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Las Vegas stripper, Penny Slot (Rena Riffel), sets out on an adventure to become the star dancer on a dance television show. With stars in her eyes, she tries to find the pot of gold at the... See full summary »
A band of medieval mercenaries take revenge on a noble lord who decides not to pay them by kidnapping the betrothed of the noble's son. As the plague and warfare cut a swathe of destruction... See full summary »
Jennifer Jason Leigh,
Carly Norris is a book editor living in New York City who moves into the Sliver apartment building. In the apartment building, Carly meets two of her new neighbors, author Jack Lansford who... See full summary »
A woman brings a strange young lady home from a temple in order to serve her troubled family as a maid. Claiming to be a baby angel, Milk the maid's childlike earnestness helps heal the family's wounds.
Nomi Malone, a mysterious young girl with the ambition to dance embarks on a journey to Las Vegas to become a showgirl in a high-class hotel show. There she meets Molly, a seamstress at the Stardust Hotel and the two quickly become good friends. She gets a job as a lap dancer at the seedy Cheetah Club but after a chance meeting with Cristal Connors, the star of Goddess, the current show at the hotel where Molly works, Nomi manages to secure an audition for a spot on the chorus line.However she soon realises that fame comes with a price as her friendships, her morals and her soul are put to the test as she works her way up the ladder and eventually becomes the star of the show, stealing Cristal's part. She begins to wonder if all of her work was for nothing and if she can reclaim her life back before it is too late. Written by
In a 2013 interview, Paul Verhoeven explained his motives for doing the movie. He did not like Joe Eszterhas's initial script, and passed on the project in favor of doing "Crusade", based on a screenplay by Walon Green and starring Arnold Schwarzenegger. However, that project fell through when Carolco Pictures could not afford to finance both "Crusade" and Cutthroat Island (1995). Since 10 million dollar had already been spent on "Crusade", and Eszterhas already received 4 million dollar for his Showgirls screenplay, Verhoeven felt morally obligated to do Showgirls as a personal favor to Mario Kassar to save Carolco from bankruptcy. Eszterhas' screenplay was extensively re-written with All About Eve (1950) as the main source of inspiration. Verhoeven intended it to be an over-the-top morality tale, populated with only amoral characters (except for the character of Molly (Gina Ravera), with Las Vegas as a metaphor for hypocrisy and extortion. However, the satirical intentions were not picked up by the critics, who regarded the movie as a simplistic portrayal of American culture, and the box office failure of both this movie and 'Cutthroat Island' made the bankruptcy of Carolco inevitable. See more »
After Nomi's friend is raped at the party, she's in the hospital where the doctor reveals that she's had vaginal tearing, then after he leaves Nomi tries to call the police to report it and Zack stops her. But the police should have already been notified by the hospital as is standard procedure with suspected sexual assault victims. See more »
This excellent remake of "All about Eve" have been extremely underrated without motives. First of all,I will say it is far more sordid in its depiction of Las Vegas showbusiness backstage than the majority led you to believe.
The principal guarantee is that it is directed by Paul Verhoeven, one of the most interesting and personal filmakers nowadays, with frenzy and nerve and that mixture of sex and violence characteristic of his filmography, so there's no doubt this is one of his most personal works for the screen. His perverse look to human desire, impulses and instincts and the direct way he brings it to he screen are something really unique and make him an "author" rather than a mere director. Talking about "Showgirls", the exciting choreographies and its connection with what is being told reveal his love and knowledge of the musical genre.
In addition, the script by Eszterhas is a malicious retelling of the Cinderella's tale, manipulative, funny, filled with great dialogue and a sense for rhythm than a lot of screenwriters would like to have.
Gina Gershon shines in her role, but I simply can't believe why the critics deceased Elisabeth Berkley when her performance is filled with enthusiasm and energy.
Bear all this in mind, and at least, give it a try! If you know and admire Verhoeven's work, you will sure appreciate "Showgirls" in its just measure.
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