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Storyline
Col. Margarethe Cammermeyer has served in the army for over twenty years. She's just fallen in love with an artist she's met, she's going for a PhD, and has a job at the VA hospital, as well as in the reserves. She decides to upgrade her security rating, with an eye toward promotion, and during the interview, she tells the investigator that she is a lesbian. The army begins proceedings to discharge her. And with the support of her family, her lover, (and LAMBDA), she decides to fight for her right to serve. Written by
Kathy Li
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Taglines:
There is no greater right than the freedom to love.
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Did You Know?
Trivia
Col. Cammermeyer's son Andy, played by
Ryan Reynolds in the movie, was killed in a snowmobiling accident in Washington State on March 02, 2007.
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Goofs
When Greta is on the way to pick her boys up, the rear view mirror is visible on the windscreen. During the car ride, it has disappeared, then when they pull up to the house, it is back on the windscreen.
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Quotes
Col. Margarethe Cammermeyer:
People ask, "Who are you?" We are their daughters, their sisters, their sons, their nurses, their mechanics, their athletes, their police. We're your doctors, your fathers, your politicians, your solidiers, your mothers, your friends. We live with you, we care for you, protect you, teach you, love you and need you. All we ask is that you let us.
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This TV movie co-produced by Barbra Streisand gained controversy because of a kiss between Glenn Close and Judy Davis. It's hard to know why since it's not the first representation of lesbianism on TV and the kiss itself looks pretty strained.
Director Jeff Bleckner presents Close as a real life Washington National Guard nurse who is discharged from the Army for `immoral conduct' after revealing her sexual orientation, although she argues that her relationship doesn't incorporate `conduct'. What we see is a lot of intense eye contact between Close and Davis as her artist girlfriend and a fair share of hugging, though Close tends to hug practically everyone she meets. Davis is presented as the ideal femme partner. She's supportive, she says all the right things, the family likes her and she is funny, particularly when she is outed `on prime time'.
The script by Alison Cross is tight and intelligent, thankfully focusing more on relationships than Cammermeyer's trial, and Bleckner allows the two actors to create a subtle interplay. Close has fun with the butch army stereotype and is moving when she confesses to her sons, her tears bursting forth.