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Sense and Sensibility (1995)
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Overview
User Rating:
Release Date:
13 December 1995 (USA) moreTagline:
Lose your heart and come to your senses.Plot:
Rich Mr. Dashwood dies, leaving his second wife and her daughters poor by the rules of inheritance. Two daughters are the titular opposites. full summary | full synopsisAwards:
Won Oscar. Another 27 wins & 28 nominations moreNewsDesk:
(20 articles)
DVD release inspirations including The Reader (From BoxWish. 25 May 2009, 1:20 AM, PDT)
Thompson Moves Oscars From Restroom
(From WENN. 21 January 2009, 4:04 AM, PST)
User Comments:
A subtle masterpiece moreUS TV Schedule:
| Fri. July 24 | 6:00 AM | MAX |
Cast
(Cast overview, first billed only)| James Fleet | ... | John Dashwood | |
| Tom Wilkinson | ... | Mr. Dashwood | |
| Harriet Walter | ... | Fanny Ferrars Dashwood | |
| Kate Winslet | ... | Marianne Dashwood | |
| Emma Thompson | ... | Elinor Dashwood | |
| Gemma Jones | ... | Mrs. Dashwood | |
| Hugh Grant | ... | Edward Ferrars | |
| Emilie François | ... | Margaret Dashwood | |
| Elizabeth Spriggs | ... | Mrs. Jennings | |
| Robert Hardy | ... | Sir John Middleton | |
| Ian Brimble | ... | Thomas | |
| Isabelle Amyes | ... | Betsy | |
| Alan Rickman | ... | Col. Christopher Brandon | |
| Greg Wise | ... | John Willoughby | |
| Alexander John | ... | Curate |
Additional Details
MPAA:
Rated PG for mild thematic elements.Parents Guide:
View content advisory for parentsRuntime:
136 minColor:
Color (Technicolor)Aspect Ratio:
1.85 : 1 moreCertification:
Australia:G | Iceland:L | South Korea:15 | Taiwan:GP | Argentina:Atp | Canada:PG (Ontario) | Chile:TE | Denmark:A | Finland:S | Germany:6 (w) | Netherlands:AL | Peru:PT | Portugal:M/12 | Singapore:PG | Spain:T | Sweden:Btl | UK:U | USA:PGFun Stuff
Trivia:
Emma Thompson's first draft of the screenplay consisted of 350 hand-written pages. The final draft was a culmination of that and 13 other drafts which were written over four and a half years. moreGoofs:
Continuity: At the end of the film, as Edward is coming up the road, Elinor is working in the garden; her hands grimy up to the wrists. As the women rush into the cottage just seconds later, the amount of dirt on her apron doesn't match the dirt that was on her hands, and her hands are practically clean. moreQuotes:
Elinor Dashwood: [making painstaking conversation] How is Mrs Ferrars?Fanny: My mother is always in excellent health I thank you. My brother Robert is in town with her this season and quite the most popular bachelor in London. He has his own barouche.
Elinor Dashwood: You have two brothers, have you not?
Fanny: Indeed yes. Edward is the elder and Mamma quite depends upon him. He is journeying up from Plymouth shortly and will break his journey here.
John Dashwood: If that is agreeable to you.
Mrs. Dashwood: My dear John. This is your home now.
more
Soundtrack:
The Dreame moreFAQ
How does it end?more
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I saw this movie in a cinema back in 1996 and since that June I have seen it about a dozen times. It is true, that being an ardent lover of the so-called Romantic (as if the 13th century couldn't be Romantic or 17th, but these things are academic nonsense) period I can enjoy even minor pieces of period cinema, however this is most probably the best film set in the early 19th century. Although it centers on the relationship of the two sisters and their respective romantic relationships, it also seems to be a salute to the period itself in its precise description of the English country society. It is truthful to Jane Austen's novel, but Emma Thompson's script is fine in its own right, with many omissions and additions to the novel. The acting is superb, Kate Winslet as the typical Romantic dreamer (sensibility) is breathtaking (try not to be moved when her character wanders in the rain to see the house of her beloved and when she whispers half-deranged: 'Willoughby, Willoughby, Willoughby.') is perfect as is Emma Thompson as the rational but equally tormented older sister(sense). Greg Wise is perfect as the dashing semi-Byronic hero Willoughby and Allan Rickman as the mellow Brandon. To say nothing of the art direction, the music or the fantastic image composition. I would recommend everyone with some sort of emotional subtlety to see this film, for the story, the wit, the period and the imagery.