Sparks fly when spirited Elizabeth Bennet meets single, rich, and proud Mr. Darcy. But Mr. Darcy reluctantly finds himself falling in love with a woman beneath his class. Can each overcome their own pride and prejudice?
Widow Dashwood and her three unmarried daughters, Elinor, Marianne and Margaret, inherit only a tiny allowance. So they move out of their grand Sussex home to a more modest cottage in ... See full summary »
Emma Woodhouse seems to be perfectly content, a loving father whom she cares for, friends, and a home. But Emma has a terrible habit - matchmaking. She cannot resist finding suitors for her... See full summary »
Jonny Lee Miller
Eight years earlier, Anne Elliot, the daughter of a financially troubled aristocratic family, was persuaded to break off her engagement to Frederick Wentworth, a young seaman, who, though ... See full summary »
Fledgling writer Briony Tallis, as a 13-year-old, irrevocably changes the course of several lives when she accuses her older sister's lover of a crime he did not commit. Based on the British romance novel by Ian McEwan.
When Mr. Dashwood dies, he must leave the bulk of his estate to the son by his first marriage, which leaves his second wife and their three daughters (Elinor, Marianne, and Margaret) in straitened circumstances. They are taken in by a kindly cousin, but their lack of fortune affects the marriageability of both practical Elinor and romantic Marianne. When Elinor forms an attachment for the wealthy Edward Ferrars, his family disapproves and separates them. And though Mrs. Jennings tries to match the worthy (and rich) Colonel Brandon to her, Marianne finds the dashing and fiery John Willoughby more to her taste. Both relationships are sorely tried. Written by
The Dashwoods moved to their humble cottage when the weather was cold and the sheep still had their long, winter coats. The scenes were in fact filmed in late May, and in one take a sheep keeled over from heat exhaustion. So the sheep were immediately sheared and later appear with their haircuts, despite the wintry setting. See more »
Mismatch between Marianne's keyboard actions for "The Dreame" and the sound it produces. See more »
You must miss him, Elinor.
We are not engaged, Mamma.
But he loves you, dearest, of that I am certain.
I am by no means assured of his regard, and even were he to feel such a preference, I think we should be foolish to assume that there would not be many obstacles to his marrying a... a woman of no rank who cannot afford to buy sugar.
But Elinor, your heart must tell you...
In such a situation, Mamma, it is perhaps better to use one's head.
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This is one of the best of the recent Jane Austen films, from one of her weaker books. Emma Thompson has done a fine job of the script, not slavishly remaining faithful to the book but not abandoning it either.
The cast are uniformally excellent. I especially liked Kate Winslet's Marianne and Alan Rickman's Brandon. Emma Thompson's performance is almost good enough to make you forget that she is far to old for the part. The supporting cast are all excellent.
Ang Lee's direction shows the same skill that it did in the excellent Eat Drink Man Woman and the scenery and costumes are beautiful (perhaps too beautiful).
This is more romantic and less comic than say Emma, and Thompson's script wisely stays away from the kind of set-piece gags seen in the recent film of Emma. All in all, this is excellent.
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