Wayne Wang's follow-up movie to Smoke presents a series of improvisational situations strung together to form a pastiche of Brooklyn's diverse ethnicity, offbeat humor, and essential ... See full summary »
The plot of this movie, like smoke itself, drifts and swirls ethereally. Characters and subplots are deftly woven into a tapestry of stories and pictures which only slowly emerges to our view. This film tries to convince us that reality doesn't matter so much as aesthetic satisfaction. In Auggie's New York smoke shop, day by day passes, seemingly unchanging until he teaches us to notice the little details of life. Paul Benjamin, a disheartened and broken writer, has a brush with death that is pivotal and sets up an unlikely series of events that afford him a novel glimpse into the life on the street which he saw, but did not truly perceive, every day. Finally, it's Auggie's turn to spin a tale.... Written by
Tad Dibbern <DIBBERN_D@a1.mscf.upenn.edu>
The name of William Hurt's character, Paul Benjamin, is a reference to writer Paul Auster whose second forename is Benjamin: Paul Benjamin Auster. See more »
Auggie takes his daily picture from a typical tripod, below shoulder level. Yet the photos in his album are taken from eye-level position or higher. In fact, the alignment of the traffic signal and the building behind it is so consistent from picture to picture, that they were most likely taken from a fixed mount. See more »
I'll try to make this short and sweet. This is simply one of the greatest movies I have ever seen. Even the credits can't be missed. Harvey Keitel and William Hurt are just unbelievable. Ashley Judd makes you want to kill her. There are so many gems in this movie you would think it came from a South African diamond mine. This is NOT to be missed. It's sort of a non-linear Quentin Tarantino format without the violence. Several great stories spun by a master. Two words: SEE IT.
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