Eight years earlier, Anne Elliot, the daughter of a financially troubled aristocratic family, was persuaded to break off her engagement to Frederick Wentworth, a young seaman, who, though ... See full summary »
Sparks fly when spirited Elizabeth Bennet meets single, rich, and proud Mr. Darcy. But Mr. Darcy reluctantly finds himself falling in love with a woman beneath his class. Can each overcome their own pride and prejudice?
When Lucy Honeychurch and chaperone Charlotte Bartlett find themselves in Florence with rooms without views, fellow guests Mr Emerson and son George step in to remedy the situation. Meeting... See full summary »
Helena Bonham Carter,
With a job traveling around the country firing people, Ryan Bingham enjoys his life living out of a suitcase, but finds that lifestyle threatened by the presence of a new hire and a potential love interest.
When Mr. Dashwood dies, he must leave the bulk of his estate to the son by his first marriage, which leaves his second wife and their three daughters (Elinor, Marianne, and Margaret) in straitened circumstances. They are taken in by a kindly cousin, but their lack of fortune affects the marriageability of both practical Elinor and romantic Marianne. When Elinor forms an attachment for the wealthy Edward Ferrars, his family disapproves and separates them. And though Mrs. Jennings tries to match the worthy (and rich) Colonel Brandon to her, Marianne finds the dashing and fiery John Willoughby more to her taste. Both relationships are sorely tried. Written by
In the DVD extras, Emma Thompson relates how Patrick Doyle was challenged to set Ben Jonson's 'The Dreame' to music. The result is the piece Col. Brandon requests Marianne to play on the pianoforte and the end title music. See more »
The scene at Norland where Edward is reading the poem is set in the evening. The following scene where the Dashwoods receive the letter from Sir John Middleton occurs in the afternoon. The next scene between Marianne and Elinor in the bedroom occurs again at night but is referred to as if it had happened earlier the same evening. See more »
This is one of the best of the recent Jane Austen films, from one of her weaker books. Emma Thompson has done a fine job of the script, not slavishly remaining faithful to the book but not abandoning it either.
The cast are uniformally excellent. I especially liked Kate Winslet's Marianne and Alan Rickman's Brandon. Emma Thompson's performance is almost good enough to make you forget that she is far to old for the part. The supporting cast are all excellent.
Ang Lee's direction shows the same skill that it did in the excellent Eat Drink Man Woman and the scenery and costumes are beautiful (perhaps too beautiful).
This is more romantic and less comic than say Emma, and Thompson's script wisely stays away from the kind of set-piece gags seen in the recent film of Emma. All in all, this is excellent.
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