A film about two homicide detectives' (Morgan Freeman and (Brad Pitt desperate hunt for a serial killer who justifies his crimes as absolution for the world's ignorance of the Seven Deadly Sins. The movie takes us from the tortured remains of one victim to the next as the sociopathic "John Doe" (Kevin Spacey) sermonizes to Detectives Somerset and Mills -- one sin at a time. The sin of Gluttony comes first and the murderer's terrible capacity is graphically demonstrated in the dark and subdued tones characteristic of film noir. The seasoned and cultured but jaded Somerset researches the Seven Deadly Sins in an effort to understand the killer's modus operandi while the bright but green and impulsive Detective Mills (Pitt) scoffs at his efforts to get inside the mind of a killer... Written by
Mark Fleetwood <firstname.lastname@example.org>
According to Brad Pitt, there was originally a scene where Mills and Somerset discussed "thumb recall"; cut off the thumb of anyone convicted of a violent crime, and there's no way they'd be able to fire a gun. The scene was ultimately cut from the film, because they were afraid someone would "roll with it." See more »
When the detectives are at the door of John Doe's apartment, John walks into the hallway. He sees them, drops his bag of groceries, pulls a gun, shoots, and runs. The bag is now on the floor, with its contents spilled out. When Mills gives chase, he runs down the same hallway. The dropped bag of groceries has vanished. See more »
Neighbors heard them screaming at each other, like for two hours, and it was nothing new. Then they heard the gun go off, both barrels. Crime of passion.
Yeah, just look at all the passion on that wall.
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The opening credits are done over broken, blurred images of John Doe removing the skin from his fingertips and sewing it into his journals. See more »
After the Alien-debacle Fincher proved all the critics wrong. This film is one of the best in a genre that hasn't been very innovative for a long time.
Everyone know's the story by now, so I won't waste time telling it. This film was trend setting with it's dark, gritty look and opening sequence. We still see it copied in movies and TV-series today. Everything is great about this film. I guess if anything, the weakest link in the film is Pitt, who is grossly overshadowed by Freeman. But let's not look for flaws when there really aren't any. The script is intelligent and uncompromising. The direction is innovative en daring. The production-design and cinematography are top-notch.
Fincher is one of the big boys in Tinseltown these days. Seven is the reason why.
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