this movie, like smoke itself, drifts and swirls ethereally. Characters and subplots are deftly woven into a tapestry of stories and pictures which only slowly emerges to our view. This film tries to convince us that reality doesn't matter so much as aesthetic satisfaction. In Auggie's New York smoke shop, day by day passes, seemingly unchanging until he teaches us to notice the little details of life. Paul Benjamin, a disheartened and broken writer, has a brush with death that is pivotal and sets up an unlikely series of events that afford him a novel glimpse into the life on the street which he saw, but did not truly perceive, every day. Finally, it's Auggie's turn to spin a tale.... Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
The name of William Hurt's character, Paul Benjamin, is a reference to writer Paul Auster whose second forename is Benjamin: Paul Benjamin Auster. See more »
When Thomas Cole knocks on the door of Paul Benjamin's apartment on his first visit, Paul goes to answers the door without a cigarette. However, when he opens the door a lit cigarette appears in his mouth. See more »
Wayne Wang's "Smoke" is one of those perfect little movies that knows not to aim any higher than it needs to. Like Mike Leigh's "Life is Sweet" a few years back, it closely observes the day-to-day lives of a handful of people, in this case the patrons of and workers in a Brooklyn cigar shop, and leaves it at that. Don't expect The Moral to come creeping into the dialogue; the fact that the lives of Auggie Wren (Harvey Keitel, in another example of why he's the best actor working today) and his friends are compelling IS the point. Writer Paul Auster, basing his script on his op-ed story in The New York Times, keeps on chugging out smartly-written people even up to the seventh and eighth character. It's a rare treat to have an ensemble movie in which there isn't a single weak performance, and even rarer to have one supported by writing and directing that are up to the task. All of these elements come together come together in "Smoke," an artful story about the art of storytelling.
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