Sparks fly when spirited Elizabeth Bennet meets single, rich, and proud Mr. Darcy. But Mr. Darcy reluctantly finds himself falling in love with a woman beneath his class. Can each overcome their own pride and prejudice?
Widow Dashwood and her three unmarried daughters, Elinor, Marianne and Margaret, inherit only a tiny allowance. So they move out of their grand Sussex home to a more modest cottage in ... See full summary »
Royal Navy captain Wentworth was haughtily turned down eight years ago as suitor of pompous baronet Sir Walter Elliot's daughter Anne, despite true love. Now he visits their former seaside ... See full summary »
Eight years earlier, Anne Elliot, the daughter of a financially troubled aristocratic family, was persuaded to break off her engagement to Frederick Wentworth, a young seaman, who, though ... See full summary »
Fledgling writer Briony Tallis, as a 13-year-old, irrevocably changes the course of several lives when she accuses her older sister's lover of a crime he did not commit. Based on the British romance novel by Ian McEwan.
When Mr. Dashwood dies, he must leave the bulk of his estate to the son by his first marriage, which leaves his second wife and their three daughters (Elinor, Marianne, and Margaret) in straitened circumstances. They are taken in by a kindly cousin, but their lack of fortune affects the marriageability of both practical Elinor and romantic Marianne. When Elinor forms an attachment for the wealthy Edward Ferrars, his family disapproves and separates them. And though Mrs. Jennings tries to match the worthy (and rich) Colonel Brandon to her, Marianne finds the dashing and fiery John Willoughby more to her taste. Both relationships are sorely tried. Written by
The dark purple velvet and silk gown Harriet Walter (Fanny Dashwood) wears to dinner at Norland Park is the same costume worn by the theatre guest seated next to deSade's wife in Quills (2000), and by Jane How (Lady Holland) at the London party in Byron (2003). See more »
Marianne plays three different contemporary keyboard instruments, but each sounds like a modern grand piano. See more »
I saw this movie in a cinema back in 1996 and since that June I have seen it about a dozen times. It is true, that being an ardent lover of the so-called Romantic (as if the 13th century couldn't be Romantic or 17th, but these things are academic nonsense) period I can enjoy even minor pieces of period cinema, however this is most probably the best film set in the early 19th century. Although it centers on the relationship of the two sisters and their respective romantic relationships, it also seems to be a salute to the period itself in its precise description of the English country society. It is truthful to Jane Austen's novel, but Emma Thompson's script is fine in its own right, with many omissions and additions to the novel. The acting is superb, Kate Winslet as the typical Romantic dreamer (sensibility) is breathtaking (try not to be moved when her character wanders in the rain to see the house of her beloved and when she whispers half-deranged: 'Willoughby, Willoughby, Willoughby.') is perfect as is Emma Thompson as the rational but equally tormented older sister(sense). Greg Wise is perfect as the dashing semi-Byronic hero Willoughby and Allan Rickman as the mellow Brandon. To say nothing of the art direction, the music or the fantastic image composition. I would recommend everyone with some sort of emotional subtlety to see this film, for the story, the wit, the period and the imagery.
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