In the highlands of Scotland in the 1700s, Rob Roy tries to lead his small town to a better future, by borrowing money from the local nobility to buy cattle to herd to market. When the ... See full summary »
In 1959 Brighton, disgraced cop turned private detective Tony Aaron works largely on falsifying adulteries for use as evidence in divorce cases. He involves his wife as the fictional ... See full summary »
Laura San Giacomo,
Jean Valjean, a Frenchman imprisoned for stealing bread, must flee a police officer named Javert. The pursuit consumes both men's lives, and soon Valjean finds himself in the midst of the ... See full summary »
In the highlands of Scotland in the 1700s, Rob Roy tries to lead his small town to a better future, by borrowing money from the local nobility to buy cattle to herd to market. When the money is stolen, Rob is forced into a Robin Hood lifestyle to defend his family and honour. Written by
Jason Flemyng took the part of an extra in the film in direct opposition to the wishes of his agent. Flemyng was determined to be in the film as it gave him a chance to act alongside Tim Roth, one of his idols. See more »
The Highland Cattle shown in the film are almost all brown. At the time, most of the Highland cattle would have been black. See more »
At the dawn of the 1700's, famine, disease and the greed of great Noblemen were changing Scotland forever. With many emigrating to the Americas, the centuries-old Clan system was slowly being extinguished. This story symbolises the attempt of the individual to withstand these processes and, even in defeat, retain respect and honour.
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Overshadowed by "Braveheart" released the same year, the two costume dramas beg comparison. I admit my bias against Mel Gibson, yet I maintain a rational preference for "Rob Roy." Both "Braveheart" and "Rob Roy" compellingly depict Scots history in bloody, romantic fashion. "Braveheart" is an epic paean to individual honor and courage and a fine revenge fantasy. It's also melodramatic, anachronistic and maudlin. Note its cornball usage of slow motion filming. Its violence is both ugly and glorious. It is the latter quality which makes it more appealing to the adolescent mindset. While "Braveheart" surpasses "Rob Roy" in sheer levels of carnage (not to mention its indulgent running time), the latter film is ultimately more mature and satisfying. Its action is more understated, yet more surprising and clever. Its sex is less showy, yet more erotic. "Rob Roy" also has a better realized romantic interest. Its dialog attempts to approximate the poetry of the period. Its rotted teeth in the mouths of the actors attempt to approximate the dentistry of the era. And Tim Roth is a superlative villain. Also recommended: "The Last of the Mohicans" and "The Patriot." You may find the latter more akin to "Braveheart" with its emphasis on blood lust, with the former more similar to "Rob Roy" in tone. All the of the aforementioned movies merit their R ratings for violence.
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