Sparks fly when spirited Elizabeth Bennet meets single, rich, and proud Mr. Darcy. But Mr. Darcy reluctantly finds himself falling in love with a woman beneath his class. Can each overcome their own pride and prejudice?
Widow Dashwood and her three unmarried daughters, Elinor, Marianne and Margaret, inherit only a tiny allowance. So they move out of their grand Sussex home to a more modest cottage in ... See full summary »
Emma Woodhouse seems to be perfectly content, a loving father whom she cares for, friends, and a home. But Emma has a terrible habit - matchmaking. She cannot resist finding suitors for her... See full summary »
Jonny Lee Miller
Fledgling writer Briony Tallis, as a 13-year-old, irrevocably changes the course of several lives when she accuses her older sister's lover of a crime he did not commit. Based on the British romance novel by Ian McEwan.
Eight years earlier, Anne Elliot, the daughter of a financially troubled aristocratic family, was persuaded to break off her engagement to Frederick Wentworth, a young seaman, who, though ... See full summary »
When Mr. Dashwood dies, he must leave the bulk of his estate to the son by his first marriage, which leaves his second wife and their three daughters (Elinor, Marianne, and Margaret) in straitened circumstances. They are taken in by a kindly cousin, but their lack of fortune affects the marriageability of both practical Elinor and romantic Marianne. When Elinor forms an attachment for the wealthy Edward Ferrars, his family disapproves and separates them. And though Mrs. Jennings tries to match the worthy (and rich) Colonel Brandon to her, Marianne finds the dashing and fiery John Willoughby more to her taste. Both relationships are sorely tried. Written by
Excellent period piece, well adapted and with a witty script and fine performances.
This is a remarkable film that does a very good job of depicting a rigid and quite hidebound society that often made India's caste system look reasonable and moderate by comparison. One of the more enjoyable points for me was the fact that the "sense and sensibility" of the title had a most definite 19th Century feel and yet still remains very timeless and does not attempt to force Twentieth Century mores (probably by use of a crowbar) into a script where they do not belong. Modern day viewpoints do not belong here. If you want a modern day version, fine. But it would be, at best, only a glancing and quite loose adaptation of the novel, so why do an adaptation at all, then? Not all films have to reflect present day sensibilities. This is a very human and compelling story with a fine cast and wonderfully witty script. Look for a very dry and understated performance by Hugh Laurie as Mr. Palmer, the long-suffering husband of the daughter of Mrs. Jennings. Were I Mr. Palmer, I'd have long since invested in earplugs or opened a vein. Very fine film and most highly recommended.
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