An undercover state cop who has infiltrated an Irish gang and a mole in the police force working for the same mob race to track down and identify each other before being exposed to the enemy, after both sides realize their outfit has a rat.
A film about two homicide detectives' desperate hunt for a serial killer who justifies his crimes as absolution for the world's ignorance of the Seven Deadly Sins. The movie takes us from the tortured remains of one victim to the next as the sociopathic "John Doe" sermonizes to Detectives Sommerset and Mills -- one sin at a time. The sin of Gluttony comes first and the murderer's terrible capacity is graphically demonstrated in the dark and subdued tones characteristic of film noir. The seasoned and cultured but jaded Sommerset researches the Seven Deadly Sins in an effort to understand the killer's modus operandi while the bright but green and impulsive Detective Mills scoffs at his efforts to get inside the mind of a killer... Written by
Mark Fleetwood <email@example.com>
When looking for the part of Victor, David Fincher stated that he wanted to find someone who was incredibly skinny, around 90 lbs. Michael Reid MacKay auditioned, and at the time weighed 96 lbs. Fincher gave him the part and jokingly told him to lose some more weight. Much to his surprise, MacKay turned up to filming having lost another 6 lbs. See more »
When the police are inspecting the body of the "lust" victim, you can see her blinking at the beginning of the scene. See more »
Neighbors heard them screaming at each other, like for two hours, and it was nothing new. Then they heard the gun go off, both barrels. Crime of passion.
Yeah, just look at all the passion on that wall.
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Credits roll down instead of up, contrary to common movie procedure. See more »
After the Alien-debacle Fincher proved all the critics wrong. This film is one of the best in a genre that hasn't been very innovative for a long time.
Everyone know's the story by now, so I won't waste time telling it. This film was trend setting with it's dark, gritty look and opening sequence. We still see it copied in movies and TV-series today. Everything is great about this film. I guess if anything, the weakest link in the film is Pitt, who is grossly overshadowed by Freeman. But let's not look for flaws when there really aren't any. The script is intelligent and uncompromising. The direction is innovative en daring. The production-design and cinematography are top-notch.
Fincher is one of the big boys in Tinseltown these days. Seven is the reason why.
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