Sparks fly when spirited Elizabeth Bennet meets single, rich, and proud Mr. Darcy. But Mr. Darcy reluctantly finds himself falling in love with a woman beneath his class. Can each overcome their own pride and prejudice?
Eight years earlier, Anne Elliot, the daughter of a financially troubled aristocratic family, was persuaded to break off her engagement to Frederick Wentworth, a young seaman, who, though ... See full summary »
When Lucy Honeychurch and chaperone Charlotte Bartlett find themselves in Florence with rooms without views, fellow guests Mr Emerson and son George step in to remedy the situation. Meeting... See full summary »
Helena Bonham Carter,
When Mr. Dashwood dies, he must leave the bulk of his estate to the son by his first marriage, which leaves his second wife and their three daughters (Elinor, Marianne, and Margaret) in straitened circumstances. They are taken in by a kindly cousin, but their lack of fortune affects the marriageability of both practical Elinor and romantic Marianne. When Elinor forms an attachment for the wealthy Edward Ferrars, his family disapproves and separates them. And though Mrs. Jennings tries to match the worthy (and rich) Colonel Brandon to her, Marianne finds the dashing and fiery John Willoughby more to her taste. Both relationships are sorely tried. Written by
Set around 1810, Edward Ferrars refers to Vladivostok, a city not founded until 1860. See more »
We're so happy that you chose to invite Edward to Norland. He's a dear boy. We're all very fond of him.
We have great hopes for him. Much is expected of him by our mother with regard to his profession.
And in marriage. She's determined that both he and Robert will marry well.
Of course. But I hope she desires them to marry for love.
Love is all very well, but unfortunately we cannot always rely on the heart to lead us in the most suitable directions. You see, my dear Mrs. Dashwood, ...
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This is one of the best of the recent Jane Austen films, from one of her weaker books. Emma Thompson has done a fine job of the script, not slavishly remaining faithful to the book but not abandoning it either.
The cast are uniformally excellent. I especially liked Kate Winslet's Marianne and Alan Rickman's Brandon. Emma Thompson's performance is almost good enough to make you forget that she is far to old for the part. The supporting cast are all excellent.
Ang Lee's direction shows the same skill that it did in the excellent Eat Drink Man Woman and the scenery and costumes are beautiful (perhaps too beautiful).
This is more romantic and less comic than say Emma, and Thompson's script wisely stays away from the kind of set-piece gags seen in the recent film of Emma. All in all, this is excellent.
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