A semiautobiographical project by John Boorman about a nine year old boy called Bill as he grows up in London during the blitz of World War 2. For a young boy, this time in history was more... See full summary »
Set in 1944 France, an American Intelligence Squad locates a German Platoon wishing to surrender rather than die in Germany's final war offensive. The two groups of men, isolated from the ... See full summary »
During the First World War, two French soldiers are captured and imprisoned in a German POW camp. Several escape attempts follow until they are sent to a seemingly impenetrable fortress which seems impossible to escape from.
William Shakespeare's classic play is brought into the present with the setting as Great Britian in the 1930s. Civil war has erupted with the House of Lancaster on one side, claiming the right to the British throne and hoping to bring freedom to the country. Opposing is the House of York, commanded by the infamous Richard who rules over a fascist government and hopes to install himself as a dictator monarch. Written by
Anthony Hughes <email@example.com>
I'm Sitting On The Top Of The World
Performed by Al Jolson
Composed by Ray Henderson, Joe Young and Sam Lewis
Published by EMI United Partnership Ltd.
Redwood Music Corp.
Angle-Pic Music Co. Ltd.
EMI Catalog Partnership/EMI Feist Catalog Inc.
Ray Henderson Music Corp.
(c) MCA Records Inc. Licensed courtesy of
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This is one of the movies you remember for a long time - and for all the good reasons. Transplanting Shakespeare in a different time and giving his historical plots a modern political sense is not such a new idea. What is really strong and works well here is the perfect fit between the characters as Shakespeare intended them and the background which is so different from the original historical one. Each one of the characters is both shakespearian as intended, a perfect citizen of the fictional time created by the director - a fascist England in the 30s - and more than everything else a human being: sensual, hating and loving as only humans do.
Perfectly acted, almost flawlessly directed, with very little overweight, this film is a feast for the intelligent spectator, a brutal, well-paced and expressive piece of art - and exactly as Shakespeare would have loved it, a mirror of his time, of our time, and of any time. 9/10 on my personal scale.
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