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Sense and Sensibility (1995)

 -  Drama | Romance  -  26 January 1996 (USA)
7.7
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Ratings: 7.7/10 from 65,283 users   Metascore: 84/100
Reviews: 184 user | 63 critic | 21 from Metacritic.com

Rich Mr. Dashwood dies, leaving his second wife and her three daughters poor by the rules of inheritance. The two eldest daughters are the titular opposites.

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(novel), (screenplay)
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Won 1 Oscar. Another 33 wins & 31 nominations. See more awards »

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Cast

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Emilie François ...
Elizabeth Spriggs ...
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Ian Brimble ...
Isabelle Amyes ...
Betsy
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Alexander John ...
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Storyline

When Mr. Dashwood dies, he must leave the bulk of his estate to the son by his first marriage, which leaves his second wife and their three daughters (Elinor, Marianne, and Margaret) in straitened circumstances. They are taken in by a kindly cousin, but their lack of fortune affects the marriageability of both practical Elinor and romantic Marianne. When Elinor forms an attachment for the wealthy Edward Ferrars, his family disapproves and separates them. And though Mrs. Jennings tries to match the worthy (and rich) Colonel Brandon to her, Marianne finds the dashing and fiery John Willoughby more to her taste. Both relationships are sorely tried. Written by Kathy Li

Plot Summary | Plot Synopsis

Taglines:

Lose your heart and come to your senses.

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated PG for mild thematic elements | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

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Release Date:

26 January 1996 (USA)  »

Also Known As:

Sensatez y sentimientos  »

Box Office

Budget:

$16,500,000 (estimated)

Opening Weekend:

£5,043,343 (UK) (15 March 1996)

Gross:

£12,343,443 (UK) (17 May 1996)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| (8 channels)|

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Amanda Root was originally sought for the role of Marianne, and performed the role at a read-through of an early draft of the script. However, by the time the film was being made, Root could not appear, as she was already working on another Jane Austen film, Persuasion (1995). See more »

Goofs

The baby that Mr. Palmer holds is wearing a disposable diaper underneath his 18th century clothing. See more »

Quotes

Marianne: I was never so grateful in all my life as I am to Mrs. Jennings. Oh, Elinor, I shall see Willoughby and you will see Edward. Are you asleep?
Elinor Dashwood: With you in the room?
Marianne: I do not believe you feel as calm as you look, Elinor. Not even you. Oh, I will never sleep tonight. And what were you and Miss Steele talking about so long?
Elinor Dashwood: Nothing of significance.
See more »

Connections

Referenced in Charmed: Sense and Sense Ability (2003) See more »

Soundtracks

The Dreame
Music by Patrick Doyle
text by Ben Jonson
End title performance by Jane Eaglen
Courtesy of SONY CLASSICAL
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A subtle masterpiece
27 February 2001 | by (Copenhagen, Denmark) – See all my reviews

I saw this movie in a cinema back in 1996 and since that June I have seen it about a dozen times. It is true, that being an ardent lover of the so-called Romantic (as if the 13th century couldn't be Romantic or 17th, but these things are academic nonsense) period I can enjoy even minor pieces of period cinema, however this is most probably the best film set in the early 19th century. Although it centers on the relationship of the two sisters and their respective romantic relationships, it also seems to be a salute to the period itself in its precise description of the English country society. It is truthful to Jane Austen's novel, but Emma Thompson's script is fine in its own right, with many omissions and additions to the novel. The acting is superb, Kate Winslet as the typical Romantic dreamer (sensibility) is breathtaking (try not to be moved when her character wanders in the rain to see the house of her beloved and when she whispers half-deranged: 'Willoughby, Willoughby, Willoughby.') is perfect as is Emma Thompson as the rational but equally tormented older sister(sense). Greg Wise is perfect as the dashing semi-Byronic hero Willoughby and Allan Rickman as the mellow Brandon. To say nothing of the art direction, the music or the fantastic image composition. I would recommend everyone with some sort of emotional subtlety to see this film, for the story, the wit, the period and the imagery.


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